The BCM-104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses signals below this frequency. In order to compensate for the proximity effect, an electronic high-pass filter, activated by a switch, is built into the microphone. This filter reduces frequencies below 100 Hz by 12 dB/octave. A 14 dB pre-attenuation switch is provided in order to adjust the sensitivity, if necessary, to circuits designed for dynamic microphones. But this will increase the self-noise accordingly. Both switches are located inside the microphone housing, since they will normally be operated only once, when the broadcasting facility is set up.
Perfect for podcasts, interviews, and show hosts, the O.C. White ProBoom Ultima Gen2 Ultralow-Profile Adjustable Mic Boom lets you achieve optimal microphone positioning while maintaining sight of your computer monitor and guests. Its ultralow-profile design utilizes a 12" fixed horizontal arm to keep it close to your table/desk.
The mic boom provides a maximum reach of 29" and a weight capacity of up to five pounds, ensuring that it can safely and conveniently accommodate your favorite microphone. It features a 13mm mounting stud and includes a 13mm machined table bushing and comes with all necessary tools for proper installation and adjustment.
- 29" reach
- 12" fixed horizontal arm
- 5 lb maximum weight capacity
- 13mm mounting stud
- Black and charcoal finish
- Includes all necessary tools for adjustment and installation
- Machined table bushing (13mm ID) included
- Machined table bushing requires one drilled 7/8" (0.875") clearance hole
Neumann's WS47 Windscreen for D-01 Microphone (Black) is an open-cell polyurethane foam which attenuates close-range sounds, wind, and fast movements of the microphone boom.
The wind noise attenuation was measured without electrical filtering in a turbulent air stream traveling at 20 km/h, generated by a noiseless wind machine.
The black Kopul Premium Performance 3000 Series XLR Male to XLR Female Microphone Cable (25') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and provide protection against EMI, RFI, and static noise. While the cable's color-coding affords the ability to quickly differentiate between multiple connections onstage, it provides a pleasant aesthetic quality at the same time.
Premium Performance 3000 Series cables are made from 24-AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. The 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Neumann BCM-104 Large Diaphragm Condenser Broadcast Microphone
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Neumann BCM-104 Reviews
A VERY Good Broadcast Microphone
This is a VERY well designed and thought out electret condenser mic, even for the Neumann line, and in this lineup is well priced for what it offers, compared to other Neumann mics. Specifically, The BCM 104 includes a built-in and very effective shock mount, switchable high pass filter and attenuator, and a (decent but not perfect) internal pop filter. Maintenance has been thought through and its grill is easily removed for cleaning - BUT BE CAREFUL NOT TO TOUCH THE CARTRIDGE!. In comparison to the Neumann TLM 103, it offers a somewhat similar sound but more (very useful) features, some of which are a significant extra expense (like the shock mount) on the TLM103. Its simply more capable and versatile than the TLM 103 or 102, yet is less well known - a "sleeper" mic. Compared to the venerable Electrovoce RE20 and popular Shure SM7B? I put them in the same category of quality/capability, but with distinctly different strengths, weaknesses and required EQ. As dynamics, the RE20 and SM7B are way tougher, still VERY versatile, do not require phantom power but need a LOT more preamp gain and different EQ for any given job. That said, all three mics take EQ very well and are a pleasure to use (for me). Is the BCM 104 worth the the more than 2x premium over the RE20 and SM7B? Depends - its always about the right tool for the job. The BCM104 is probably somewhat better for mixed broadcast/studio AND voiceover work, where the mic is NOT physically abused, and it CAN be used effectively on instruments as well, if you're careful about its handling. Also, its way smaller than the two other mics, so it intrudes less on voice talent. But the BCM is also more fragile internally - electrets usually are - and will likely not stand up to shock, moisture and heat quite as well as the dynamics DON'T manhandle the BCM 104 - the case is REALLY solid - but that terrific electret element is like a "bird in a cage". DON'T bang it up! The SM7B and RE20? They're pretty tough, go anywhere, do almost anything mics with a slightly more mellow sound and lower cost to replace if you make a mistake. Much more popular in broadcast and podcasing than the BCM104. But that "Neumann Sound" is alive and well in the BCM 104 is still pretty much king in voiceover, especially for clients who demand raw, unprocessed recordings. In the end, YOU need to decide if this is the right tool for YOUR work - and is worth the premium over other choices.
Nothing but the Best
Neumann makes great stuff all around and this microphone does not disappoint. Clear, crisp, and great sound pattern. Highly recommend for anything with vocals.