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MOTU M4 USB-C Audio/MIDI Interface with Home Studio Kit

BH #MAM4HSK (B&H Kit)
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MOTU M4 USB-C Audio/MIDI Interface with Home Studio Kit
Key Features
  • Complete Home Recording Kit
  • Record and Mix Directly with Computers
  • High-Quality Sound Out of the Box
  • Easily Capture Voice and Instruments
Combining components for mixing with a versatile mic and headphones for recording, this B&H Kit bundles a MOTU M4 Audio Interface with a large-diaphragm condenser mic, a pair of over-ear, closed-back studio headphones, a pair of studio monitor speakers, two balanced 1/4" to XLR cables, two monitor isolation pads, a USB-C to USB-A adapter, and a tripod mic stand with boom.
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Kit Contains:

From Manufacturer

Combining components for mixing with a versatile mic and headphones for recording, this B&H Kit bundles a MOTU M4 Audio Interface with a large-diaphragm condenser mic, a pair of over-ear, closed-back studio headphones, a pair of studio monitor speakers, two balanced 1/4" to XLR cables, two monitor isolation pads, a USB-C to USB-A adapter, and a tripod mic stand with boom.

MOTU M4 USB-C Audio-MIDI Interface

Pristine, versatile, and portable, the MOTU M4 desktop 4x4 USB-C audio-MIDI interface combines high-class audio performance, a robust bundle of DAWs, virtual instruments, loops, and samples, and a feature set that makes it equally powerful and user-friendly for musicians, podcasters, and producers, all at a highly affordable price point.

With its two front-panel mic/line/instrument preamps and two rear-panel line inputs, the M4 can record anything from dynamic and condenser microphones to electric guitars and drum machines in distortion-free, sparkling clarity. Equipped with top-notch ESS digital-to-analog converters that drive the main outs and the headphone jack, the M4 lets you monitor through your speakers and headphones with the dynamic range normally found only on much more expensive interfaces.

Use the M4's digital loopback channels to easily route audio from your computer directly into your host software—record remote podcast guests from Skype or any other VoIP software without incurring horrible feedback, or livestream a mix of live inputs and the computer's output.

The M4 is equally suitable for producers, thanks to its MIDI 5-pin I/O. Plug in a MIDI keyboard to control virtual instruments such as the selection of over 100 VIs included with the M4. Or, run MIDI from the M4 to your favorite hardware synth to capture its glorious tones through the M4's pristine analog preamps.

No matter what you do, the M4's specially engineered drivers ensure ultralow-latency monitoring so you can rehearse and record in real time without hearing any distracting echo, and the full-color LCD screen shows you high-resolution metering for all inputs and outputs at all times. Take the M4 anywhere you need to work; it is bus-powered and compatible with Mac/Windows computers and iOS mobile devices.

Professional-Level Audio Quality
Equipped with the same ESS Sabre32 Ultra DAC technology found in audio interfaces the pros use, the M4 delivers 120 dB of dynamic range on its main outputs. ESS converters also drive the headphone output. Ultraclean preamp circuits produce a measured -129 dBu EIN on the mic inputs; this means while recording, you'll only hear the mic, not the mic pre.
Mirrored Monitoring
The M4 has balanced 1/4" outputs for professional-level monitoring, and also features mirrored RCA outputs for feeding receivers and other unbalanced gear. With a 1/4" headphone output, you can also monitor your work privately.
Loopback Channels for Podcast Recording and Live Streaming
The M4's included driver provides convenient loopback channels to your host computer, so you can easily capture your computer's output. Combine computer audio with live mics while recording in your DAW, allowing you to capture guests over Skype or other VoIP programs. You can also use the loopback function while streaming live to sites like Twitch.
Line Inputs and Line Outputs
In addition to the monitor outputs, the M4 offers two 1/4" line outputs and two mirrored RCA line outputs. Use these outputs to feed outboard gear such as compressors, equalizers, stereo-width processors, or whatever else you have in your arsenal. Route audio to channels 3-4, through your favorite hardware pieces, and then back into the two 1/4" line inputs. This makes the unit suitable for hybrid mix engineers.
Low Latency
The M4 provides ultralow latency for monitoring live inputs through your computer, thanks to MOTU's expertly engineered USB drivers. These deliver 2.5 ms of round-trip latency, measured with a 32-sample buffer at 96 kHz.
Hardware Monitoring and Input Mix Knob
The M4 gives you one-touch hardware monitoring for all inputs, including line inputs 3-4. You'll also note the mix knob for balancing live inputs with computer playback; this lets you secure your perfect monitor mix, so you can hear your playing without latency, as well as any playback tracks, all at the same time.
Integrates with MIDI Gear and Analog Synths
The M4 includes traditional 5-pin MIDI input and output ports, so you can connect a MIDI controller, a sound module, or even a keyboard workstation without having to get a separate MIDI interface. The four 1/4" outputs on the M4 are DC-coupled, allowing you to send MIDI data from your DAW as CV to hardware analog synthesizers, Eurorack modules, and sequencers.
Audio Interface or Standalone Operation
The unit is bus-powered over USB for optimal portability and convenience. It includes a USB-C to Type-A cable for compatibility with most computers. If your computer has USB-C ports, simply use a USB-C cable (available separately) to connect the two.

