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RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface with Mixing Kit

BH #RMBABYFACEMK (B&H Kit)
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RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface with Mixing Kit
Key Features
  • Ideal Kit for Learning to Mix Audio
  • 24-Channel USB-B Audio/MIDI Interface
  • Specialized Multimedia Creation Tools
  • Bus- or AC-Powered, Mac/Windows
Get started mixing music right away with this B&H Kit that combines a RME Babyface Pro FS USB/MIDI Audio Interface with two studio monitor speakers, two balanced 1/4" TRS to XLR cables, and two isolation pads designed to reduce vibration transfer from your speakers for clearer, distortion-free audio reproduction.
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Get started mixing music right away with this B&H Kit that combines a RME Babyface Pro FS USB/MIDI Audio Interface with two studio monitor speakers, two balanced 1/4" TRS to XLR cables, and two isolation pads designed to reduce vibration transfer from your speakers for clearer, distortion-free audio reproduction.

RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface

The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4", 3.5mm, and TRS connections).

Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clocking, already high-quality, has been improved to provide ultralow jitter and jitter immunity. The 3.5mm headphone output power has risen from 70 to 90mW, and both headphone outputs sport improved THD up to 10 dB. Latency now has a typical delay of 5 samples AD and 7 samples DA, one-fifth of previous generations. These are just some of the improvements.

The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X, and iOS. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from the simple mixing of signals to more complicated routing configurations.

The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Delay and reverb are also on hand. Achieving sample rates and resolutions of up to 192 kHz / 24-bit, the interface offers a professional recording solution in a compact form factor.

New Features over Previous Babyface Pro
  • +19/+4 dBu switch on the bottom adds a direct way to reduce the output level, improving SNR for sensitive active monitors, as well as avoiding distortion/overloads, and keeping TotalMix FX faders near 0 dB instead of high attenuations
  • Full SteadyClock FS circuit for ultralow jitter and high jitter immunity
  • 3.5 mm TRS phones output power rises from 70 mW to 90 mW
  • THD of both phones outputs improved by up to 10 dB
  • Uses same output opamps as ADI-2 Pro
  • Output impedance of 3.5 mm TRS lowered from 2 to 0.1 ohm
  • Mic inputs SNR improved from 112.2 to 113.7 dB
  • TRS line inputs SNR improved from 114 to 116 dB RMS (120 dBA)
  • THD line inputs improved by 8 dB
  • Latency improved by six samples on the AD side by new ADC (5 samples AD, 7 samples DA)
  • No increase in power consumption, despite new features
  • K-slot for theft protection

 

Focal Alpha 50 Evo 5" Mixing Monitor

The Focal Alpha 50 Evo Monitor is all about one thing: giving any engineer access to a stellar sound at a relatively wallet-friendly price point. With its bass-reflex rounded cabinet, versatile filtering, clean class-D amplification, and its bevy of connection points, this monitor can suit a wide variety of mixing rooms, giving mixing and post-production engineers a sound they can rely upon.

Between its frequency range of 45 Hz to 22 kHz, the monitor is neutral and accurate. You can drive it with unbalanced or balanced audio and adjust the sensitivity to match. Mount it against the wall or on the wall itself for multichannel immersive audio formats. An IEC power cable is included, as is a protective grille for the woofer.

Excellent Dynamics, Balanced Sound
Stocked with Focal's exclusive, French-manufactured Slatefiber woofer, the Focal 50 EVO provides an excellent presentation of dynamic range. You'll also notice that the speakers are quite balanced. You'll get the same sonic picture throughout your monitoring environment, not just in the sweetspot. And, the monitors have been engineered to give you the same frequency balance at any loudness.
Flexible Mounting
This monitor is built to be used in a variety of ways. Mount it on a stand, in a traditional nearfield setup, or use the built-in insert to mount the speaker to a wall for immersive formats, such as Dolby Atmos.
A Variety of Inputs
Dedicated XLR, 1/4" TRS and RCA inputs are on hand, so you're covered for pretty much any professional or high-end consumer analog connection.
Comprehensive Room EQ
Adjust the low midrange or the high end to better suit your environment. You'll note a filter adjustable between 0 and 300 Hz (±6 dB), as well as a treble-centric one selectable between 4.5 and 22 kHz (±3 dB).
UPC: 191561749405
Hosa Technology Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable (5')

The 5' Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that's perfect for touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.

The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.

Ideal for professional touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input
The REAN connectors provide excellent durability and superior signal transfer
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path
90% OFC spiral shielding provides terrific flexibility and effective EMI and RFI rejection
The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other
UPC: 728736051461
Auray IP-S Isolation Pad for Studio Monitor (Small, Single)

The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor's vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.

