Electro-Voice's Variable-D tonal response aides in combating the proximity effect as well as create an even tonal response at 180° of the capsule making it suitable for capturing a wide variety of vocal and instrument sources. Its neodymium capsule handles high SPL levels making it great at capturing transient signals from amplifier cabinets, percussion instruments, horns, loud vocals, and more.
In addition, the microphone features a kick drum curve switch, which automatically adjusts for the frequency response of kick drums. The RE320 ships with a hard case.
- Selecting the left-hand switch position engages a curve specifically designed for use on kick drums. With dips and peaks exactly where kick drums need a little EQ attention, the result is an incredibly tight "insta-kick" sound requiring little if any additional EQ when the microphone is properly positioned at the drum.
- Selecting the right-hand switch position engages a flatter, more linear curve designed to be ideal for other instruments (such as guitar amps, bass amps, low toms, percussion, brass and wind instruments etc.) as well as voice (music and speech) in many applications. The response is smooth, natural, and articulate with a minimum of discolored off-axis bleed from surrounding sound sources.
- Utilizing the same humbucking coil technology found in the RE20 and RE27N/D to arrest electro-magnetic field interference introduced from sources close to the microphone, the RE320 produces an ultraquiet signal path free from the hum and buzz found in other dynamic microphones.
- Electro-Voice’s exclusive solution to the tonal changes associated with the proximity effect found in other directional microphones. Providing balanced and uniform frequency response up to 180° off-axis, the result is always stable and linear tonal performance even when the sound source is moving around the mic.
The black matte SSM-BC10 Microphone Suspension Shockmount from Auray is designed to keep your front-address microphone free from vibrations and noise that can often affect broadcast and voiceover applications. The heavy-duty bands isolate your microphone, eliminating the vibrations that can travel through your mic stand or broadcast arm.
The shockmount is equipped with a standard 5/8"-27 threaded socket and fits most mic stands and broadcast arms. Its locking knob and protective inner ring secure your mic in place while protecting its finish. The swiveling basket allows for precise microphone placement.
The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.
The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.
The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.
The black Auray WBF-BDM foam windscreen is tailored to fit most broadcast dynamic microphones with a 2" diameter such as the Rode PodMic and the Shure SM7B. It's a practical and simple solution that minimizes vocal plosive sounds of announcers and singers who work up close to the microphone.
In recording or podcast studios, it will also reduce noise from moving air produced by air conditioning, fans, or ventilation systems, up to 8 dB with only minimal high-frequency loss. The hypoallergenic and washable foam also shields your microphone from dust, debris, and moisture that can damage your microphone's capsule.
- Rode PodMic
- Electro-Voice RE20
- MXL BCD-1
- Shure SM7B
- Broadcast dynamic microphones with a 2" diameter
Electro-Voice RE320 Variable-D Dynamic Vocal and Instrument Microphone
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Electro-Voice RE-320 Reviews
Amateur Radio Never Sounded So Good
I get unsolicited great audio reports every day. The combination of boom, microphone, and shock mount together are a very affordable package compared to similar offerings from amateur radio manufacturers. This bundle is a steal!
clean voice
This mic produces a clean voice for video editing voiceover. I can't imagine getting something for a better bang for my buck.