Alternatively, by using a USB-C power adapter, the M4 can be used as a standalone preamp and basic mixer, no host computer required. Simply engage the monitor button for each input (and 48V phantom power, if needed), and adjust the preamp gain. Connect the main outs to any line-level destination, such as a PA or patch bay.
Software Included
The M4 includes Ableton Live Lite and MOTU Performer Lite, popular and capable DAWs geared for music recording and production. Also included are over 100 instruments for Performer Lite, as well as 6GB of loops, sounds, and one-shot samples for either DAW.
Key Features at a Glance
  • USB-C audio interface with professional-level sound, four inputs, and four outputs
  • Easy-to-read metering for all inputs/outputs, with a full-color LCD
  • Two XLR-1/4" mic/line/Hi-Z guitar inputs and two balanced 1/4" line inputs
  • Individual preamp gain and 48V phantom power for each input
  • Four balanced, DC-coupled 1/4" TRS outputs for feeding monitors, outboard gear, or even hardware synthesizers and sequencers
  • Four mirrored RCA unbalanced outputs
  • One stereo headphone output, driven by ESS converters, with independent volume control
  • Supports resolutions up to 24-bit / 192 kHz
  • USB audio class compliant for plug-and-play operation on Mac or iOS (driver required for Windows)
  • Driver loopback for capturing host output, live streaming, and podcasting
  • MIDI I/O on 5-pin DIN jacks
  • Rugged metal construction
  • Kensington security slot
UPC: 839128006126
RODE NT1 Signature Series Large-Diaphragm Condenser Microphone (Black)

Sporting the same warm, silky sonic character that made the NT1 series a go-to studio workhorse for millions, the black NT1 Signature Series Studio Condenser Microphone from RODE is the latest edition of the iconic large-diaphragm mic. With an incredibly low self-noise of 4 dBA and a high SPL handling of 142 dB, the NT1 Signature Series is a versatile Swiss Army knife built to deliver a classic studio sound for a range of applications, from vocal and instrument recording to podcasting, content creation, and voice-over work.

The classic RODE HF6 1" true condenser capsule brings a smooth frequency response and high sensitivity to the table. The internal JFET impedance converter and bipolar output buffer help contribute to the low noise and clean sound. The cardioid pickup pattern helps you avoid unwanted sounds to the rear and sides, a vital feature for podcasting and content creation in untreated spaces. The finish is highly durable, resisting scuffs, scratches, and other physical blemishes that can plague well-used workhorse mics. The NT1 Signature Series includes a 20' XLR cable, an SM6 shockmount and pop filter, and a dust cover.

Internally Shock-Mounted HF6 Cardioid Condenser Capsule
  • Behind the protective mesh grille, the mic features Rode's 1" gold-sputtered HF6 capsule, designed to provide a detailed midrange response with smooth highs and warm bass
  • The cardioid polar pattern focuses audio capture on the source in front of the mic, picking up less unwanted ambient sound from the back and sides
  • The transducer itself is suspended inside the microphone, using Rycote's industry-leading Lyre system, minimizing external vibrations at the capsule level The capsule is then married to high-grade electronics that have been designed to provide an extremely low noise level. The NT1 Signature Series is an incredibly quiet microphone, measuring only 4 dBA of self-noise
  • The mic is powered by phantom power through the XLR connector
Bundled Accessories
  • The NT1 Signature Series is supplied with the SM6, a studio-grade suspension shockmount that provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone
  • The SM6 includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility
  • The mic also comes with a balanced 20' XLR microphone cable
  • A dust cover is also supplied
UPC: 698813013982
Audio-Technica ATH-M40x Closed-Back Monitor Headphones (Black)

