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TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and Booming Kit

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TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and Booming Kit
Key Features
  • Filmmaking, TV, and Web Broadcast
  • MKE 600 Shotgun Mic and Furry Windshield
  • Boompole, Shockmount, XLR Cable
  • Batteries, Charger, SDHC Memory Card
This TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and Booming Kit from B&H supplements the portable recorder with a Sennheiser MKE 600 shotgun microphone with furry windshield, a boompole with internal cable, an XLR cable, a shockmount, an SDHC memory card, batteries, and a charger.
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This TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and Booming Kit from B&H supplements the portable recorder with a Sennheiser MKE 600 shotgun microphone with furry windshield, a boompole with internal cable, an XLR cable, a shockmount, an SDHC memory card, batteries, and a charger.

TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones

For filmmaking, television, and web broadcast applications where you want to record direct sound and ambience, the TASCAM DR-70D multi-track field recorder is an ideal companion for your DSLR. Capture up to four tracks of high-resolution audio from external sources and the onboard omnidirectional microphones, route audio to and from your camera, and conveniently monitor through headphones. With strap-friendly handles, a tripod mounting socket, and a camera-mount screw attachment, the DR-70D is compatible with a variety of setups and working styles.

Versatile powering methods and remote-control options make the DR-70D ideal for location recording and extended video shoots. Its four balanced XLR-1/4" combo inputs handle mic- or line-level signals (even +4 dBu from high-end sound mixers) and can independently supply phantom power. A 3.5mm mic/line input with selectable plug-in power is provided for situations that require you to record a lavalier microphone or the output of a wireless receiver. Utilize settings such as stereo safety track recording, limiting, and low-cut filtering to achieve a clean, undistorted recording.

