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TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and On-Camera Kit

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TASCAM DR-70D 6-Input / 4-Track Multitrack Field Recorder with Onboard Omni Microphones and On-Camera Kit
Key Features
  • Filmmaking, TV, and Web Broadcast
  • Audio-Technica AT875R Short Shotgun Mic
  • Camera-Shoe Shockmount
  • Right-Angle Coiled Stereo Mini Cable
This TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones and On-Camera Kit from B&H supplements the portable recorder with an Audio-Technica AT875R short shotgun microphone, a camera-shoe shockmount, a stereo mini cable, an SDHC memory card, rechargeable batteries, and a charger.
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This TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones and On-Camera Kit from B&H supplements the portable recorder with an Audio-Technica AT875R short shotgun microphone, a camera-shoe shockmount, a stereo mini cable, an SDHC memory card, rechargeable batteries, and a charger.

TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones

For filmmaking, television, and web broadcast applications where you want to record direct sound and ambience, the TASCAM DR-70D multi-track field recorder is an ideal companion for your DSLR. Capture up to four tracks of high-resolution audio from external sources and the onboard omnidirectional microphones, route audio to and from your camera, and conveniently monitor through headphones. With strap-friendly handles, a tripod mounting socket, and a camera-mount screw attachment, the DR-70D is compatible with a variety of setups and working styles.

Versatile powering methods and remote-control options make the DR-70D ideal for location recording and extended video shoots. Its four balanced XLR-1/4" combo inputs handle mic- or line-level signals (even +4 dBu from high-end sound mixers) and can independently supply phantom power. A 3.5mm mic/line input with selectable plug-in power is provided for situations that require you to record a lavalier microphone or the output of a wireless receiver. Utilize settings such as stereo safety track recording, limiting, and low-cut filtering to achieve a clean, undistorted recording.

Onboard Omnidirectional Microphones
The DR-70D's two onboard condenser microphones empower you to capture stereo sound without external mics. The omnidirectional mics respond to sound from all directions and are permanently spaced apart in an A/B configuration, yielding a broad, sphere-like pickup pattern. Use them in combination with a shotgun, handheld, or lav mic to record direct sound and ambience at the same time.
Four XLR-1/4" Mic/Line Inputs with Independent Phantom Power
Four locking XLR-1/4" TRS combo jacks support mic level and +4 dBu line level, allowing you to record external microphones or balanced outputs from a professional multichannel mixer. With individually switchable phantom power (24 or 48V) and up to 63 dB of gain, the low-noise HDDA (High Definition Discrete Architecture) mic preamps can serve a variety of microphones such as dynamic, ribbon, or condenser types.
3.5mm Mic/Line Input with Plug-In Power
For maximum intelligibility and optimal vocal tone, recordists often prefer to use lavalier microphones that can be attached to their subject's clothing. The DR-70D's 3.5mm mini-jack input is designed for precisely that situation; clip a lav mic (available separately) to the talent, then plug it into the 3.5mm input on the DR-70D. Knowing that many lav mics require a small amount of voltage called plug-in power, TASCAM offers a selectable setting to supply plug-in power to the 3.5mm input. If you need to record the output of a wireless microphone receiver or an audio mixer, the 3.5mm input can accommodate it because it supports line-level signals and handles a maximum input level of +10 dBV.
3.5mm Camera/Line and Headphone Outputs
The DR-70D boasts two 3.5mm outputs for simultaneous hookup to your camera and headphones. The headphone output offers a dedicated volume control next to the jack, while level for the camera/line output port can be changed in the menu system. Plus, the side-panel 3.5mm camera input is ideal for simple monitoring of playback from your camera.
Supports SDXC Cards up to 128GB
To maximize compactness and portability, the DR-70D records directly to media cards (available separately). It supports supports SD, SDHC, and SDXC cards (up to 128GB capacity) for long recording times in standard or high resolution. With an 8GB card, the DR-70D can record in stereo for over 13 hours at 16-bit / 44.1 kHz using the uncompressed, BWF-compliant WAV format.
Powered via AA Batteries, USB, or AC Adapter
Using four AA alkaline batteries (available separately), you can power the DR-70D for up to six hours of stereo recording time at 16-bit / 44.1 kHz resolution with the external inputs, or for up to 11 hours using the onboard mics. For long-duration sessions that require extended recording time, the DR-70D may be powered via a USB connection to a computer, mobile battery, or optional BP-6AA battery pack, or through the TASCAM PS-P515U AC adapter (available separately).
Ideal for Tripod- or Camera-Mounted Use
The DR-70D can be placed between a DSLR camera and a tripod or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a removable tripod bracket is mounted on the top. Remove the tripod bracket to access the integrated hot shoe. Also, handles on the front left and right sides protect the screen and permit the attachment of a shoulder belt. All batteries can be replaced without removing the DR-70D from the camera or tripod/rig.
Soft-Touch Controls
In the likely event that you need to use the transport and slate buttons while shooting, you don't need to worry about picking up clicks in the recording. The DR-70D's soft-touch rubber keys are designed for quiet operation to eliminate handling noise.
Stereo Safety Track Recording
Filmmakers and videographers often experience sudden audio volume spikes during filming. An actor could suddenly scream, or a documentary subject could do almost anything. The DR-70D has a dual-recording mode that captures a copy of your take (from a selectable mono or stereo input) up to 12 dB lower (adjustable in -1 dB increments) as a safety track in case of sudden distortion.
Built-In Mixer
Enhance the sonic impact of your audio with the DR-70D's built-in mixer. Each input features adjustable panning, level, limiting, polarity, and up to 150ms of delay. Mitigate wind noise and low-frequency rumble by selecting the low-cut filter, which can be set at 40, 80, 120, 180, or 220 Hz.
Tone Generator for Synchronizing Files
An internal tone generator makes it easy to synchronize files recorded on the DR-70D and your camera. When the DR-70D is connected to a camera, the adjustable slate tone may be sent to the camera and recorded to the DR-70D. The resulting tones can be used as guides when synchronizing the files in video editing software. Generate slate tones automatically at the head (or head and tail) of each clip, or manually via the slate button. Playback can be skipped to the slate tone insert position using the data dial.
Supports External Remote Control
Hand- or foot-operated remote control is possible via the RC-3F footswitch or RC-10 wired remote (both available separately); start/stop recording, make marks, increment tracks, and more without having to touch the DR-70D.
Additional Features
  • Angled 128 x 64 pixel graphic LCD with backlight for easy viewing
  • Simple, efficient file transfer via USB 2.0 connection to a computer
  • Adjustable delay function eliminates time lags caused by differences in the distances of two sets of inputs from the sound source
  • Hold switch prevents accidental operation
  • MS decoding function allows proper stereo monitoring of a mid-side mic configuration
  • Automatically creates a new file when the maximum file size is reached
  • Resume function retains the last stop point even when the DR-70D is powered off/on
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • File name format can be set to use a user-defined word or the date
  • The first six characters of the file name for recording can be set freely
UPC: 043774031139
Lexar 128GB Professional SILVER PLUS UHS-I SDXC Memory Card

