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Solid State Logic SSL 12 USB Audio Interface with Home Studio Kit

BH #SOSSL12HSK (B&H Kit)
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Solid State Logic SSL 12 USB Audio Interface with Home Studio Kit
Key Features
  • Complete Home Recording Kit
  • Record and Mix Directly with Computers
  • High-Quality Sound Out of the Box
  • Easily Capture Voice and Instruments
Combining components for mixing with a versatile mic and headphones for recording, this B&H Kit bundles a SSL 12 USB Audio Interface with a large-diaphragm condenser mic, a pop filter, an XLR cable, a pair of over-ear, closed-back studio headphones, a pair of studio monitor speakers, two balanced 1/4" to XLR cables, two monitor isolation pads, and a tripod mic stand with boom.
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Kit Contains:
Solid State Logic SSL 12 USB Audio Interface
Big Studio Features, Small Desktop Footprint
Building upon the success of the Solid State Logic SSL 2 and SSL 2+, the SSL 12 USB Audio Interface is a highly portable 12-in / 8-out, bus-powered interface that delivers all of the professional, studio-grade quality and legendary analog character one would expect from SSL in a compact form factor, ideal for content creators and producers on a tight budget. With pristine 32-bit / 192 kHz AD/DA conversion, you will capture every detail and nuance of your recorded sounds, while ADAT input and intuitive console-style software mixing allows the SSL 12 to be both a studio centerpiece and a portable production hub all at once.
Intuitive and Efficient
Each input channel is arranged vertically like a large-format mixing board, providing 5-segment LED metering, selectable 48V phantom power, mic and line-level operation, and a Legacy 4K switch that adds real analog color enhancement to any input source, inspired by the classic sound of 4000 Series consoles heard on countless hit records. Stunningly low noise, unrivaled EIN performance, and a huge gain range ensure optimal sound quality in any recording scenario. And with a wide range of I/O and routing options, as well as a plethora of included software, the SSL 12 can tackle just about any recording scenario you throw at it, from mobile recording setups, live performances, and podcasting applications, to serious studio work and sophisticated content creation.
Comprehensive I/O in a Small Desktop Footprint
Despite it's compact size, the SSL 12 is loaded with a huge amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity together with onboard talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero-latency performer mixes) handle the most demanding recording sessions. For mixing, alternative monitor switching and assignable front-panel control-room functions put everything you need at your fingertips. For production, USB Loopback, MIDI I/O, and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing.

  • Four SSL-designed microphone preamps with unrivalled EIN performance and huge gain range for a USB-powered device
  • Four Neutrik combo XLR-1/4" mic/line inputs with +48V phantom power, selectable per input
  • Two Hi-Z instrument inputs for guitars, bass, or vintage instruments 
  • Two professional-grade headphone outputs with switchable modes of operation for high-impedance or high-sensitivity headphones and up to four independent headphone mixes 
  • Headphone outputs can be repurposed as additional balanced/unbalanced line-level outputs 
  • Four dedicated, balanced 1/4" line outputs 
  • USB-C for 12 x 8 digital tracking and bus power 
  • ADAT input expands input channel count with 8 extra channels of digital audio 
  • USB loopback, MIDI 5-pin DIN in and out, and DC-coupled 1/4" outputs for CV control of synths and FX
Real Analog Enhancement Inspired by The SSL 4000 Series (4K) Console
SSL has a history of innovation in analog electronics and console design. Whether it's the sound of the classic 242 and 292 EQ circuits, the punch of the legendary SSL Bus Compressor, or the incredible bandwidth and sonic accuracy of the groundbreaking SuperAnalogue designed mic amps and consoles, SSL is always moving forward with analog. Legacy 4K is an all-analog enhancement effect inspired by the character of an SSL 4000 Series console (often referred to as 4K). It distills two essential characteristics of the 4K sound into a single circuit. Engaging the Legacy 4K circuit introduces a forward yet musical-sounding high-frequency EQ boost, adding some excitement to your vocal or instrument. Secondly, add some subtle analog distortion with finely tuned harmonic content, to bolster any sound with more edge and personality.
SSL Studio Quality, Built to Last
For over 50 years, SSL have been designing cutting-edge mixing consoles and hardware processors, as used by the world’s most recognized artists and recording studios. Over that time, their reputation as a world-leading manufacturer of professional audio equipment has centered around a constant pursuit of audio excellence and technical innovation, accomplished through streamlining production workflows and advanced studio ergonomics.