Merging acclaimed features of the M-Series headphones with a foldable, travel-friendly design, and one-ear monitoring capability, the black Audio-Technica ATH-M40x monitor headphones offer pro-grade build quality and audio performance for studio-based production, location recording, DJing, and daily listening. Outfitted with 40mm dynamic drivers and an over-ear, closed-back design, the ATH-M40x headphones deliver a flat, accurate response and wide bandwidth (15 Hz to 24 kHz) while isolating you from outside sounds.

Thanks to the 90° swiveling earcups, pro-quality materials, and generous cushioning on the headband and earpads, the headphones are both durable and comfortable to wear. Two detachable, single-sided cables—one coiled and one straight—are included for optimal operation in the studio or on the go. Each cable sports a gold-plated 3.5mm mini plug for use with mobile devices and computer soundcards, and a 1/4" screw-on adapter is included for easy hookup to audio interfaces, mixers, and stereo receivers. A carrying pouch is supplied with the ATH-M40x for convenient storage and transport of the headphones.

40mm Drivers
The ATH-M40x features 40mm dynamic drivers with rare earth (neodymium) magnets and CCAW (copper-clad aluminum wire) voice coils for high-quality sound reproduction.
Tuned for Flat, Accurate Response
The drivers and headphone design work together to provide a sonic signature tuned flat for accurate sound monitoring across the entire frequency range. With a frequency response of 15 Hz to 24 kHz, the ATH-M40x can reproduce a full spectrum of tones.
Over-Ear, Sound-Isolating Design
The ATH-M40x utilizes a circumaural design that contours around the ears for excellent sound isolation in loud environments. This over-ear, closed-back style is optimal for reducing bleed and separating you from outside sounds.
90° Swiveling Earcups and Foldable Design
Equipped with 90° swiveling earcups, the ATH-M40x ensures a great fit and allows effortless one-ear monitoring, a welcome benefit for DJs and singers. The earcups fold up to meet the headband, saving space during storage. A carrying pouch is supplied for protection and convenience while transporting the headphones.
Two Detachable Single-Sided Cables
To expand its versatility, the ATH-M40x incorporates a detachable cable design that exits from the left side. This enables convenient cable swapping and makes it easier to distinguish the different sides of the headphone. Two cables are included—a 3.9 to 9.8' coiled cable and a 9.8' straight cable.
3.5mm Plug and 1/4" Screw-On Adapter
The attached cable is terminated with a gold-plated 3.5mm TRS mini plug for easy hookup to mobile devices, MP3 players, and computer headphone jacks. A secure 1/4" screw-on adapter is included for compatibility connectivity with audio interfaces, mixers, and dedicated headphone amplifiers. Built-in strain relief on the 3.5mm mini plug reduces the likelihood of damaging the connection if the cable is pulled.
Pro-Grade Build Quality
Thanks to the pro-grade earpad and headband materials used in the ATH-M40x, the headphones provide increased durability and comfort while delivering enhanced audio and effective isolation.
UPC: 042005183531
JBL 305P MkII Powered 5" Two-Way Studio Monitor

Audio engineers, producers, and musicians looking for a high-quality monitoring solution will be impressed with the  JBL 305P MkII - Powered 5" Two-Way Studio Monitor, a bi-amplified reference monitor with next-generation drivers, offering high detail, precise imaging, a wide sweet spot, and a remarkable dynamic range to enhance the mix capabilities of any modern workspace. The magnetically-shielded 305P MkII features dual 41W Class-D amplifiers, which power the 5" low frequency woofer and woven-composite 1" neodymium tweeter. The combined output of the woofer and tweeter offer a frequency response of 49 Hz to 20 kHz with a peak SPL of 108 dB.

The monitor features JBL's Image Control Waveguide technology for accurate audio reproduction and JBL's Slip Stream port design for improved bass response. The 305P MkII is equipped with a boundary EQ for controlling the low frequency response when placed near a wall, as well as a 3-position HF trim switch. To ensure flexible connectivity, JBL included a balanced XLR input and a balanced 1/4" TRS input, both of which feature dented level control. Other features include a selectable input sensitivity switch that ensures compatibility with a range of signal sources. The JBL 305P MkII ships with a power cord.