Set at Three Different Angles
Up position: Angle your speakers up for desktop use
Down position: Angle your speakers down for use on a monitor bridge or shelf
Flat position: Flip the pads upside down to set your speakers flat on adjustable speaker stands
UPC: 847628564152
Kit Contains:

RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface

Key Specs
Channels of I/O
Analog:
4 Input / 4 Output
Digital:
12 Input / 12 Output
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Analog Audio I/O
2x XLR 3-Pin Mic/Line Input
2x 1/4" TS Line/Hi-Z Input
2x XLR 3-Pin Monitor Output
1x 1/4" TRS Headphone Output
1x 1/8" / 3.5 mm TRS Headphone Output
Digital Audio I/O
TOSLINK Optical ADAT / S/PDIF Input
TOSLINK Optical ADAT / S/PDIF Output
Host Connection
1x USB-B
Power Requirements
AC/DC Power Adapter (Not Included), USB Bus Power
General
Display
No
Channels of I/O
Analog:
4 Input / 4 Output
Digital:
12 Input / 12 Output
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2
Built-In Microphone
No
Signal Processing
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
-11 dB to +65 dB
Connectivity
Analog Audio I/O
2x XLR 3-Pin Balanced Mic/Line Input
2x 1/4" TS Unbalanced Line/Hi-Z Input
2x XLR 3-Pin Balanced Monitor Output
1x 1/4" TRS Unbalanced Headphone Output
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Digital Audio I/O
1x TOSLINK Optical ADAT / S/PDIF Input
1x TOSLINK Optical ADAT / S/PDIF Output
Host Connection / USB
1x USB-B
Host Connection Protocol
USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
No
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Mic, Line Inputs:
18 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz)
7 Hz to 45.8 kHz -0.5 dB (at 96 kHz)
5 Hz to 88 kHz (at 192 kHz)
Line, Hi-Z Inputs:
5 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz)
3 Hz to 45.8 kHz -0.5 dB (at 96 kHz)
2 Hz to 92 kHz -1 dB (at 192 kHz)
Line Outputs:
0 Hz to 20.8 kHz -0.5 dB (at 44.1 kHz)
0 Hz to 45 kHz -0.5 dB (at 96 kHz)
0 Hz to 89 kHz -1 dB (at 192 kHz)
Maximum Input Level
Mic Inputs:
+8 dBu (Min Gain)
+19 dBu (with Pad)
-57 dBu (Max Gain)
-46 dBu (with Pad)
Line/Hi-Z Inputs:
+13 dBu (+4 dBu)
-5 dBu (-10 dBV)
Headphone Output Power
60 mW into 10 Ohms (Max)
90 mW into 1000 Kilohms (Max)
Impedance
Mic/Line Inputs:
2 to 5.2 Kilohms (Balanced)
1 to 2.6 Kilohms (Unbalanced)
Line/Hi-Z Inputs:
1 Megohm
Line Outputs:
300 Ohms (Balanced)
150 Ohms (Unbalanced)
Headphone Outputs:
10 Ohms (Unbalanced)
0.1 Ohm (Unbalanced)
Dynamic Range
D/A Converters:
115 dB RMS
118 dBA
SNR
Mic/Line Inputs:
113.7 dB RMS
117 dBA
Line/Hi-Z Inputs:
116 dB RMS
120 dBA
Line Outputs:
114.8 dB RMS
118 dBA
THD
Line Outputs:
-106 dB / 0.0005%
Line/Mic Inputs:
-112 dB / 0.00024%
-115 dB / 0.00016% (+30 dB Gain)
THD+N
Mic/Line Inputs:
< -108 dB / < 0.00035%
< -100 dB / < 0.001%
Line Outputs:
< -102 dB / 0.0008%
Digital Audio
Sample Rates
Up to 200 kHz
Bit Depths
Up to 24-Bit
Sync Sources
ADAT
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS / Windows
Power
Power Requirements
AC/DC Power Adapter (Not Included), USB Bus Power
Power Consumption
2.8 W (Idle)
3.7 W (Typical)
5.4 W (Maximum)
Physical
Dimensions
7.13 x 4.25 x 1.38" / 18.11 x 10.79 x 3.51 cm
Weight
1.5 lb / 680.0 g
Packaging Info
Package Weight
3.73 lb
Box Dimensions (LxWxH)
11.6 x 6.3 x 3.3"

RME BABYFACE PRO FS Reviews

See any errors on this page?

Can these power Sennheiser 650 headphones?

Can these power Sennheiser 650 headphones?
Asked by: Matthew
The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface will work with 300-ohm headphones, like the Sennheiser HD 650, although a dedicated headphone amp may yield more desirable results.
Answered by: Elliot A
Date published: 2024-10-09

is the RME BABYFACE PRO FS compatible with an ...

is the RME BABYFACE PRO FS compatible with an ipad pro?
Asked by: blake
Yes the RME Babyface Pro FS is compatible with iPad Pro.
Answered by: David M
Date published: 2023-03-12

Can this do live effect and processing within the ...

Can this do live effect and processing within the unit like compressor, de-esser, etc.?
Asked by: Allen
The B&H answer is exactly right. I can add that I use the Babyface Pro FS with Apple MainStage and a MacBook Air M1 and find it ideal. I've used MainStage setups with a live microphone multitude of effects and processing + loopers and have noticed no discernible latency at 96KHz. It's far and away the lowest latency interface I've used for that purpose. Once you've navigated the TotalMix routing (which is not at all intuitive; my one frustration with RME), live shows are a breeze.
Answered by: James
Date published: 2023-05-29

Does this come with a carrying case?

Does this come with a carrying case?
Asked by: Gerry
Yes. The BabyFace Pro FS comes packed in a small carrying case, with latches to close it.
Answered by: Jordan K
Date published: 2023-05-03
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