SSL 12 takes the traditional desktop audio interface where it’s never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring familiar Alps pots, Neutrik connectors, and an attractive brushed aluminum front panel, SSL 12 is built to last whether you’re using it in the studio or on location.

Speed Up Your Workflow with SSL 12 Mixer
The cross-platform Mac and Windows SSL 360° application hosts the powerful yet intuitive console-style SSL 12 Mixer, where you can configure and control every aspect of SSL 12:

  • Easily set up multiple near-zero latency headphone mixes
  • Configure HP-A and HP-B outputs for different headphone sensitivities or as additional line-level outputs
  • Customize the three user-assignable front-panel buttons
  • Choose your Loopback source
  • Save/load SSL 12 Mixer templates 
Comes with SSL Production Pack
Providing inspirational software from your favorite industry tools, the SSL 12 comes bundled with the SSL Production Pack, a unique collection of SSL and 3rd-party software packed with a selection of must-have virtual instruments, plug-ins, samples, and DAWs. Worth over $1000, this software pack will let your creativity shine and bring your productions to life.

  • 3-months free access to SSL Complete subscription
  • 3-months free access to Auto-Tune Unlimited subscription
  • 3-months free access to Arcade subscription by Output
  • Perpetual plug-in licenses for SSL Vocalstrip 2 and Drumstrip plug-ins
  • IK Multimedia AmpliTube 5 SE
  • Celemony Melodyne essential
  • Native Instruments Hybrid Keys and Komplete Start
  • Ableton Live 11 Lite
  • AAS Session Bundle plug-ins
  • 1.5 GB of samples from Loopcloud
UPC: 878076001678
AKG C214 Large-Diaphragm Cardioid Condenser Microphone

The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.

With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.

 

Sonic Character of the C414
AKG's legendary C414 needs no introduction as it is a tool found in most recording studios and has been used on thousands of hit records. Plus, it has been on stage withartists of every musical genre and is also used by leading broadcast facilities the world over.

The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
Low Noise and High Dynamic Range
The C214 has AKG's legendary large-diaphragm sound and is capable of incredible 143 dB dynamic range for uncompressed, life-like transients while delivering low self-noise of 13 dBA. The C214's edge-terminated capsule delivers a highly detailed, up-front sound that brings out nuances of any voice or instrument.
Pad and Low-Cut Filter
Thanks to its switchable -20 dB attenuation pad and 160 Hz low-cut filter, the C214 can be used in sound fields as high as 156 dB SPL. So, it can be used on stage for close-up miking for even very loud applications like drum overheads, guitar amps, or high-output brass.
Integrated Suspension
The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. The double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting acoustical performance.
Rugged Construction
The C214 has a roadworthy construction quality with a scratch-resistant finish, a dent-resistant metal grille, and a gold-plated XLR output.
Features at a Glance
  • Cost-effective alternative to the C414 family
  • Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
  • Cardioid polar pattern reduces pickup of stage bleed and room ambience
  • 143 dB dynamic range (pad on)
  • 156 dB maximum SPL (pad on)
  • Switchable -20 dB pad and 160 Hz low-cut filter
  • Integrated capsule suspension to reduce mechanical noise
  • Rugged double-mesh grille for RF immunity but unaffected acoustics
  • Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
  • Spider-type shockmount and metal carrying case included
  • All-metal die-cast body with shock- and scratch-resistant finish
  • Designed, engineered, and built in Vienna, Austria
UPC: 885038021117
Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (20', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (20') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551190
512 AUDIO Microphone Pop Filter with Gooseneck C-Clamp

Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.

Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.

Cleaner Sound
By preventing intrusive pops and plosives caused by bursts of air from p, f, and s sounds, the 512-Pop delivers a clear sound while saving you the time and energy often spent removing such sounds in postproduction.
Enhanced Protection
The 512-Pop features a metal mesh filter that more effectively disperses pops and plosives from speech and vocals compared to ordinary nylon pop filters. With its flexible yet sturdy gooseneck, you'll easily find the perfect placement that reliably stays in place.
Easy Attachment
An adjustable swivel C-clamp ensures a solid grip and attaches securely to any mic stand, boom arm, or custom desk stand.
UPC: 850016400673
Shure SRH440A Closed-Back Over-Ear Studio Headphones

Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.

