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RODE NTG1 Shotgun Microphone Kit with Shockmount and XLR Cable

BH #RONTG1K (B&H Kit)
RODE NTG1 Shotgun Microphone Kit with Shockmount and XLR Cable
Key Features
  • For Indie Films, TV & Documentaries
  • NTG1 Shotgun Microphone
  • Shoe/Pole Shockmount and XLR Cable
  • Phantom Powered
Designed to provide the basic accessories for shock-mounting a shotgun microphone atop a camera or boompole, this B&H Kit features the Rode NTG1 shotgun microphone, a shoe/pole shockmount, and a short XLR cable with one right-angled and one straight connector.
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RODE NTG1 Overview

  • 1Description
  • 2RODE NTG1 Shotgun Microphone
  • 3Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles
  • 4Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable (1.5', Black)

Designed to provide the basic accessories for shock-mounting a shotgun microphone atop a camera or boompole, this B&H Kit features the Rode NTG1 shotgun microphone, a shoe/pole shockmount, and a short XLR cable with one right-angled and one straight connector.

The kit addresses the needs of videographers who prefer a cost-effective shotgun microphone setup that stays out of the frame while maintaining smooth, natural audio reproduction and low handling noise. With its XLR output and phantom powering, the NTG1 mic is well suited for use with professional camcorders, portable audio recorders, and multitrack field recorders.

RODE NTG1 Shotgun Microphone

Capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the Rode NTG1 shotgun microphone. With low handling noise and the ability to endure loud sound sources before distortion, the NTG1 offers a cost-effective solution for recording clean dialogue and sound effects.

The NTG1's elevated sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG1 delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing selectable low-cut filter. The durable and lightweight high-grade aluminum housing is finished in hard-wearing epoxy paint to withstand the stress of location recording.

Quality Sound Capture
The combination of the NTG1's 8.6" long body and supercardioid polar pattern yields focused front-facing directionality and enhanced attenuation of sound entering from the sides. Its low self-noise of 18 dBA and sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones. Plus, its balanced output allows longer cable runs than most camera-mount shotgun microphones.
Phantom Powered
Thanks to its 3-pin XLR output and compliance with 24V or 48V phantom power, the NTG1 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.
Ideal for Boompole Mounting
The NTG1 includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the NTG1 in the Rode SM4-R shockmount or Rode PG2-R pistol grip (both available separately) to impede the transfer of vibrations in boompole or handheld applications.
Windscreen Minimizes Wind Noise
The NTG1 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the Rode Blimp furry windshield and shockmount suspension system (available separately).
UPC: 698813000456
Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles

The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal handgrips.

UPC: 847628562776
Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable (1.5', Black)

The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

95% dual-spiral shielding offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Caged type contact and improved ground contact.
UPC: 847628558229

RODE NTG1 Shotgun Microphone Specs

Key Specs
Form Factor
Stand/Boom Mount
Element Type
Condenser
Polar Pattern
Supercardioid
On-Board Controls
High-Pass Filter
Frequency Range
20 Hz to 20 kHz
Maximum SPL
139 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Analog Output
1x XLR 3-Pin
Power Sources
Phantom Power
Microphone
Form Factor
Stand/Boom Mount
Sound Field
Mono
Element Type
Condenser
Diaphragm
0.5" / 12.70 mm
Polar Pattern
Supercardioid
Orientation
End Address
Circuitry
Solid-State (JFET)
Pad
No
High-Pass Filter
80 Hz, 12 dB/Octave
On-Board Controls
High-Pass Filter
Performance
Frequency Range
20 Hz to 20 kHz
Maximum SPL
139 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection
14 dB at 60°
16 dB at 120°
12 dB at 180°
Impedance
50 Ohms
Sensitivity
-36 dBV/Pa at 1 kHz
Dynamic Range
121 dB
Signal-to-Noise Ratio
76 dB A-Weighted (1 kHz)
Equivalent Noise Level
18 dB A-Weighted
Analog Output
1x XLR 3-Pin
Power
Power Sources
Phantom Power
Operating Voltage
24 to 48 V
Physical
Color
Black
Mounting Thread Size
5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions
ø: 0.87 x L: 8.62" / ø: 22 x L: 219 mm
Weight
3.7 oz / 105 g (Microphone)
Packaging Info
Package Weight
0.9 lb
Box Dimensions (LxWxH)
10.8 x 5.2 x 2.2"

Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles Specs

Packaging Info
Package Weight
0.285 lb
Box Dimensions (LxWxH)
4.8 x 3.4 x 2.6"

Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable (1.5', Black) Specs

Physical
Connector 1
XLR 3-Pin Male
Connector 2
XLR 3-Pin Female Right-Angle
Cable Length
1.5' / 0.45 m
Shielding
95% Spiral
Conductor Material
Oxygen-Free Copper (OFC)
Number of Conductors
2
Wire Gauge
24 AWG
Contact Plating
Silver
Jacket Type
Polyvinyl Chloride (PVC)
Insulation Type
Polyethylene
Packaging Info
Package Weight
0.3 lb
Box Dimensions (LxWxH)
9.4 x 9 x 1.05"

RODE NTG1 Reviews

See any errors on this page? Let us know

How can this microphone claim so much greater ...

How can this microphone claim so much greater directionality (down 14 dB at 60 degrees off-axis) than other shotgun microphones of similar physical length. Is it a typo?
Asked by: Phil
I am honestly surprised at how good this mic is compared to the NTG2 and my Zoom shotgun mics. It is just stronger, cleaner and yes, more directional. It's still just s shotgun mic, not a lav. But it is impressive. I was surprised.
Answered by: Dan
Date published: 2022-11-09

Will this work on the new Black Magic Pocket ...

Will this work on the new Black Magic Pocket Cinema Camera 4K?
Asked by: Steve
Yes it does work all you need is this adapter in the link bellow https://www.bhphotovideo.com/c/product/1537929-REG/kondor_blue_kb_mxlr_16_mini_xlr_male_to.html
Answered by: leticia
Date published: 2021-03-01

question

Is this mic compatible with DSLR cameras? I have a Canon 5D mark III and am looking for on on-camera shotgun mic.
Asked by: Karina A.
The NTG1 requires power in order to operate that is supplied by the device the mic is connected to. unfortunately this is not able to be supplied by the cameras mini jack output. For the 5D mkIII and similar cameras you will need an additional adapter that is able to provide the power to the mic such as a Beachtek DXA-SLR ULTRA, which will allow the connection of 2 mics, level control, metering and limiters to protect from overload. Alternatively a battery powered mic will also work directly connected. The NTG-2 would be an example.
Answered by: Jeff P.
Date published: 2018-08-27

question

Can this microphone be used with a AA battery for source of power also?
Asked by: kawame d.
No. It uses phantom power exclusively. The NTG2 can use batteries.
Answered by: Cris E.
Date published: 2018-08-27

question

Does this microphone have to be mounted on a camera? We are using a teleprompter so we need a mic that can stand alone and not have to be mounted to our camera.
Asked by: Sandra M.
We use this as a boom mic which is on a boompole (fish pole) connected to a C-stand that hangs over the talent (speaker). The C stand is weighed down by two 30LB sand bags. You will also need a Matthelini clamp to attach the boom to the C-stand.
Answered by: Elias H.
Date published: 2018-08-27

question

What is the difference between NTG 1 and NTG 2
Asked by: Nachiketh
I have both. The NTG2 uses a AA battery. Ive seen specs that claim there is a tiny bit of difference in performance but it depends on your size restrictions and phantom power requirements. The NTG1 is great on most of my cams and in podcasts where the space might be an issue and upplying power to it isnt a problem. Recently I started.using a Tascam 70D the power drain is so bad on it I will often switch to the NTG2 to save battery on the mixer/recorder.
Answered by: michael g.
Date published: 2018-08-27

question

How far from the subject this mic can record with quality? Is it good for advertising production?
Asked by: Rafael R.
Lots of variables here, but generally you should be within a couple of feet of the sound source - less if it is a noisy environment. This is more an aspect of proper location sound technique in general, rather than the quality of this particular mic. This mic is capable of very good quality sound, but even the most expensive mic will sound terrible if it is 10 ft from the subject.
Answered by: blake m.
Date published: 2022-11-09
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