Onboard Omnidirectional Microphones
The DR-70D's two onboard condenser microphones empower you to capture stereo sound without external mics. The omnidirectional mics respond to sound from all directions and are permanently spaced apart in an A/B configuration, yielding a broad, sphere-like pickup pattern. Use them in combination with a shotgun, handheld, or lav mic to record direct sound and ambience at the same time.
Four XLR-1/4" Mic/Line Inputs with Independent Phantom Power
Four locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a professional multichannel mixer. With individually switchable phantom power (24 or 48V) and up to 63 dB of gain, the low-noise HDDA (High Definition Discrete Architecture) mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types.
3.5mm Mic/Line Input with Plug-In Power
For maximum intelligibility and optimal vocal tone, recordists often prefer to use lavalier microphones that can be attached to their subject's clothing. The DR-70D's 3.5mm mini-jack input is designed for precisely that situation; clip a lav mic (available separately) to the talent, then plug it into the 3.5mm input on the DR-70D. Knowing that many lav mics require a small amount of voltage called plug-in power, TASCAM offers a selectable setting to supply plug-in power to the 3.5mm input. If you need to record the output of a wireless microphone receiver or an audio mixer, the 3.5mm input can accommodate it because it supports line-level signals and handles a maximum input level of +10 dBV.
3.5mm Camera/Line and Headphone Outputs
The DR-70D boasts two 3.5mm outputs for simultaneous hookup to your camera and headphones. The headphone output offers a dedicated volume control next to the jack, while level for the camera/line output port can be changed in the menu system. Plus, the side-panel 3.5mm camera input is ideal for simple monitoring of playback from your camera.
Supports SDXC Cards up to 128GB
To maximize compactness and portability, the DR-70D records directly to media cards (available separately). It supports supports SD, SDHC, and SDXC cards (up to 128GB capacity) for long recording times in standard or high resolution. With an 8GB card, the DR-70D can record in stereo for over 13 hours at 16-bit / 44.1 kHz using the uncompressed, BWF-compliant WAV format.
Powered via AA Batteries, USB, or AC Adapter
Using four AA alkaline batteries (available separately), you can power the DR-70D for up to six hours of stereo recording time at 16-bit / 44.1 kHz resolution with the external inputs, or for up to 11 hours using the onboard mics. For long-duration sessions that require extended recording time, the DR-70D may be powered via a USB connection to a computer, mobile battery, or optional BP-6AA battery pack, or through the TASCAM PS-P515U AC adapter (available separately).
Ideal for Tripod- or Camera-Mounted Use
The DR-70D can be placed between a DSLR camera and a tripod or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a removable tripod bracket is mounted on the top. Remove the tripod bracket to access the integrated hot shoe. Also, handles on the front left and right sides protect the screen and permit the attachment of a shoulder belt. All batteries can be replaced without removing the DR-70D from the camera or tripod/rig.
Soft-Touch Controls
In the likely event that you need to use the transport and slate buttons while shooting, you don't need to worry about picking up clicks in the recording. The DR-70D's soft-touch rubber keys are designed for quiet operation to eliminate handling noise.
Stereo Safety Track Recording
Filmmakers and videographers often experience sudden audio volume spikes during filming. An actor could suddenly scream, or a documentary subject could do almost anything. The DR-70D has a dual-recording mode that captures a copy of your take (from a selectable mono or stereo input) up to 12 dB lower (adjustable in -1 dB increments) as a safety track in case of sudden distortion.
Built-In Mixer
Enhance the sonic impact of your audio with the DR-70D's built-in mixer. Each input features adjustable panning, level, limiting, polarity, and up to 150ms of delay. Mitigate wind noise and low-frequency rumble by selecting the low-cut filter, which can be set at 40, 80, 120, 180, or 220 Hz.
Tone Generator for Synchronizing Files
An internal tone generator makes it easy to synchronize files recorded on the DR-70D and your camera. When the DR-70D is connected to a camera, the adjustable slate tone may be sent to the camera and recorded to the DR-70D. The resulting tones can be used as guides when synchronizing the files in video editing software. Generate slate tones automatically at the head (or head and tail) of each clip, or manually via the slate button. Playback can be skipped to the slate tone insert position using the data dial.
Supports External Remote Control
Hand- or foot-operated remote control is possible via the RC-3F footswitch or RC-10 wired remote (both available separately); start/stop recording, make marks, increment tracks, and more without having to touch the DR-70D.
Additional Features
  • Angled 128 x 64 pixel graphic LCD with backlight for easy viewing
  • Simple, efficient file transfer via USB 2.0 connection to a computer
  • Adjustable delay function eliminates time lags caused by differences in the distances of two sets of inputs from the sound source
  • Hold switch prevents accidental operation
  • MS decoding function allows proper stereo monitoring of a mid-side mic configuration
  • Automatically creates a new file when the maximum file size is reached
  • Resume function retains the last stop point even when the DR-70D is powered off/on
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • File name format can be set to use a user-defined word or the date
  • The first six characters of the file name for recording can be set freely
UPC: 043774031139
Lexar 128GB Professional SILVER PLUS UHS-I SDXC Memory Card

The 128GB Professional SILVER PLUS UHS-I SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-I bus to support Full HD and 4K/60p video. It is also well suited for continuous shutter bursts, rapid shooting, and raw and JPEG captures. This card can achieve maximum read speeds of up to 205 MB/s and maximum write speeds of up to 150 MB/s. Thanks to its V30 speed class rating, minimum write speeds are guaranteed not to drop below 30 MB/s.

To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Recovery Tool software that is designed to recover most photo and video files. To further strengthen this card, Lexar built the SILVER PLUS series with resistance to wear, drops, temperature extremes, x-rays, shock, magnets, and vibration.