The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.

The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.

Ideal for home recording, studio monitoring, and DJ mixing
Foldable design for easy storage and transportation
Large 40mm neodymium dynamic drivers deliver enhanced frequency response from 10 Hz to 22 kHz for accurate audio across an extended range
Closed-back, circumaural design rests comfortably over the ears and reduces background noise
Impedance and power handling optimized for performance with professional audio devices
Adjustable headband and collapsible construction provide comfort and portability
Single-sided coiled cable provides a variable amount of slack and can be detached for easy replacement
Bayonet clip securely locks cable into earcup
Gold-plated 3.5mm TRS stereo mini plug with 1/4" adapter for wide compatibility with mobile devices, audio interfaces, DJ mixers, and more
Replaceable earpads ensure long product life
Carrying bag included
UPC: 042406552110
Auray MS-5230F Tripod Microphone Stand with Fixed Boom

The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

UPC: 847628015586
Focal Alpha 50 Evo 5" Mixing Monitor

The Focal Alpha 50 Evo Monitor is all about one thing: giving any engineer access to a stellar sound at a relatively wallet-friendly price point. With its bass-reflex rounded cabinet, versatile filtering, clean class-D amplification, and its bevy of connection points, this monitor can suit a wide variety of mixing rooms, giving mixing and post-production engineers a sound they can rely upon.

Between its frequency range of 45 Hz to 22 kHz, the monitor is neutral and accurate. You can drive it with unbalanced or balanced audio and adjust the sensitivity to match. Mount it against the wall or on the wall itself for multichannel immersive audio formats. An IEC power cable is included, as is a protective grille for the woofer.

Excellent Dynamics, Balanced Sound
Stocked with Focal's exclusive, French-manufactured Slatefiber woofer, the Focal 50 EVO provides an excellent presentation of dynamic range. You'll also notice that the speakers are quite balanced. You'll get the same sonic picture throughout your monitoring environment, not just in the sweetspot. And, the monitors have been engineered to give you the same frequency balance at any loudness.
Flexible Mounting
This monitor is built to be used in a variety of ways. Mount it on a stand, in a traditional nearfield setup, or use the built-in insert to mount the speaker to a wall for immersive formats, such as Dolby Atmos.
A Variety of Inputs
Dedicated XLR, 1/4" TRS and RCA inputs are on hand, so you're covered for pretty much any professional or high-end consumer analog connection.
Comprehensive Room EQ
Adjust the low midrange or the high end to better suit your environment. You'll note a filter adjustable between 0 and 300 Hz (±6 dB), as well as a treble-centric one selectable between 4.5 and 22 kHz (±3 dB).
UPC: 191561749405
Hosa Technology Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable (5')

The 5' Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that's perfect for touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.

The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.

Ideal for professional touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input
The REAN connectors provide excellent durability and superior signal transfer
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path
90% OFC spiral shielding provides terrific flexibility and effective EMI and RFI rejection
The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other
UPC: 728736051461
Auray IP-S Isolation Pad for Studio Monitor (Small, Single)

The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor's vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.

Set at Three Different Angles
Up position: Angle your speakers up for desktop use
Down position: Angle your speakers down for use on a monitor bridge or shelf
Flat position: Flip the pads upside down to set your speakers flat on adjustable speaker stands
UPC: 847628564152
Kit Contains:

