Canon TS-E 17mm f/4L Tilt-Shift Lens

Canon TS-E 17mm f/4L Tilt-Shift Lens

Canon TS-E 17mm f/4L Tilt-Shift Lens

B&H # CA174LTSE MFR # 3553B002

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Product Highlights

  • Tilt-Shift L-Series Manual Focus Lens
  • For EOS Cameras
  • Aperture Range: f/4-22
  • One Aspherical & Four UD Lens Elements
  • Maximum Tilt: +/- 6.5º
  • Maximum Shift: +/- 12mm
  • Tilt & Shift Singly or In Combination
  • Mount Rotation: 90º Left and Right
  • Minimum Focus Distance: 9.8"
  • Truly Circular Diaphragm
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Canon 17mm f/4.0 overview

  • 1Description

The TS-E 17mm f/4L Tilt-Shift Lens from Canon is an ultra wide-angle manual focus lens for EF mount cameras with a 104º diagonal angle of view on full frame cameras. It is the widest tilt-shift lens in the Canon lineup and provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.

The tilt-shift function on the 17mm f/4 lens allows adjustment of the focal plane by an angle of +/-6.5º and enables parallel shift of the optical axis by +/-12mm. Both tilt and shift can be engaged singly and in combination. The tilt-shift rotation mechanism locks at right angle and at parallel and clicks at 45º and the lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

Being a Canon L-series lens, its optical design and physical structure are optimal. Aspherical and ultra-low dispersion lens elements suppress aberrations and provide sharp delineation. Subwavelength Structure Coating (SWC) reduces ghosting and flare and truly circular diaphragm results in pleasing out-of-focus backgrounds. The focus ring on the lens provides precise manual focus action and the improved tilt and shift knobs are sturdy and smoothly control the mechanisms.

TS-E lens is compatible with all Canon EOS cameras
The 104° diagonal angle of view (without tilt or shift) is ideal for ultra wide-angle applications including architecture, landscape and product photography.
Wide image circle of 67.2mm is 50% greater than 35mm/full frame film area.
High precision glass (18 elements/12 groups) for low distortion and high resolution to the edge of the image.
The tilt and shift mechanism rotates +/-90°, allowing shift in any direction and the tilt mechanism independently rotates +/-90°, allowing tilt in any direction relative to the shift.
One aspherical and four UD lens elements minimize chromatic aberration.
A floating internal focus mechanism delivers high image quality throughout focus range.
Sub-wavelength structure coatings minimize ghosting and flare
A truly circular aperture creates pleasing out-of-focus background areas.
UPC: 013803108606
Table of Contents
  • 1Description

Canon 17mm f/4.0 specs

Focal Length 17mm
Comparable APS-C 1.6x Focal Length: 27.2 mm
Aperture Maximum: f/4
Minimum: f/22
Camera Mount Type Canon EF
Format Compatibility 35mm Film / Full-Frame Digital Sensor
Canon (APS-C)
Angle of View 104°
Tilt/Shift Tilt ± 6.5° in 1° increments
Shifts ± 12mm in 1mm increments
Minimum Focus Distance 9.84" (25 cm)
Magnification 0.14x
Maximum Reproduction Ratio 1:7
Elements/Groups 18 / 12
Diaphragm Blades 8
Image Stabilization No
Autofocus No
Tripod Collar No
Filter Thread None
Dimensions (DxL) Approx. 3.5 x 4.2" (8.89 x 10.67 cm)
Weight 1.80 lb (820 g)
Packaging Infodxevedatbeyrxsduvzxuydzxe
Package Weight 2.6 lb
Box Dimensions (LxWxH) 8.189 x 5.512 x 5.354"

