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Rode NTG1 Shotgun Microphone Location Recording Kit

BH #RONTG1BK (B&H Kit)
Rode
Rode NTG1 Shotgun Microphone Location Recording Kit
Key Features
  • NTG1 Shotgun Microphone
  • Shoe/Pole Shockmount & Deluxe Windshield
  • Aluminum Cabled Boompole & Pistol Grip
  • Long & Short XLR Cables, Boompole Bag
Designed as a complete microphone setup for location recording in budget film work and broadcasting, electronic news gathering (ENG), and field production applications, this B&H Kit eliminates the guesswork in configuring a shotgun microphone system that delivers quality, reliability, and low handling noise while remaining cost effective. It features the Rode NTG1 shotgun microphone, a deluxe windshield, a universal shoe/pole shockmount, a pistol grip, an aluminum cabled boompole, a boompole bag, and short and long right-angled XLR cables to provide you with everything necessary for capturing audio for video, film, and sound design applications.
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Rode NTG1 Overview

  • 1Description
  • 2Rode NTG1 Shotgun Microphone
  • 3Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles
  • 4Rode WS6 Deluxe Windshield for the NTG2, NTG1, NTG4, and NTG4+ Microphones
  • 5K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable
  • 6Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 20' (6.1 m), Black
  • 7Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black
  • 8Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie
  • 9Auray Universal Microphone Pistol Grip

Designed as a complete microphone setup for location recording in budget film work and broadcasting, electronic news gathering (ENG), and field production applications, this B&H Kit eliminates the guesswork in configuring a shotgun microphone system that delivers quality, reliability, and low handling noise while remaining cost effective. It features the Rode NTG1 shotgun microphone, a deluxe windshield, a universal shoe/pole shockmount, a pistol grip, an aluminum cabled boompole, a boompole bag, and short and long right-angled XLR cables to provide you with everything necessary for capturing audio for video, film, and sound design applications.

Rode NTG1 Shotgun Microphone

Capture quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the Rode NTG1 shotgun microphone. With low handling noise and the ability to endure loud sound sources before distortion, the NTG1 offers a cost-effective solution for recording clean dialogue and sound effects.

The NTG1's elevated sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG1 delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing selectable low-cut filter. The durable and lightweight high-grade aluminum housing is finished in hard-wearing epoxy paint to withstand the stress of location recording.

Quality Sound Capture

The combination of the NTG1's 8.6" long body and supercardioid polar pattern yields focused front-facing directionality and enhanced attenuation of sound entering from the sides. Its low self-noise of 18 dBA and sensitive condenser element communicate detailed audio unburdened by the hiss that plagues many low-cost microphones. Plus, its balanced output allows longer cable runs than most camera-mount shotgun microphones.

Phantom Powered

Thanks to its 3-pin XLR output and compliance with 24V or 48V phantom power, the NTG1 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.

Ideal for Boompole Mounting

The NTG1 includes a mic clip for easy placement on a mic stand or boompole. Alternatively, mount the NTG1 in the Rode SM4-R shockmount or Rode PG2-R pistol grip (both available separately) to impede the transfer of vibrations in boompole or handheld applications.

Windscreen Minimizes Wind Noise

The NTG1 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider the Rode Blimp furry windshield and shockmount suspension system (available separately).
UPC: 698813000456

Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles

The Auray DUSM-1 Universal Shockmount features a four-point suspension to accommodate shotgun and other cylindrical microphones measuring 0.74-0.98" (19-25mm) in diameter. The shockmount is easily angled with its rubberized adjustment knob. There is a built-in shoe for camera mounting, and a 3/8"-16 thread connection at the base mounts the shockmount to boompoles and universal handgrips.

UPC: 847628562776

Rode WS6 Deluxe Windshield for the NTG2, NTG1, NTG4, and NTG4+ Microphones

The Rode WS6 Deluxe Windshield provides excellent noise protection against high wind and adverse weather conditions. The slip-on design of the WS6 features dimensions that accommodate the Rode NTG4, NTG4+, NTG2 and NTG1 microphones; as well as any shotgun or stereo mic with a length of 6.25" (160.5mm) and diameter of 0.88" (22.5mm).