Solid State Logic SSL 12 USB Audio Interface

Key Specs
Channels of I/O
Analog:
4 Inputs / 8 Outputs at 192 kHz
ADAT:
8 Inputs
Maximum Sampling Rate
192 kHz / 32-Bit
Number of Microphone Inputs
4
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line Input
2x 1/4" TS Hi-Z Input
4x 1/4" TRS Line Output
2x 1/4" TRS Line/Headphone Output
Digital Audio I/O
TOSLINK Optical ADAT Input
Host Connection
1x USB-C (on Interface)
Power Requirements
USB Bus Power
General
Display
No
Channels of I/O
Analog:
4 Inputs / 8 Outputs at 192 kHz
ADAT:
8 Inputs
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 32-Bit
Number of Microphone Inputs
4
Built-In Microphone
No
Input Level Adjustment
4x Knob
Signal Processing
Pad
No
Gain/Trim Range
Combo XLR-1/4" Mic Inputs:
62 dB (Mic Amp Gain)
High-Pass Filter
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced Mic/Line Input
2x 1/4" TS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Balanced/Unbalanced Line/Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
1x TOSLINK Optical ADAT Input
Host Connection / USB
1x USB-C (on Interface)
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Expansion Slots
No
Wireless
No
Performance
Frequency Response
20 Hz to 20 kHz
Maximum Input Level
Combo XLR-1/4" Line Inputs:
+24 dBu
1/4" Hi-Z Inputs:
+14 dBu
Maximum Output Level
1/4" Line Outputs:
+24 dBu
Impedance
Mic Inputs:
1.2 Kilohms (Balanced, Mic Level)
Line Inputs:
15 Kilohms
Hi-Z Inputs:
1 Megohm
Headphone Outputs:
< 1 Ohm
Main Outputs:
75 Ohms (Balanced)
Dynamic Range
Hi-Z Inputs:
110.5 dB
Line Inputs:
111.5 dBA
Mic Inputs:
111 dBA
1/4" Headphone Outputs:
> 112 dBA
108 dBA
1/4" Monitor Outputs:
> 120 dBA
THD+N
Mic/Hi-Z Inputs:
0.0015% (-8 dBFS)
Line Inputs:
0.0005% (-1 dBFS at 1 kHz)
Monitor Outputs:
0.0005% (-1 dBFS at 1 kHz)
Headphone Outputs:
0.005% (Standard Mode, -1 dBFS at 1 kHz)
0.001% (High Sensitivity, -1 dBFS at 1 kHz)
0.001% (High Impedance, -1 dBFS at 1 kHz)
0.005% (Line Mode Balanced, -1 dBFS at 1 kHz)
EIN
Combo XLR-1/4" Mic Inputs:
-130.5 dBu A-Weighted
Digital Audio
Sample Rates
44.1 to 192 kHz
Sample Rate Conversion
On ADAT I/O/All Inputs
Bit Depths
32-Bit
Latency
Zero-Latency Direct Monitoring
Sync Sources
ADAT, Internal
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.15 or Later / Windows 10 or Later
Mobile Device Compatibility
No
Required Hardware
USB 2.0 Port, USB Cable
Power
Power Requirements
USB Bus Power
Physical
Certifications
CE, EN, FCC Part 15, ICES-003, WEEE
Dimensions
11.29 x 6.1 x 2.31" / 28.67 x 15.49 x 5.86 cm
Weight
3.1 lb / 1.4 kg
Packaging Info
Package Weight
3.145 lb
Box Dimensions (LxWxH)
13 x 7.7 x 4.1"

Solid State Logic SSL 12 Reviews

See any errors on this page?

Are the outputs assignable or they all send the ...

Are the outputs assignable or they all send the same Mix out?
Asked by: Emmanuel
On the Solid State Logic SSL 12 USB Audio Interface, Outputs 1 and 2 are intended for the main monitor output and Outputs 3 and 4 can be used for an alternative set of monitors which can be controlled by the Monitor knob when the ALT button is engaged. It is possible to create independent mixes for the Headphone A and B Outputs, as well as for the Line 3 and 4 Outputs. The Line 3 and 4 Outputs will allow the signal to be routed to Outputs 3 and 4. When the output channel is stereo linked, a single set of controls for Pan, Level, and Mute are provided. However, when the output channel is split into dual-mono, independent level controls appear for Output 3 and Output 4.
Answered by: Lisa S
Date published: 2023-04-16

Is the interface 32-bit fixed or floating?

Is the interface 32-bit fixed or floating?
Asked by: Bernard
The Solid State Logic SSL 12 USB Audio Interface offer 32-bit fixed point audio.
Answered by: Lisa S
Date published: 2023-03-23

Can this interface link two inputs to link a ...

Can this interface link two inputs to link a stereo microphone in daw for recording like the UA DLX?
Asked by: Brett
Yes, you can use two input channels on the Solid State Logic SSL 12 USB Audio Interface to record stereo audio from the Universal Audio Sphere DLX Modeling Microphone.
Answered by: Lisa S
Date published: 2025-02-24
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