Canon 17mm f/4.0 reviews

TS-E 17mm f/4L Tilt-Shift Lens is rated 4.9 out of 5 by 149.
Rated 5 out of 5 by from Everything I hoped it would be and more Technically excellent, optically astounding and simply amazing. If you are an architectural photographer, you already know that you need this. If you are a landscape photographer and are tired of shooting towards the sky at a 45 degree angle and watching all the trees vertically converge towards the top center of the photograph, then you also need this. If you have deep pockets and only want the very best toys whether you know how to use them well or not, then you need this, too! Make sure you purchase the Fotodiox Wonderpana Freearc system with a uv filter as it will act as your protector of the bulbous front end while allowing full movement with no vignetting!
Date published: 2014-12-23
Rated 5 out of 5 by from Simply Amazing This lens is technically flawless and simply amazing. I shoot landscape and architectural photography. This lens handles both so well. Of course, it's main application will be architectural photography. But it shines in landscape as well, especially if you would like to look up towards the sky at a 45 degree angle and not have all the trees vertically converging toward the center of the photograph! So, if you are wondering is it worth the money, it is for me. And if you are a serious landscape or architectural photographer, it will be for you as well. And yes, there is a third party filter and pinch cap attachment that allows full movement with no vignetting, contrary to what other reviewers say. So, have your cake and eat it too!
Date published: 2014-12-23
Rated 5 out of 5 by from Fine lens for architecture As a professional architectural photographer, the first tests I have done with this lens are wonderful. It is very sharp, though as a manual focus lens, you have to be very careful with your focussing. Even with its full shift, there is very little vignetting in the upper corners of the frame. The lens is very heavy and has to be handled delicately. Because of its protruding front element, it has to be handled even more carefully, covering it with the lens cap after virtually every shot. The first few tests I did were all hand held, making it clear it can be used like that fairly easily. I would recommend this lens unhesitatingly to those who shoot architecture.
Date published: 2012-05-16
Rated 5 out of 5 by from Solid Lens - Sharp My initial tests show a very clean corner-to-corner sharpness, with very little vignetting. Distortion is minimal and is easily corrected in PS. In a side-by-side comparison with the 17-40 sharpness is similar in the center, with the 17ts with just a bit more resolution. The real difference with the 17ts, is the edge sharpness which is excellent. I was also very pleased as an architectural photographer that the lens now has the option to change the relationship of the rise fall / tilt & shift / swing. The only item of concern is the exuding glass element in the front which adds an extra level of safety concern when using the lens.
Date published: 2010-12-27
Rated 5 out of 5 by from Unique ultra-wide tilt/shift lens Exceptional wide angle tilt/shift lens is great fun in cities or other tight spaces. Image quality is exceptional unshifted, but stop down to f/11 for a full shift. Image quality ranges from outstanding wide open over most of the unshifted frame to just good at the edges of the shifted frame at f/11. Fully shifted, image quality not acceptable until f/8. Flare control is outstanding, and mechanics are excellent, and build is superior to Nikon tilt/shift lenses. This lens is unique for its outrageously wide angle view, nearly a fisheye when fully shifted. In that context, it is unequalled by any other T/S lens. Look to the 24/3.5L II for another excellent choice. Be careful with the front element!
Date published: 2010-12-22
Rated 5 out of 5 by from New favorite lens This is a go-to lens for real estate photography. Perfect lines, gorgeous color, lots of room to shoot in natural light, especially with bracketed shots. It's a tiny bit technical, (i.e., tilt must be locked in place to keep focus throughout the image, rotation needed to capture panoramas without distortion, manual focus only), but that's part of the fun. It's impossible to use a hood AND get this wide an angle of view, so be careful moving from position to position, especially through doorways as the round lens element is exposed. With the lens attached, the camera doesn't lay flat on its side and the cap is plastic, so I store the lens on-camera with the camera on it's back (lens element facing up).
Date published: 2014-06-02
Rated 5 out of 5 by from Awesome for the experienced shooter This lens is the answer to my wish to use my view camera experience without going back to film or medium format. I shoot mainly with a Canon EOS 1Ds Mk 3, and the camera is somewhere between a Hasselblad and 4 x 5. But, it has not had the ability to do the most sophisticated landscape and building shots because of the 35mm format. This lens fixes that for me. You WILL need to understand what you are doing; this isn't a point-and-shoot product! But, if you have used a view camera and want much of the capability without all of the inconvenience and complexity, you will be very glad that you bought this lens. BTW, it has INCREDIBLE optics but everyone else has already said that!
Date published: 2010-01-30
Rated 5 out of 5 by from The lens I have been waiting for This is simply a magnificent piece of glass. Can be used as a 17mm prime lens and performs better than any other wide angle prime in the Canon lineup. Great quality, no chromatic aberration, solid build. As an architectural lens, it cannot be matched. Shooting European cathedrals and basilicas is very challenging and this lens changes the game. Top to bottom, front to back captures, both portrait and landscape. Replaced the old 24mm standby and the improvement is enormous. Pricey, both worth it.
Date published: 2011-02-10
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