Performance When It Counts
With max read speeds of 205 MB/s, you can power through transfers and make long wait times a thing of the past. Max write speeds of 150 MB/s let you capture burst photos without missing a shot.
Video Recording As Detailed As You Are
Rated V30, the Lexar Professional SILVER PLUS UHS-I SDXC Card is built to record burst photos without missing a shot and smoothly shoots up to 4K/60 fps Ultra HD.
Extensive Compatibility
Tested to ensure compatibility with a range of camera models from Canon, Nikon, Sony, and more.
Tough Enough
Built for durability, the card is wearproof, temperature-proof, x-ray proof, vibration-resistant, magnet-proof, shockproof, and drop-proof so you can be confident taking it wherever your shoot takes you.
Peace of Mind Included
This card comes with the Lexar Recovery Tool to help you recover accidentally deleted files and is covered by a limited lifetime warranty.
UPC: 843367135479
Panasonic eneloop Pro Rechargeable AA Ni-MH Batteries with Charger (2550mAh, 4-Pack)

This pack of eneloop Pro AA Rechargeable Ni-MH Batteries from Panasonic comes with a charger, and the batteries are pre-charged and ready-to-use. They are not subject to any memory effect so you can charge them up to 500 times whether they are fully or partially drained. They maintain 85% of their charge after one year, and remain functional down to -4°F.

UPC: 073096902244
Panasonic eneloop pro AA Rechargeable NiMH Batteries (1.2V, 2550mAh, 4-Pack)

Power various electronics, including digital cameras, gaming devices, and flashlights, with this pack of four eneloop pro AA Rechargeable NiMH Batteries from Panasonic. Each features 1.2V of output power, a 2550mAh capacity, and a 3.06Wh rating. The cells come pre-charged and ready to use, and are rechargeable up to 500 times. Additionally, as they are not subject to any memory effects, they can be charged when fully or partially drained and their full capacity will continue to be usable after each cycle. Thanks to their very low self-discharge rate, the batteries will retain up to 85% of their charge after 1 year in storage. Engineered for durability, the eneloop pros perform well in extreme temperatures as low as -4°F.

UPC: 073096902053
Sennheiser MKE 600 Shotgun Microphone

Upgrade the audio quality in your video productions by switching from the built-in mic on your camera to the Sennheiser MKE 600 battery- or phantom-powered shotgun microphone. Its focused directional characteristics and resistance to structure-borne noise offer sonic results well suited to a variety of production scenarios from independent films and web series to nature shows and documentaries.

The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity.

The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera.

Quality Sound
The 10" long MKE 600 uses an interference tube and a supercardioid/lobar polar pattern to provide pronounced directivity on-axis along with significant attenuation of sound entering at the sides and rear, making the MKE 600 far more effective at capturing distant sources than the omnidirectional mics found in most cameras.
Bass Roll-Off
The MKE 600 naturally reduces sub-bass frequencies below 40 Hz to prevent unnatural bass buildup. Activate the switchable low-cut filter at 100 Hz to roll off more low-frequency noise from common sources such as air conditioners and traffic.
Battery or Phantom Powered
Thanks to its 3-pin XLR output and compliance with 48 VDC phantom powering, the MKE 600 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.

When using devices that don't offer phantom power, the MKE 600 may optionally be powered for up to 150 hours by a single AA battery (available separately). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain.

Ideal for Camera, Tripod, or Boompole Mounting
The MKE 600 includes a shoe shockmount for easy placement on your camera or a tripod. To mount the MKE 600 on a boompole or mic stand, use the Rycote InVision INV-HG mkIII shockmount (available separately), which will also impede the transfer of vibrations between your boompole/stand and the mic.
XLR to 3.5mm TRS Adapter Cable for Cameras
Included with a MKE 600 is a short coiled adapter cable—XLR female to 3.5mm TRS male—that lets you connect the mic directly into a mini-jack mic input on a camera.
Windscreen Minimizes Wind Noise
The MKE 600 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners by up to 25 dB. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 15cm Super-Softie, which also provides high immunity to rain.

