Search results for: photography tips solutions perspective control architectural photography
About 6 filtered results
by Todd Vorenkamp · Posted
Do you want to preserve the memory of that awesome neighborhood fireworks show? Let's discuss the best ways to try to make a memorable photograph commemorating the event.
Before we get started, let me say that there are many ways to accomplish fireworks photography and no technique is usually worse or better than others. The only thing that really matters as you head home after the show is:
You enjoyed the photographic process.
You are left with a photograph or photographs that you personally enjoy.
You enjoyed the fireworks show!
by Allan Weitz · Posted
Though there aren’t any hard rules on the subject—and all rules are made to be broken—wide-angle and ultra-wide-angle lenses are often considered to be the go-to lenses for landscape photography. It’s not like you can’t capture wonderful landscapes with normal or telephoto lenses (you absolutely can), but due to their broad capture angles, wide- and ultra-wide-angle lenses usually win out over the alternative choices. For those who wish to go wider than ultra-wide, you have to turn to fisheye lenses.
Photographs © Allan Weitz 2020
What Is a
by Allan Weitz · Posted
I’ll never forget the first time I looked through the viewfinder of a camera fitted with a 20mm ultra-wide-angle lens. Everything looked amazing and I blew several rolls of film shooting everything I saw along the way. Prior to using this “exotic” lens, I had never shot with anything wider than the 50mm normal that came with my first 35mm camera.
The sobering part came when I developed the film and started eyeballing the results of my first outing. In a word, they were underwhelming, but I kept at it until I figured out how to use ultra-wide-
by Todd Vorenkamp · Posted
Since the days when the view camera declined in popularity and the 35mm camera came to the fore, photographers have been plagued by the distortion phenomenon known as “keystoning.” Keystoning occurs when vertical lines converge as the camera and lens are tilted above or below the horizontal plane. Today, digital images can magically generate geometric corrections with post-processing software, like Photoshop and Lightroom,
by Bjorn Petersen · Posted
One of the most underrated and possibly least understood tools of the macro world is the bellows. Seemingly antiquated and perhaps intimidating, a bellows is, simply put, a flexible tool that adds distance between a lens and your camera body to decrease the minimum focusing distance and increase your reproduction ratio. A bellows functions on the same concept as the more popular genre of extension tubes, but with the key distinction of added control. Rather than resorting to preset lengths to distance the lens from your camera, like an
by Todd Vorenkamp · Posted
The job of a photographic lens is to capture light and bend it toward the film or digital sensor. The refraction of light exerts a variety of side effects on the image projected onto the film or digital sensor. Your understanding of how this bending can affect the image may factor into how you compose your images.
Anomalies and Lens Distortion
Glass, crystal, liquid, or plastic lenses made for photography are never “perfect”—just like the lenses in our own eyes. Photographic lenses often comprise multiple lens elements. Because of the way