UPC: 698813001286

K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable

The K-Tek KE-89CC Avalon Series Aluminum Boompole provides a moderately priced, lightweight boompole solution for ENG, EFP, and other field recording applications. Its sturdy aluminum design is tough enough to endure the rigors of road use, while remaining lightweight and travel-worthy. This pole features an internal coiled cable and an XLR connection at the base of the pole. A total of four aluminum sections telescope between 2' 5" to 7' 6" and will easily store in any standard equipment case. The captive-collet coupling system locks each section in place for even further reliability.

Internal coiled XLR cable and connection at the base
The KE-89CC features a bottom-mounted three-pin XLR connection
Designed to fit in any standard equipment case, for ENG, EFP, and DV location production work
Jam-resistant collar coupling
Unique pole-top design with cable retention slots and replaceable stainless steel mounting stud
UPC: 791090332033

Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 20' (6.1 m), Black

The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (20') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

95% dual-spiral shielding offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Caged type contact and improved ground contact.
UPC: 847628558298

Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black

The black Kopul Premium Performance 3000 Series XLR M to Angled XLR F Microphone Cable (1.5') is designed to be an extremely quiet and flexible cable that is ideal for the most demanding live sound and performance applications. The cable is engineered to be durable and to provide protection against EMI, RFI, and static noise.

Premium Performance 3000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. 95% dual-spiral shielding makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

95% dual-spiral shielding offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Caged type contact and improved ground contact.
UPC: 847628558229

Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie

The Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie is a case designed to hold up to a 34" closed boompole with shotgun microphone, softie, and shock mount. Its interior end cap is strengthened to protect the bag from punctures. It features a zipper closure with protective interior lining to prevent snags and scratches. The bag is built with an interior pocket for accessories that opens or closes with hook and loop fasteners. An adjustable shoulder strap is included with a nametag holder.

UPC: 847628562790

Auray Universal Microphone Pistol Grip

The Auray Universal Microphone Pistol Grip is a handheld grip that features an ergonomic cushioned handle. This grip is great in "run & gun" situations in which a boom pole would be cumbersome, and in video scenarios in which the cameraman is also responsible for audio recording. The grip can be held with one hand, as opposed to a boom pole which requires two. It also provides the option of being able to record audio from a different direction than the camera is pointing, an advantage over camera mounting the mic. Furthermore, having the mic mounted off the camera prevents it from picking up motor noise from the lens focusing.

In addition, the grip features standard 3/8" threads on both ends. This allows you to attach your shotgun mic (with shockmount) to one end of the grip and mount the other end to a boom pole. This gives you the flexibility of being able to quickly detach the pistol grip and the attached shotgun mic from the boom, an option that can come in handy for entering areas that are too small for a boom pole.

UPC: 847628562738

Rode NTG1 Shotgun Microphone Specs

Microphone
Form FactorStand/Boom Mount
Sound FieldMono
Operating PrincipleLine Gradient
CapsuleCondenser
Diaphragm0.5" / 12.70 mm
Polar PatternSupercardioid
OrientationEnd Address
CircuitrySolid-State (JFET)
PadNone
High-Pass Filter80 Hz, 12 dB/Octave
Tone AdjustmentNone
Gain AdjustmentNone
IndicatorsNone
On-Board ControlsHigh-Pass Filter
WindscreenFoam (Included)
Performance
Frequency Range20 Hz to 20 kHz
Maximum SPL139 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection14 dB at 60°
16 dB at 120°
12 dB at 180°
Impedance50 Ohms
Sensitivity-36 dBV/Pa at 1 kHz
Output Level6.9 mV (Max)
Dynamic Range121 dB
Signal-to-Noise Ratio76 dB A-Weighted (1 kHz)
Equivalent Noise Level18 dB A-Weighted
Output Connectors (Analog)1 x XLR 3-Pin
Power
Operating Voltage24 to 48 V
Physical
ColorBlack
Mounting3/8"-16 Female, 5/8"-27 Female, Mic Clip/Stand Adapter (with Included Hardware)
Included CaseZipper Pouch
Construction MaterialAluminum
Dimensionsø: 0.87 x L: 8.62" / ø: 22 x L: 219 mm
Weight3.7 oz / 105 g (Microphone)
Packaging Info
Package Weight0.85 lb
Box Dimensions (LxWxH)10.8 x 5.2 x 2.2"