The 128GB Professional SILVER PLUS UHS-I SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-I bus to support Full HD and 4K/60p video. It is also well suited for continuous shutter bursts, rapid shooting, and raw and JPEG captures. This card can achieve maximum read speeds of up to 205 MB/s and maximum write speeds of up to 150 MB/s. Thanks to its V30 speed class rating, minimum write speeds are guaranteed not to drop below 30 MB/s.

To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Recovery Tool software that is designed to recover most photo and video files. To further strengthen this card, Lexar built the SILVER PLUS series with resistance to wear, drops, temperature extremes, x-rays, shock, magnets, and vibration.

Performance When It Counts
With max read speeds of 205 MB/s, you can power through transfers and make long wait times a thing of the past. Max write speeds of 150 MB/s let you capture burst photos without missing a shot.
Video Recording As Detailed As You Are
Rated V30, the Lexar Professional SILVER PLUS UHS-I SDXC Card is built to record burst photos without missing a shot and smoothly shoots up to 4K/60 fps Ultra HD.
Extensive Compatibility
Tested to ensure compatibility with a range of camera models from Canon, Nikon, Sony, and more.
Tough Enough
Built for durability, the card is wearproof, temperature-proof, x-ray proof, vibration-resistant, magnet-proof, shockproof, and drop-proof so you can be confident taking it wherever your shoot takes you.
Peace of Mind Included
This card comes with the Lexar Recovery Tool to help you recover accidentally deleted files and is covered by a limited lifetime warranty.
UPC: 843367135479
Panasonic eneloop Pro Rechargeable AA Ni-MH Batteries with Charger (2550mAh, 4-Pack)

This pack of eneloop Pro AA Rechargeable Ni-MH Batteries from Panasonic comes with a charger, and the batteries are pre-charged and ready-to-use. They are not subject to any memory effect so you can charge them up to 500 times whether they are fully or partially drained. They maintain 85% of their charge after one year, and remain functional down to -4°F.

