- Four SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device
- Four Neutrik combo XLR-1/4" mic/line inputs with +48V phantom power, selectable per input
- Two Hi-Z instrument inputs for guitars, bass, or vintage instruments
- Two professional-grade headphone outputs with switchable modes of operation for high-impedance or high-sensitivity headphones and up to four independent headphone mixes
- Headphone outputs can be repurposed as additional balanced/unbalanced line-level outputs
- Four dedicated, balanced 1/4" line outputs
- USB-C for 12 x 8 digital tracking and bus power
- ADAT input expands input channel count with 8 extra channels of digital audio
- USB loopback, MIDI 5-pin DIN in and out, and DC-coupled 1/4" outputs for CV control of synths and FX
SSL 12 takes the traditional desktop audio interface where it’s never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring familiar Alps pots, Neutrik connectors, and an attractive brushed aluminum front panel, SSL 12 is built to last whether you’re using it in the studio or on location.
- Easily set up multiple near-zero latency headphone mixes
- Configure HP-A and HP-B outputs for different headphone sensitivities or as additional line-level outputs
- Customize the three user-assignable front-panel buttons
- Choose your Loopback source
- Save/load SSL 12 Mixer templates
- 3-months free access to SSL Complete subscription
- 3-months free access to Auto-Tune Unlimited subscription
- 3-months free access to Arcade subscription by Output
- Perpetual plug-in licenses for SSL Vocalstrip 2 and Drumstrip plug-ins
- IK Multimedia AmpliTube 5 SE
- Celemony Melodyne essential
- Native Instruments Hybrid Keys and Komplete Start
- Ableton Live 11 Lite
- AAS Session Bundle plug-ins
- 1.5 GB of samples from Loopcloud
The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.
With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.
The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
- Cost-effective alternative to the C414 family
- Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
- Cardioid polar pattern reduces pickup of stage bleed and room ambience
- 143 dB dynamic range (pad on)
- 156 dB maximum SPL (pad on)
- Switchable -20 dB pad and 160 Hz low-cut filter
- Integrated capsule suspension to reduce mechanical noise
- Rugged double-mesh grille for RF immunity but unaffected acoustics
- Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
- Spider-type shockmount and metal carrying case included
- All-metal die-cast body with shock- and scratch-resistant finish
- Designed, engineered, and built in Vienna, Austria
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (20') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.
The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.
The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.