Search results for: photography tips solutions macro photography basics
About 12 filtered results
by Todd Vorenkamp · Posted
Taking a look at any modern mirrorless or DSLR camera, you’ll notice a slew of controls, buttons, and dials. Atop nearly all cameras sits a large dial labeled with many letters and icons. This is our mode dial. It is how we control the level of power we give to our camera or take for ourselves.
One of the wonderful things that modern electronic digital and film cameras give you is many high-tech options for your image making. One of the horrible things that modern electronic digital and film cameras give you is many high-tech options for your
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
Posted
Color management can be tough to wrap your head around. Matt Hill goes over the basics of color management and color correction. He shows you how to set up a color checker in Lightroom Classic, how to adjust color, and how to focus stack macro photography.
0:00 - Introduction
3:57 - Capturing Macro Images
6:06 - What Do Color Problems Look Like?
9:35 - Take Control of Your Inputs: Color Checker, Stability, and Color Calibration
17:41 - Color Management and Color Correction Are Not the Same
20:06 - Setting Up Color Checker Profiles in
by Todd Vorenkamp · Posted
Welcome to Part 3 of our journey into the world of Intentional Camera Movement (ICM) photography. In this final chapter of the 3-part series of articles, we voyage back into the mental aspects of creating ICM art, as well as take in some tips for some of the more common ICM subjects and finish with inspirational words from some of the masters of the craft.
Above image © Morag Paterson
Approach
Because ICM eschews many of the lessons we have tried so hard to learn in photography over the years, the approach and process are very
by Todd Vorenkamp · Posted
Specular out-of-focus highlights have appeared in photographs since the first photos were taken through lenses. In 1997, Photo Techniques magazine introduced the word “bokeh” to the photography world’s vernacular and the out-of-focus areas of photographs have been scrutinized ever since. Before the term, there was certainly discussion about the aesthetics of the out-of-focus specular highlights of a photograph, but until 1997, there wasn’t a good word in the English language to describe the phenomenon. Credit goes to Mike Johnston, article
by Todd Vorenkamp · Posted
Shallow depth of field (DOF) is one of the visual effects that many photographers seek in their everyday photographs. To accomplish this, there is the grail quest for lenses with larger and larger maximum apertures. In the world of macro and
by Todd Vorenkamp · Posted
A few things happen when you look through a pair of binoculars, a spotting scope, or a telescope. The first thing that happens when you see awesomeness is you think, sometimes out loud, "Wow!" The next thing that happens is that you want to share what you are seeing with others—this
by John Harris · Posted
After our introductory lesson to creating narrative and telling personal stories with smartphone cameras, I asked my kids to advance their skill set by telling visual stories using a more advanced, more versatile camera. In this case, they’re using my Sony Alpha a6500 mirrorless
by Bjorn Petersen · Posted
Despite much of the photography world being on pause right now, it’s also as good a time as ever to be honing your craft. Much in the same way an athlete trains for their particular discipline, photographers need to train, too, but likely not by lifting weights and working out. Think of it as mental strength training, or simply just practicing, acquiring inspiration, learning techniques, and spending more time with your work. Here are some tips on sparking some new creative impulses or ideas for improving your photography practice.
Find
by Todd Vorenkamp · Posted
The Sun, our source of light and warmth, is a notoriously poor photographic target, due to its extreme brightness and constant emissions of damaging ultraviolet and infrared radiation. However, with the right equipment, the sun can be a challenging and rewarding photographic subject.
The sun, like the moon, is above the horizon and in our skies half of the time. However, unlike the moon, when the sun is above the horizon, it is always visible (unless it is cloudy). The moon progresses through different phases as it orbits our planet, from new
by Elizabeth Groeschen · Posted
Guaranteed to be the one camera that is always on you, your mobile phone’s camera may or may not be your camera of choice, but it’s better than none! Here are a few tips to help you use what you have, or whip your budding mobile photography hobby into better shape.
If you’re anything like me, throughout the day, your phone is constantly being juggled; it’s stuffed in a pocket on the way outside to walk the dog, held with a wallet upon entering the subway, slipped into a bag during your commute, and often misplaced at least once during your
by Todd Vorenkamp · Posted
Depth of field (DOF) is defined as the area in a projected image, forward and aft of the focal plane, which also appears to be in focus in the image. When you pass light through a lens and focus that light to form an image on a piece of film, digital sensor, projection screen, etc., the area of the image that is in true focus is razor thin—the focal plane. Everything else is out of focus, to some degree. However, because of the subtlety of the out-of focus regions, we do not notice the softness of the image until, as objects are located