Audio

Latest Tips and Solutions
1 week ago
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It’s a cliché to even say it, but everybody has a podcast. I myself have, like, I don’t know—six? I kid. It’s more like two. With a glut of podcasts hitting the media landscape, how do you make sure yours stands out? Marketing, of course—one hopes for the viral kind. But still, it helps immeasurably if your podcast is a pleasing listen, transporting audiences from their dull lives commuting to...
2 weeks ago
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Let’s begin with what you won’t see in this article: You won’t find the customary list of mics, their governing attributes, or a list of instruments they flatter; mics age differently, making that kind of list largely moot. Also, it wouldn’t necessarily help if you didn’t have those microphones, many of which are quite expensive. Likewise, you won’t see a right-brained crystallization of concepts...
by Philip Nichols
3 weeks ago
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For well over twenty years, people working with audio have seen dither on hardware, digital audio workstations, and plug-ins, yet many fear to tread near it. Some have filed it away as unexplainable and irrelevant. Others proclaim startling “truths” about its miraculous powers. The good news, or perhaps bad, is that dither will not transform your musical mud into gold, nor will it topple your...
4 weeks ago
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Hi, my name is Nick, and I have a problem. To fix the problem, I need to take certain steps, the first of which is to admit that I am powerless—specifically, I am powerless over my sensitivity to sibilance. I’m an avid listener to radio, records, singles, and podcasts, so it can be a burden: If those esses haven’t been tamed, I wince with every offending syllable. And when I listen to an old...
1 month ago
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When I first started mixing, I had an interface and a pair of monitors, but something didn’t sound right. The audio wasn’t as loud, full, and rounded as I knew it could be. I did some research, and it seemed my connections were mismatched: My interface sported unbalanced outputs, while the monitors boasted balanced inputs. Herein lay the problem, right? Right—but also wrong. As it was explained...
2 months ago
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There are many adages that pertain to the life of a sound engineer. Murphy’s law states, “Anything that can go wrong, will go wrong;” “Hope for the best, but prepare for the worst;” “An ounce of prevention is worth a pound of cure.” These sayings are sage advice for the sound engineer, as all things will eventually break. Plan for when they do, and try to mitigate the severity of circumstances...

2 months ago
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In this video, Justin Colletti continues the discussion on recording guitar without the amplifier, this time eschewing software and focusing on the actual recording methods themselves. The process of “reamping”—as well as obtaining the classic, DI’ed tones used by the Beatles and Led Zeppelin to great effect—are a both covered. The...

2 months ago
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Watch as Sonic Scoop’s Justin Colletti sits down with Born Cage’s Vlad Holiday to talk DI guitar recording. In this video, Colletti and Holiday sit down and dive into three different pieces of amplifier-simulation software: Guitar Rig 5 (offered in Komplete 11),...
4 months ago
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The B&H SuperStore is not well-known as a retailer of musical stringed instruments. It’s true that our audio department has offered synthesizers, keyboards, controllers, and digital pianos for a long time, but we’re probably not the first place you think of when you’re thinking about guitars, basses, and their care and maintenance. B&H does carry a growing line of stringed instruments, as...
4 months ago
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The sound engineer. Ah, yes. As a performing musician, I’ve encountered my fair share of them, so I understand the stereotype. They can seem disinterested, a bit preoccupied, perhaps brusque. And sure, there are bad apples out there. I'll never forget playing Kenny’s Castaways (a classic, now-defunct New York City venue), the engineer loping onto the stage mid-song to swap out my microphone while...
4 months ago
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As mixing engineers, one of our biggest challenges is communicating width and depth in a stereo track. It’s tricky for loads of reasons. For one, what we’re doing is essentially a fiction: When you listen to Beethoven’s Ninth Symphony on an iPod, you are not at the Philharmonic—yet it’s often the engineer’s job to create the sound of the orchestra, from left to right, front to back, and in the...
5 months ago
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Yes, we here at B&H are giving some Explora love to ENG: Electronic News Gathering. The technical aspects of this topic have been covered passing well in Basic Tips and Tricks for Electronic News Gathering (ENG), so this piece pulls back and looks at a non-technical...
5 months ago
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Say you’re covering news or conducting interviews in the field for your V-blog, YouTube channel, Facebook Live, or a documentary. The locations vary widely—indoor/outdoor, press conferences and on-the-fly interviews, and perhaps even political conventions—and all represent widely varying sound-recording environments. As a news gatherer, you know that your audio quality can make or break your...
6 months ago
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If you’re an audio person who likes the adrenaline rush of on-location recording, you’ve got options for work. On the music side, there are on-sight jazz records, classical concerts, and rock venues. But you also might want to take on-location gigs for other media—movies, TV web series, and our chosen topic of today, ENG. But wait—what is ENG? ENG stands for Electronic News Gathering. You know...

7 months ago
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Join Sonic Scoop’s Justin Colletti as he tests some tube condenser microphones that won’t break the bank. Here he’ll check out the RØDE NTK, the Se z5600a II, the...

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