  • Patented Image Control Waveguide for detailed imaging and a broad, room-friendly sweet spot
  • High-quality JBL transducers for optimized transient response and improved linearity
  • Patented Slip Stream low-frequency port for superior bass performance at all playback levels
  • Dual integrated, custom Class-D amplifiers provide 112W of power for high output and dynamic range
  • Boundary EQ settings compensate for low-frequency variants introduced by the environment
  • HF Trim switch adjusts high-frequency output to room acoustics or personal preferences
  • Flexible connectivity with balanced XLR and 1/4" TRS inputs, +4 dBu / -10 dBV input-sensitivity switch and adjustable volume control
  • Engineered to JBL Linear Spatial Reference design criteria for outstanding accuracy in any working space
  • Strenuous JBL 100-hour full-power test ensures years of reliability
  • Sleek, modern design provides a visual upgrade to any studio
UPC: 691991007705
Hosa Technology Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable (5')

The 5' Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that's perfect for touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.

The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.

Ideal for professional touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input
The REAN connectors provide excellent durability and superior signal transfer
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path
90% OFC spiral shielding provides terrific flexibility and effective EMI and RFI rejection
The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other
UPC: 728736051461
Auray IP-S Isolation Pad for Studio Monitor (Small, Single)

The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor's vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.

Set at Three Different Angles
Up position: Angle your speakers up for desktop use
Down position: Angle your speakers down for use on a monitor bridge or shelf
Flat position: Flip the pads upside down to set your speakers flat on adjustable speaker stands
UPC: 847628564152
StarTech USB Type-C Male to USB Type-A Female Adapter Cable (6")

Convert your USB Type-C port into a USB Type-A port using this 6" USB Type-C Male to USB Type-A Female Adapter Cable from StarTech. This adapter allows you to use legacy USB Type-A cables or flash drives with your USB Type-C device. This USB 3.0 cable supports transfer rates up to 5 Gbps, making it up to 10x faster than USB 2.0, and is compatible with Thunderbolt 3 ports.

UPC: 065030860789
Auray MS-5230T Tripod Microphone Stand with Telescoping Boom

The Auray MS-5230T Tripod Microphone Stand with Telescoping Boom features durable, steel construction. The telescoping boom arm is adjustable from 19.3 to 33.9" in length, allowing you to angle and extend the mic placement however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly in place. The Auray MS-5230T mic stand collapses for easy transport.

UPC: 847628015593
Kit Contains:

MOTU M4 USB-C Audio-MIDI Interface

Key Specs
Channels of I/O
Analog:
4 Inputs / 4 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Analog Audio I/O
2x Combo XLR-1/4" TRS Mic/Line/Hi-Z Input
2x 1/4" TRS Line Input
4x 1/4" TRS Line Output
1x 1/4" TRS Headphone Output
4x RCA Line Output
Digital Audio I/O
No
Host Connection
1x USB-C
Power Requirements
USB Bus Power
General
Display
1x Color LCD
Channels of I/O
Analog:
4 Inputs / 4 Outputs
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Built-In Microphone
No
Input Level Adjustment
2x Knob
Signal Processing
Pad
No
Gain/Trim Range
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
1x 1/4" TRS Unbalanced Headphone Output
4x RCA Unbalanced Line Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
No
Host Connection / USB
1x USB-C
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+10 dBu (Min Gain)
Line/Hi-Z Inputs:
+16 dBu (Min Gain)
Line Inputs:
+18 dBu (Min Gain)
Maximum Output Level
Line Outputs:
+16 dBu (Balanced)
Line Outputs:
+9.5 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Line Outputs:
100 Ohms
Hi-Z Inputs:
1 Megohm
Dynamic Range
Line/Hi-Z Inputs:
114 dBA
Line Inputs:
115 dBA
Mic Inputs:
115 dBA
RCA Outputs:
119 dBA
Headphone Outputs:
115 dBA
Line/Monitor Outputs:
120 dBA
THD+N
Mic Inputs:
< -97 dB / < 0.0014%
Line/Hi-Z Inputs:
< -100 dB / < 0.001%
Line Inputs:
< -106 dB / < 0.0005%
Line/Monitor Outputs:
< -110 dB / < 0.00032%
RCA Outputs:
< -105 dB / < 0.00056%
Headphone Outputs:
< -110 dB / < 0.0003%
EIN
Mic Inputs:
-129 dB A-Weighted (150-Ohm Source, Max Gain)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
No
Bit Depths
24-Bit
Latency
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11 or Later / Windows 7 or Later / or Later
Processor Requirement
Mac:
1 GHz Intel
PC:
1 GHz Intel Pentium
RAM Requirements
2 GB, 4 GB Recommended
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Power
Power Requirements
USB Bus Power
Physical
Dimensions
8.25 x 4.25 x 1.75" / 20.96 x 10.79 x 4.45 cm (Chassis Only)
Weight
1.6 lb / 0.7 kg
Packaging Info
Package Weight
2.15 lb
Box Dimensions (LxWxH)
10.6 x 7.3 x 2.8"

