Learn from B&H Experts
From Manufacturer
Whether its for narration, ad reads, or voice acting, this B&H Kit is a great setup to get your voice heard and features a RME Babyface Pro FS 24-Channel Audio Interface bundled with a broadcast dynamic microphone, a vocal reflection panel, a pair of over-ear, closed-back studio monitoring headphones, an XLR mic cable, and tripod mic stand with boom.
The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4", 3.5mm, and TRS connections).
Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clocking, already high-quality, has been improved to provide ultralow jitter and jitter immunity. The 3.5mm headphone output power has risen from 70 to 90mW, and both headphone outputs sport improved THD up to 10 dB. Latency now has a typical delay of 5 samples AD and 7 samples DA, one-fifth of previous generations. These are just some of the improvements.
The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X, and iOS. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from the simple mixing of signals to more complicated routing configurations.
The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Delay and reverb are also on hand. Achieving sample rates and resolutions of up to 192 kHz / 24-bit, the interface offers a professional recording solution in a compact form factor.
- +19/+4 dBu switch on the bottom adds a direct way to reduce the output level, improving SNR for sensitive active monitors, as well as avoiding distortion/overloads, and keeping TotalMix FX faders near 0 dB instead of high attenuations
- Full SteadyClock FS circuit for ultralow jitter and high jitter immunity
- 3.5 mm TRS phones output power rises from 70 mW to 90 mW
- THD of both phones outputs improved by up to 10 dB
- Uses same output opamps as ADI-2 Pro
- Output impedance of 3.5 mm TRS lowered from 2 to 0.1 ohm
- Mic inputs SNR improved from 112.2 to 113.7 dB
- TRS line inputs SNR improved from 114 to 116 dB RMS (120 dBA)
- THD line inputs improved by 8 dB
- Latency improved by six samples on the AD side by new ADC (5 samples AD, 7 samples DA)
- No increase in power consumption, despite new features
- K-slot for theft protection
With 80-ohm impedance, this configuration sits in a balanced place between being able to power demanding 250-ohm and consumer-grade 32-ohm headphones, providing a versatile design that will excel on high-end audio sources while being easily driven by smart devices. The wide frequency range of 5 Hz to 35 kHz reproduces nuance and detail within audio signals, and the DT 770 PRO sports an optimized impulse response for clear transients and accuracy. The ergonomics are refined for long-lasting durability and comfort, thanks to soft and replaceable velour earpads and a padded headband with a sturdy spring steel hoop. The DT 770 PRO includes a 1/4" TRS plug adapter.
- Super sound quality, especially when paired with a dedicated headphone amp
- A wider soundstage with more precise imaging
- High scalability, with the ability to improve sound quality when a better audio source or amp is used
- Breathable velour: The soft velour earpads offer breathability, for a high level of comfort and long-lasting durability.
- Flexible temple construction: The robust spring steel hoop gives the headphones a secure fit.
- Lightweight construction: At a mere 13.2 oz including the cable, the headphones are surprisingly light and yet sturdy, so nothing stands in the way of long studio sessions.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (15') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Great for recording in untreated rooms, the Auray RF-5P-R Five-Panel Reflection Filter isolates your microphone from its surrounding environment to minimize distracting noises and diffuse unwanted acoustic reflections. The five, multilayered panels with perforations and high-density acoustic foam combine to absorb ambient noise without adding coloration to your sound, enhancing the clarity and presence of your voice for professional-sounding podcasts, voiceovers, and vocal recordings at home or in the studio.
The RF-5P-R is compatible with most microphone stands and it has integrated feet for standalone desktop recording. A sliding bracket allows you to mount any condenser, dynamic, or USB microphone and easily adjust the depth of the mic's position inside the filter for precise placement. The panels are made of sturdy, yet lightweight plastic and fold up to a tight ring for convenient storage and travel.
- Five adjustable panels, each with a fold-down top panel enable you to configure the filter to meet your acoustic needs. Spread the panels to form a filter wall for miking speaker cabinets, or fold them to create a narrow, 300° enclosure for maximum isolation and dry, clean vocals.
- The panels feature a stylish black finish with red accents.
- The high-density acoustic foam absorbs acoustic reflections and minimizes room ambience.
- The perforated screens diffuse sound as it passes through the shield, preventing sound reflections from bouncing off surfaces and back into the microphone.
- The RF-5P-R is equipped with flip-down top panels that help minimize noise coming from above the microphone including overhead air ducts and fluorescent light fixtures.
- Built-in feet let you mount the RF-5P-R on a desktop for recording podcasts at home or in the office.
- The 5/8"-27 thread enables you to mount the filter on a standard studio mic stand.
- Whether you’re using a large-diaphragm studio condenser or a handheld dynamic mic, the sliding bracket lets you position your microphone inside the filter for the ideal isolation.
- Auray SHM-SCM1 suspension shockmount for large diaphragm condenser microphones
- Auray Clamping Suspension Shockmount for side-address microphones
- Auray Suspension Shockmount for broadcast, podcast, large-diaphragm condenser microphones
- Auray MC-57DM Mic Clip for Shure SM57, SM58, and similar microphones
- Auray MC-44WM Slide-In Mic Clip
RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface
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| Wireless |
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RME BABYFACE PRO FS Reviews
I trust RME's hardware and firmware
The Babyface Pro FS is my favorite audio device I own. I was hesitant about USB-B bus power. Turns out that's the best part. In the audio industry, if you're looking for quality, you typically buy 70s hardware that might randomly connect you to your house's mains power, or you get Big Plugin. Where's the middle ground? That's the RME Babyface with its modest USB bus power. Safe. Portable. Digital. I trust RME's firmware as much as its hardware. Like garlic that keeps the plugin ecosystem away.
Wow!
I wanted to update from my UA Arrow. Didn't really love UA sound or reliability. This thing sounds amazing! Some people complain about Totalmix setup, but I found it easy and intuitive. My Shure SM7B sounds clear and has enough gain to run it without mic booster. This thing is top notch!