For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately).
UPC: 615104223493
Auray BP-59A Aluminum Boompole with Internal Coiled Cable and Side Exit (9.6')
The Auray BP-59A is a 5-section aluminum boompole that combines an anti-twist tube design with ergonomic twist locks to offer smooth telescoping and hassle-free, one-handed operation—great for adjusting the length quickly, on the fly when filming documentary, ENG, or reality-style videos. The boompole has a collapsed length of 2.8', an extended length of 9.6', and weighs only 2.2 lb. The sections are made of lightweight aluminum tubes designed for portability and durability.

An internal, coiled cable with a side-exit XLR connector makes it easy to extend or retract the boompole while streamlining your setup with fewer cables to carry. The custom, removable head tip and drop-through design allow for cable reconfiguration without any soldering required. High-quality Rean and Neutrik connectors are used for reliable signal transfer and uncompromised performance, even in challenging environments.

Durable Aluminum Construction

  • The durable anodized aluminum construction can handle the bumps and impacts of demanding travel and location shoots in all kinds of weather.

Solid Grip and Smooth Telescoping

  • The ergonomic twist locks are covered with rubber grips that are easy on your hands and comfortable to operate, making length adjustment smooth and effortless. Improved shims ensure a firm and secure hold until you loosen the locks.

Anti-Twist Alignment Tubing for One-Handed Operation

  • Quick length adjustment when you're recording on the go is crucial for keeping from interrupting the shoot. With an anti-twist design, adjacent tubes won't twist when you're expanding or retracting the boompole. This allows for one-handed twist lock operation and makes setup and length adjustment fast and easy.

 

Internal, Coiled Cable with Strain Relief

  • The integrated, coiled XLR cable is engineered to minimize unwanted radio frequency (RF) and electromagnetic (EM) interference that can degrade the audio signal. The coiled design allows the cable to smoothly extend and retract with the telescoping tubes.
  • The tip's strain-relief system absorbs tension, secures the cable, and protects the cable from damage at the edges of the tip exit. Additional strain relief at the bottom of the pole protects and preserves the connections between the cable and the TA3 connector.

Side-Exit Connector 

  • The side-exit XLR connector allows the operator to rest the pole on its end without damaging the wiring or connector. To protect the pole, a rubber end cap provides a durable rubber pad at the bottom end.
Removable Arrowhead Tip for Solderless Cable Replacement

  • BP Series boompoles feature a removable Arrowhead tip designed to reduce weight at the top of the pole.
  • The tip also allows easy drop-through cable insertion for quick and uncomplicated cable replacement.
  • Thanks to the solderless design, you won't need special tools to replace the XLR cable using the cable replacement kit (available separately).
High-Quality XLR Connectors 

  • The internal cable is equipped with high-quality XLR and TA3 (mini XLR) connectors manufactured by Rean. The connectors ensure flawless signal transfer and secure locking connections, preventing the cable from disconnecting, even if there's stress or an accidental tug on the cable.
  • The Neutrik bottom-exit connector is housed in its own casing and ensures a secure connection to the boompole that won't jeopardize signal flow by twisting or jiggling.

Standard 3/8"-16 Threaded Mount

  • The boompole is outfitted with a standard 3/8"-16 threaded mount to ensure compatibility with most professional shotgun mics and shockmounts.
UPC: 847628037809
ORCA OR-27 Small Sound Bag

The Orca OR-27 is a small bag designed for audio mixers and recorders such as the Zoom F4, Zaxcom Maxx, TASCAM DR-701, and other similar-sized units. It features an internal honeycomb frame which cradles your gear, creating a cage that protects the devices inside.

Two handles and a shoulder strap are included with the bag, which can be accessed from six directions, thus making it eminently usable by field mixers and sound recordists on location. The top is fashioned from transparent TPU and can be positioned in all directions. Three sponges inside the bag help you adjust the mixer to any desired position. The secure buckle system holds your mixer safely in place.