MOTU M4 Reviews

Solid unit

By Douglas
Rated 5 out of 5
Date: 2025-07-14

I bought this interface as an upgrade to my 2 in/2 out Steinberg. You might expect four full combo inputs with phantom power and preamps and everything, but there are only two and the additional ins are line level 1/4 on the back. That's fine for me because I upgraded for more flexibility in output routing. The preamps sound good. The Windows drivers are recent. I haven't run into any trouble running a 64 sample buffer. It's a good interface.

Great Value, Low Latency

By Merc
Rated 5 out of 5
Date: 2024-07-08

Easy to set up. Good Value. Worth the upgrade for the extra in/out ports and monitoring options. Low Latency when monitoring in a DAW. Plus the security of knowing that MOTU is best in class for MIDI routing, and this has two MIDI ports--a winning combo for an audio interface.

See any errors on this page?

Can you actually record true 32 Bit Float through ...

Can you actually record true 32 Bit Float through this interface?
Asked by: Adam
No, the M4 does not offer 32-bit floating point recording.
Answered by: Lisa S
Date published: 2022-06-07

is it possible to listen to a microphone plugged ...

is it possible to listen to a microphone plugged into the left channel through both left and right sides of my headphones, or send one mic into both channels?
Asked by: STEVEN
It is possible to monitor channel one through both sides of your headphones with this interface. The Input Monitor Mix button will send a mono input to both channel outputs. As well, if monitoring from a DAW, a mono channel in the DAW will playback in both ears.
Answered by: Daniel
Date published: 2021-05-17

Is there a mobile app for controlling the ...

Is there a mobile app for controlling the monitoring mix like on FocusRite interfaces? Or is that available only on the higher end interfaces?
Asked by: Alan
No, a mobile control app is not available for use with the M4. MOTU does offer mobile apps for several of their larger, higher-end interface models.
Answered by: Lisa S
Date published: 2021-01-14

What's the round trip latency with 64 samples @ ...

What's the round trip latency with 64 samples @ 44.1kHz ?
Asked by: Walid
5.62358 ms RTL 64 samples @ 44.1 using Core Audio driver. 3.14583 ms RTL 64 samples @ 96 with Core Audio driver.
Answered by: Anonymous
Date published: 2020-12-15

Looking for an audio interface in the $200-$1k ...

Looking for an audio interface in the $200-$1k range that records in 32bit float, that works effectively on windows using FL Studio. Does this exist?
Asked by: Kevin
Yes, the MOTU M4 Desktop 4x4 USB Type-C Audio/MIDI Interface offers 32-bit float capabilities and is compatible for use with Windows as well as FL Studio.
Answered by: Matt Z
Date published: 2022-06-07

Can you send one microphone signal to both ...

Can you send one microphone signal to both channels at the same time?
Asked by: STEVEN
Yes, depending on your DAW software.
Answered by: Donald
Date published: 2021-07-22

Is this a half-rack size?

Is this a half-rack size?
Asked by: David
This interface is 8.25 inches wide, which is just a bit more than half-rack size.
Answered by: Steven M
Date published: 2020-06-26

Can I connect 4 XLR Mics to this interface?

Can I connect 4 XLR Mics to this interface?
Asked by: Oscar
This interface offers just two XLR microhone inputs.
Answered by: Mark S
Date published: 2021-12-15
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