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by Luke Rollins · Posted
IN THIS ARTICLE
1. (Don’t Fear) the Gear2. Good Dental Photography Is Good Photography3. Macro Discipline, Portrait Mindset4. Embrace the Flash5. Clinical, but with an Eye for Marketing
For dentists, the evidentiary benefits of a photographic practice go beyond meeting industry standards. They can be the foundation for professional development and the growth of your business. That said,
by Luke Rollins · Posted
At first glance, studio photography and the compact camera may seem strange bedfellows. The type of work associated with the studio—still life, product photography, portraiture, macro photography—usually wants cameras with larger sensors and interchangeable lenses, especially in professional applications. Compact, point-and-shoot cameras, for their part, have their natural home in everyday, travel, nightlife, and street applications, where their discretion and size become virtues.
It might seem almost cruel to introduce the compact to the
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
by Mathew Malwitz · Posted
Anyone who has dabbled in pet photography knows that it can be a rewarding yet challenging experience. While pets are considered to be part of the family, they’re still animals who walk to the beat of their own drum and do things at their own pace. Even the best listeners can be easily distracted or have trouble sitting still for more than two seconds. If you’re considering trying your hand at photographing our fuzzy friends, we’ve put together this helpful guide for you. In this guide, we’re going to cover the essentials for those with a
by Mathew Malwitz · Posted
Photography is, by definition, the capture of light on a light sensitive surface. Exactly what kind of light this is in reference to is up to you as the photographer. When we think of lighting for photography we may immediately conjure up images of on-camera speedlights or big studio lights with soft boxes atop towering light stands.
While these lights can give us control over our scene in a variety of lighting conditions, they're not the only way we can light our images. Natural and ambient lighting can be harnessed to dramatic effect, if we