UPC: 073096902244
Panasonic eneloop pro AA Rechargeable NiMH Batteries (1.2V, 2550mAh, 4-Pack)

Power various electronics, including digital cameras, gaming devices, and flashlights, with this pack of four eneloop pro AA Rechargeable NiMH Batteries from Panasonic. Each features 1.2V of output power, a 2550mAh capacity, and a 3.06Wh rating. The cells come pre-charged and ready to use, and are rechargeable up to 500 times. Additionally, as they are not subject to any memory effects, they can be charged when fully or partially drained and their full capacity will continue to be usable after each cycle. Thanks to their very low self-discharge rate, the batteries will retain up to 85% of their charge after 1 year in storage. Engineered for durability, the eneloop pros perform well in extreme temperatures as low as -4°F.

UPC: 073096902053
Audio-Technica AT875R Short Shotgun Microphone

With its smooth on-axis tone, great off-axis rejection, and straightforward operation, the Audio-Technica AT875R short shotgun microphone is well suited for budget-conscious indie films, TV shoots, nature recording, and documentary projects where simplicity and quality sound are prioritized.

The AT875R's high sensitivity allows it to perform reliably with a variety of microphone preamp classes. Its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility and compensate for loss in clarity resulting from wind protection.

The durable housing ensures rugged dependability while maintaining a light weight that won't burden your boompole or camera, and the included accessories accommodate mounting the AT875R to a mic stand, boompole, or camera-mount microphone holder.

Quality Sound
Being less than 7" long, the AT875R is equally at home on a boompole or atop a camera. It uses an interference tube and a supercardioid polar pattern to yield focused on-axis directionality while attenuating rear-entry sound and rejecting sound at the sides. This makes the AT875R far more effective at capturing distant sources than the omnidirectional mics found in most cameras. Its 90 Hz to 20 kHz frequency response naturally reduces problematic bass frequencies from common sources such as traffic rumble and wind noise.
11 to 52 VDC Phantom Powered
With a balanced 3-pin XLR output and support for 11 to 52 VDC phantom powering, the AT875R is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters as well as built-in preamps on many camcorders and cinema cameras.
Ideal for Boompole Mounting
The AT875R includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the AT875R in the Audio-Technica AT8415 shockmount (available separately) to impede the transfer of vibrations between your boompole and the mic. The AT875R also includes two rubber O-rings that expand the microphone's diameter to fit the larger mic holders found on many high-end cameras.
Windscreen Minimizes Wind Noise
The AT875R has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. Enhanced attenuation of wind noise is possible with the addition of an optional windshield such as the Rycote 12 cm Super-Softie, which also provides high immunity to rain.

For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the separately available Rycote Windshield Kit 3, a complete windjammer, windshield, and shockmount suspension system.
RODE SM3-R Camera Shoe Shockmount

The SM3-R Camera Shoe Shockmount from RØDE is a suspension shockmount with a camera shoe adapter for mounting various RØDE microphones onto a camera using a standard hot/cold shoe mount. It is built with dual Rycote Lyre mounts to provide maximum isolation from any handling vibrations.

Featuring four possible mounting points to suit the complete range of compatible RØDE on-camera microphones, the shock mount also has an integrated cable management clip. It is compatible with the following microphones: M5, NT5, NT55, NTG1, NTG2, NTG3, NTG4, and NTG4+.

Microphone Compatibility
M5, NT5, NT55, NTG1, NTG2, NTG3, NTG4, and NTG4+
UPC: 698813004621
Kopul CMX-RC30 Right-Angle Coiled Stereo Mini Cable (Black, 8 to 24")

The black Kopul CMX-RC30 is a coiled, right-angle stereo mini cable designed for connecting mixers and recorders to DSLR cameras or camcorders, as well as home audio devices where 3.5mm stereo mini plugs are needed at both ends of the cable. Intended as a replacement cable for Kopul CMX-1 & CMX-1-V2 two-channel mini mixers and CMX-2 & CMX-2-V2 two-channel camcorder XLR adapters, this durable cable can also be used to connect smartphones, tablets, media players, and computers to speakers or car stereos.

The cable features an 8 to 24", stretchable, coiled design, which doesn't interfere with your camera's operation and prevents clutter. The low-profile, right-angled connectors easily fit into tight spaces or hard-to-reach places and are gold-plated to provide a reliable connection between your devices. The cable's OFC spiral shielding helps minimize unwanted RF and EM interference for a clear audio signal.