Auray DUSM-1 Universal Shockmount for Camera Shoes and Boompoles Specs

Packaging Info
Package Weight0.285 lb
Box Dimensions (LxWxH)4.65 x 3.2 x 2.6"

Rode WS6 Deluxe Windshield for the NTG2, NTG1, NTG4, and NTG4+ Microphones Specs

Compatible Mic Diameter0.82 to 0.88" / 21 to 22.5 mm
Inner Depth6.25" / 160.5 mm
MaterialFaux Fur
Weight1.76 oz / 50 g
Packaging Info
Package Weight0.3 lb
Box Dimensions (LxWxH)12.188 x 6.25 x 6.25"

K-Tek KE-89CC Avalon Series Aluminum Boompole with Internal XLR Cable Specs

Sections4
Load CapacityNot specified by manufacturer
Length2' 5" to 7' 6" (0.7 to 2.3 m)
Weight1.1 lb (0.5 kg)
Packaging Info
Package Weight1.5 lb
Box Dimensions (LxWxH)33 x 2.8 x 1"

Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 20' (6.1 m), Black Specs

Contact PlatingSilver
Cable Length20' / 6.1 m
Conductor MaterialOxygen-Free Copper (OFC)
Number of Conductors2
Wire Gauge24 AWG
Jacket TypePolyvinyl Chloride (PVC)
Shielding95% Spiral
Insulation TypePolyethylene
Packaging Info
Package Weight0.815 lb
Box Dimensions (LxWxH)11.9 x 8.2 x 1.3"

Kopul Premium Performance 3000 Series Neutrik XLR M to Angled XLR F Microphone Cable - 1.5' (0.45 m), Black Specs

Contact PlatingSilver
Cable Length1.5' / 0.45 m
Conductor MaterialOxygen-Free Copper (OFC)
Number of Conductors2
Wire Gauge24 AWG
Jacket TypePolyvinyl Chloride (PVC)
Shielding95% Spiral
Insulation TypePolyethylene
Packaging Info
Package Weight0.3 lb
Box Dimensions (LxWxH)9.4 x 9 x 1.05"

Auray Neoprene Boompole Bag for 34" Closed Boompole with Shotgun Mic and Softie Specs

MaterialNeoprene
Type of ClosureZipper with protective lining
Dimensions36 x 6 x 2" (91.4 x 15.5 x 5.5 cm)
Weight15 oz (454 g)
Packaging Info
Package Weight0.8 lb
Box Dimensions (LxWxH)39 x 7.8 x 1"

Auray Universal Microphone Pistol Grip Specs

Packaging Info
Package Weight0.24 lb
Box Dimensions (LxWxH)7.75 x 3.1 x 1.65"

Rode NTG1 Reviews

nice item

By Tak Yu
Rated 5 out of 5
Date: 2019-04-21

nice item

Beyond bang-for-buck

By Majd
Rated 5 out of 5
Date: 2017-04-27

I wouldn't consider myself a professional nor have I experience with any other shotguns. HOWEVER, I don't need to be a pro to tell that the noise level is very low and that this mic produces very good sound. I bought it for personal projects that I won't be making money on and it's been worth every dollar (well, shekel)! It's small and light which makes putting on a camera simple and easy. I just finished filming an indie short with it and got great results. I was able to get very usable sound from about 10' away. If you're not a pro, like myself, and you're hesitant about this one I'd say go for it! I can't recommend it enough!

Love it!

By Skelly Films
Rated 5 out of 5
Date: 2017-04-09

My sound guy absolutely loved using this mic on our last shoot.

I will buy this product again when I get my next camcorder

By William
Rated 5 out of 5
Date: 2017-03-27

A great complimentary accessory for my Sony HXR-NX100. Works great for recording our chorus from the back of the auditorium.

