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by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?
by Luke Rollins · Posted
The wealth of B&H is not measured in sales, but in the accumulated knowledge of its people. The breadth of such experience is impossible to quantify, let alone price, which is why we’re offering this batch of wedding photography advice completely free of charge.
Andrea Buritica, Sales Associate – Chat & Email
Burikitak Photography
One of the best parts about working at B&H is that I get to talk about gear all day. However, it’s doing wedding
by Mathew Malwitz · Posted
Who doesn’t want to capture fun and creative portraits of our four-legged friends? We know we love it. In fact, pet photography may just be the most popular form of photography there is. Think of all the smartphone snaps of yawns, big stretches, and funny moments we all take of our cats, dogs, chinchillas, and beyond.
Quick snaps aside, you know what really ups the quality of our pet portraits? Lighting. Just as with any form of portrait, lighting unlocks possibilities that can be impossible without it. But what lighting system should we use?
by Mathew Malwitz · Posted
For a beginner, few things seem more intimidating than photographing a wedding. A sense of anxiety is perfectly normal if you haven't yet spent much time in this field. It's important to remember that we all begin somewhere, and even the most experienced pros were also novices at one point. With practice and education, nerves begin to morph into confidence.
No two weddings are the same, but whether traditional or unconventional, the goal is to be properly equipped to document the key moments of the day. A
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Join Jeff Carpenter from Readylight Media for a real-time look at how he creates acting headshots from the first frame to the final capture. Jeff uses Profoto lighting and light shapers to highlight character traits, build different looks, and create images that speak to a range of roles.
0:00 - Intro
2:20 - Setup and First Look: Commercial
21:47 - Introducing Another Light
34:04 - Second Look: Dramatic
54:16 - Using a Grid & Beauty Dish / Third Look: Changing the Background
1:17:20 - Fourth Look: Using an On-Camera Flash
1:20:55 - Using
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Todd Vorenkamp · Posted
One of the magical aspects of modern photography is the ability to review an image instantly within our EVF (electronic viewfinder) or right on the back of the camera.
Frequently, one possible mistake that digital photographers make is when reviewing an image on their camera—they evaluate exposure based on the reproduced image. Why might this be a mistake? Well, both your camera’s LCD and EVF likely have adjustable brightness. Also, you might be viewing your images in bright sunlight or in the pitch black of night. Just as viewing a computer
by Luke Rollins · Posted
There comes a time in a photographer’s life—usually after some consistent success with an on-camera flash—when they say to themselves, "I’m ready to make my own light on demand." Thus begins a seemingly never-ending journey—first mastering the basics, then trying to put some feeling and expression into their photos.
Assuming you’re versed in
by Mathew Malwitz · Posted
As photographers, we are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as an event or portrait where time is of the essence, you will need to know how to properly expose all these varying scenes using both natural and artificial light sources.
Being resourceful with your lighting setups lends greater efficiency, and having a lighting system you can easily move from one situation to the next quickly is
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2026 brings a wave of new trends for wedding photography. Is natural light out, and flash photography in? Are we trading digital for film? Lotta, one of our resident wedding photographers, shares her predictions.
0:00 - New Year, New Trends
0:38 - Artificial Lighting
1:43 - Medium Format Film Photography
2:28 - Wedding Photo Galleries
3:12 - What Is Your Final Product?
4:07 - Is Bokeh Out?
5:27 - Short Form Video (Content Creation/Wedding Videos for Social)
6:03 - What’s Carried Over from 2025?
7:06 - Comment Your Thoughts!
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
by Mathew Malwitz · Posted
Good lighting is essential to creating a strong, visually pleasing image. This is as true for naturally lit outdoor shots as it is for studio portraits. For individual or even couples portraits, many photographers make use of on-camera flash or compact, battery-powered strobes to supplement natural light and fill shadows, but how do we situate these in the scene? What light shaping tools should we use? Groups alone can be tricky for a plethora of reasons. Whether it be getting everyone to smile, getting kids to look at the camera, or the
Posted
Strobe lights or continuous lights: one of those eternal photography debates that never gets solved. So, which type of artificial lighting do you choose for your photography kit? Each type has its strengths and weaknesses, pros and cons. Plus, the type of work you do—product photography or hybrid shooting—will affect your choice. Sam is in studio with the Godox Litemons LE300Bi Bi-Color LED Monolight and the
by Luke Rollins · Posted
Macro photography never ceases to amaze me. Show me the face of a jumping spider reproduced at life-size or greater and I’ll undoubtedly stop what I’m doing and stare at it for a while. What’s interesting is how ultra-wide-angle lenses, which are available for DSLRs and
by Mathew Malwitz · Posted
Winter brings with it some of the best photographic opportunities imaginable. As the temperatures begin to drop, our approach to photography changes a bit. Cooler weather brings with it snow, stunningly colorful evening skies, wintering birds, and an assortment of beautiful weather conditions. Some of the best photographic opportunities present themselves in these unfortunately cold times. That being said, if we prep ourselves and our gear appropriately, we can capture stunning images.
Before You Head Out
First, some safety precautions. Cold