Key Features
  • Replacement cable for Kopul CMX-1 & CMX-1-V2 two-channel mini mixers and CMX-2 & CMX-2-V2 two-channel camcorder XLR adapters
  • 8 to 24" coiled cable design 
  • Gold-plated 3.5mm mini-connectors resist corrosion for reliable connectivity between your devices
  • Low-profile, right-angled connectors fit into tight spaces or hard-to-reach places where a normal straight connector cannot fit
  • Coiled design reduces clutter and prevents excess cable from interfering with the operation of a DSLR camera or camcorder
  • OFC spiral shielding minimizes RF or EM interference while maintaining cable flexibility
  • Certifications: CE, RoHS, WEEE
UPC: 847628013728
Kopul Coiled 3-Pin XLR-M to Angled 3-Pin XLR-F Cable (3 to 18", Black)

The Kopul Coiled 3-Pin XLR-M to Angled 3-Pin XLR-F Cable provides high-quality audio transfer and is particularly suited for ENG/EFP applications. It features an oxygen-free copper core and silver-plated contacts for clean signal transfer. The cable has a 3" coiled section, with 1" straight leads into the connectors. The cable measures approximately 10" end to end, and can be extended to at least 1.5 feet. It has a 3-pin Neutrik NC-XX XLR male connector on one end and an angled 3-pin Neutrik NC-XX XLR female connector on the other.

Copper shield protects against EMI and RFI noise
Shrink-wrapped solder points for added protection
28 AWG stranded oxygen-free conductors
Genuine Neutrik NC-XX connectors
SuperFlex Coiled PVC outer jacket
UPC: 847628551251
Kit Contains:

TASCAM DR-70D 6-Input / 4-Track Multi-Track Field Recorder with Onboard Omni Microphones

Key Specs
Form Factor
Field Recorder
Number of Channels
6
Number of Tracks
4
Maximum Sampling Rate
96 kHz / 24-Bit
Microphone
Built-In Stereo Pair
Audio Interface Capability
No: /
Timecode
No Timecode Support
Analog I/O
Combo XLR-1/4" / 1/8" (3.5 mm) / 1/8" (3.5 mm) Headphone
Bias/Plug-In & Phantom Power
Has Bias/Plug-In Power: Voltage is Unspecified
24 / 48 V Phantom Power
Digital Audio I/O
No
Form Factor
Field Recorder
Primary Use Applications
Audio-for-Video
Number of Input Channels
6
Number of Microphone Inputs
4
Number of Tracks
4
Maximum Sampling Rate
96 kHz / 24-Bit
Display
Backlit LCD
Built-In Speaker
No
Special Features
Slate Function
Microphone
Microphone
Built-In Stereo Pair
Mic Configuration
A/B
Polar Pattern
Omnidirectional
Recording
Audio File Formats
BWF, WAV
Sample Rates
44.1 to 96 kHz
Bit Depth
16/24-Bit
Audio Interface Capability
No: /
Signal Processing & FX
Delay, Limiter, Low-Cut Filter
Timecode
No Timecode Support
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC [128 GB Maximum]
Internal Storage
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line Input
1x 1/8" / 3.5 mm TRS Mic Input
1x 1/8" / 3.5 mm TRS Line/Camera Output
1x 1/8" / 3.5 mm TRS Camera Input
1x 1/8" / 3.5 mm TRS Headphone Output
Bias/Plug-In & Phantom Power
Has Bias/Plug-In Power: Voltage is Unspecified
24 / 48 V Phantom Power
Digital Audio I/O
No
Sync I/O
No
Other I/O
1x 2.5 mm TRS Remote Input
USB
1x Micro-USB
Wireless
No
Mobile App Compatible
No
Performance
Frequency Response
20 Hz to 20 kHz +0.5/-2 dB (at 48 kHz)
20 Hz to 40 kHz +0.5/-3 dB (at 96 kHz)
Gain
Up to 64 dB (Balanced Inputs)
Up to 38 dB (Unbalanced Inputs)
Maximum Input Level
0 dBu (Mic Input)
+20 dBu (Line Input)
+10 dBV (1/8" / 3.5 mm Input)
+6 dBV (Camera Input)
Headphone Output Power
20 mW per Channel
THD/Distortion
≤ 0.02% THD
Power
Power Options
Battery, USB Bus Power, AC/DC Power Adapter
Battery Type
4x AA (Not Included)
Battery Runtime
3.25 to 11 Hours, Dependent on Settings and Battery Type
AC/DC Power Adapter
5 VDC at 1 A (Not Included)
Physical
Mounting Options
1/4"-20 Female, Shoe Mount
Operating Conditions
32 to 140°F / 0 to 40°C
Dimensions
6.7 x 2.2 x 4.2" / 169 x 55.2 x 106.5 mm
Weight
1.2 lb / 530 g (without Batteries)
1.4 lb / 625 g (with Batteries)
Packaging Info
Package Weight
1.8 lb
Box Dimensions (LxWxH)
10.75 x 8.15 x 4.35"

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