IT WORKS!

By Al
Rated 5 out of 5
Date: 2019-01-22

I am pleased.

NTG1 love!

By Ryan
Rated 5 out of 5
Date: 2017-10-31

Love this mic for recording. Works great on a boom or shoe mounted. Love the quality of the mic and of the sound I get out of it.

Awesome Mic...Just Buy It!

By Moondog
Rated 5 out of 5
Date: 2017-07-14

The Rode NTG1 is an epic mic. I am no professional but use this mic for all my camcorder needs. Very light weight, supreme sensitivity and crystal clear recordings! It came in a very nice zippered pouch with a foam cover and a free Dead Cat cover to boot! Very Pleased!

Great mic

By Tim
Rated 5 out of 5
Date: 2017-05-06

Great crisp clear sounds was picking up turkeys gobbling 300 yards away through the woods no problem!

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YOUR RECENTLY VIEWED ITEMS

How can this microphone claim so much greater ...

How can this microphone claim so much greater directionality (down 14 dB at 60 degrees off-axis) than other shotgun microphones of similar physical length. Is it a typo?
Asked by: Phil
I am honestly surprised at how good this mic is compared to the NTG2 and my Zoom shotgun mics. It is just stronger, cleaner and yes, more directional. It's still just s shotgun mic, not a lav. But it is impressive. I was surprised.
Answered by: Dan
Date published: 2021-06-25

Will this work on the new Black Magic Pocket ...

Will this work on the new Black Magic Pocket Cinema Camera 4K?
Asked by: Steve
Yes it does work all you need is this adapter in the link bellow https://www.bhphotovideo.com/c/product/1537929-REG/kondor_blue_kb_mxlr_16_mini_xlr_male_to.html
Answered by: leticia
Date published: 2021-03-01

question

Is this mic compatible with DSLR cameras? I have a Canon 5D mark III and am looking for on on-camera shotgun mic.
Asked by: Karina A.
The NTG1 requires power in order to operate that is supplied by the device the mic is connected to. unfortunately this is not able to be supplied by the cameras mini jack output. For the 5D mkIII and similar cameras you will need an additional adapter that is able to provide the power to the mic such as a Beachtek DXA-SLR ULTRA, which will allow the connection of 2 mics, level control, metering and limiters to protect from overload. Alternatively a battery powered mic will also work directly connected. The NTG-2 would be an example.
Answered by: Jeff P.
Date published: 2018-08-27

question

Can this microphone be used with a AA battery for source of power also?
Asked by: kawame d.
No. It uses phantom power exclusively. The NTG2 can use batteries.
Answered by: Cris E.
Date published: 2018-08-27

question

Does this microphone have to be mounted on a camera? We are using a teleprompter so we need a mic that can stand alone and not have to be mounted to our camera.
Asked by: Sandra M.
We use this as a boom mic which is on a boompole (fish pole) connected to a C-stand that hangs over the talent (speaker). The C stand is weighed down by two 30LB sand bags. You will also need a Matthelini clamp to attach the boom to the C-stand.
Answered by: Elias H.
Date published: 2018-08-27

question

What is the difference between NTG 1 and NTG 2
Asked by: Nachiketh
I have both. The NTG2 uses a AA battery. Ive seen specs that claim there is a tiny bit of difference in performance but it depends on your size restrictions and phantom power requirements. The NTG1 is great on most of my cams and in podcasts where the space might be an issue and upplying power to it isnt a problem. Recently I started.using a Tascam 70D the power drain is so bad on it I will often switch to the NTG2 to save battery on the mixer/recorder.
Answered by: michael g.
Date published: 2018-08-27

question

How far from the subject this mic can record with quality? Is it good for advertising production?
Asked by: Rafael R.
Lots of variables here, but generally you should be within a couple of feet of the sound source - less if it is a noisy environment. This is more an aspect of proper location sound technique in general, rather than the quality of this particular mic. This mic is capable of very good quality sound, but even the most expensive mic will sound terrible if it is 10 ft from the subject.
Answered by: blake m.
Date published: 2018-08-27
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