Airo by K-Tek ASM1 Shockmount 1

The ASM1 Shockmount 1 from Airo by K-Tek is a rugged shockmount designed for boompoles and mic stands. It can be used to securely isolate a shotgun microphone from swinging and eliminate handling noise in ENG, EFP, and other field recording applications. The shockmount features two molded rubber suspenders. In addition, a threaded adapter is included to accommodate 5/8" mic stands.

UPC: 649906207740
Sennheiser MZH 600 Windshield

The MZH 600 Windshield by Sennheiser is an accessory for the MKE 600 shotgun mic. The MZH 600 Windshield features a combination of foam and faux fur that diffuses wind noise during outdoor use.

UPC: 615104223509
Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (10', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (10') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551176
Kit Contains:

TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones

Key Specs
Form Factor
Field Recorder
Number of Channels
6
Number of Tracks
4
Maximum Sampling Rate
96 kHz / 24-Bit
Microphone
Built-In Stereo Pair
Audio Interface Capability
No: /
Timecode
No Timecode Support
Analog I/O
Combo XLR-1/4" / 1/8" (3.5 mm) / 1/8" (3.5 mm) Headphone
Bias/Plug-In & Phantom Power
Has Bias/Plug-In Power: Voltage is Unspecified
24 / 48 V Phantom Power
Digital Audio I/O
No
Form Factor
Field Recorder
Primary Use Applications
Audio-for-Video
Number of Input Channels
6
Number of Microphone Inputs
4
Number of Tracks
4
Maximum Sampling Rate
96 kHz / 24-Bit
Display
Backlit LCD
Built-In Speaker
No
Special Features
Slate Function
Microphone
Microphone
Built-In Stereo Pair
Mic Configuration
A/B
Polar Pattern
Omnidirectional
Recording
Audio File Formats
BWF, WAV
Sample Rates
44.1 to 96 kHz
Bit Depth
16/24-Bit
Audio Interface Capability
No: /
Signal Processing & FX
Delay, Limiter, Low-Cut Filter
Timecode
No Timecode Support
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [128 GB Maximum]
Internal Storage
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line Input
1x 1/8" / 3.5 mm TRS Mic Input
1x 1/8" / 3.5 mm TRS Line/Camera Output
1x 1/8" / 3.5 mm TRS Camera Input
1x 1/8" / 3.5 mm TRS Headphone Output
Bias/Plug-In & Phantom Power
Has Bias/Plug-In Power: Voltage is Unspecified
24 / 48 V Phantom Power
Digital Audio I/O
No
Sync I/O
No
Other I/O
1x 2.5 mm TRS Remote Input
USB
1x Micro-USB
Wireless
No
Mobile App Compatible
No
Performance
Frequency Response
20 Hz to 20 kHz +0.5/-2 dB (at 48 kHz)
20 Hz to 40 kHz +0.5/-3 dB (at 96 kHz)
Gain
Up to 64 dB (Balanced Inputs)
Up to 38 dB (Unbalanced Inputs)
Maximum Input Level
0 dBu (Mic Input)
+20 dBu (Line Input)
+10 dBV (1/8" / 3.5 mm Input)
+6 dBV (Camera Input)
Headphone Output Power
20 mW per Channel
THD/Distortion
≤ 0.02% THD
Power
Power Options
Battery, USB Bus Power, AC/DC Power Adapter
Battery Type
4x AA (Not Included)
Battery Runtime
3.25 to 11 Hours, Dependent on Settings and Battery Type
AC/DC Power Adapter
5 VDC at 1 A (Not Included)
Physical
Mounting Options
1/4"-20 Female, Shoe Mount
Operating Conditions
32 to 140°F / 0 to 40°C
Dimensions
6.7 x 2.2 x 4.2" / 169 x 55.2 x 106.5 mm
Weight
1.2 lb / 530 g (without Batteries)
1.4 lb / 625 g (with Batteries)
Packaging Info
Package Weight
1.8 lb
Box Dimensions (LxWxH)
10.75 x 8.15 x 4.35"

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