ProLights EclFresnel CT+S IP20 200W 6-Color LED Fresnel with 8-78-Degree Manual Zoom (Black)
Lupo HyperpanelPRO Dual Color Hard 60 LED Panel (Pole Operated)
Litepanels Lykos+ Bi-Color LED Light Panel (3-Light Kit)
- Three LED Light Panels with Stands
- 3200-5600K CCT, CRI 96 | TLCI 96
- AC or Optional NP-F Battery Power
- Light Stand with Maximum Height of 7.2'
ikan Rayden Bi-Color 3-Point LED Light Kit with 2 x RB10 and 1 x RB5
- 2 x Rayden 50° Bi-Color RB10
- 1 x Rayden 50° Bi-Color RB5
- 3 x Light Stands
- 3 x Power Supplies with Cables
ARRI SkyPanel S30-RP Tungsten LED Remote Phosphor Softlight (Black, Bare Ends)
- Pole Operated Yoke
- Panel Surface Area: 14 x 11.8"
- 110° Beam Spread
- 3,200K Remote Phosphor Panel
CHAUVET Professional onAir IP Panel 1 Full Spectrum LED Soft Light
- For Studio and Film/TV Production
- Output: 3687 Lux at 3.3' (5600K)
- 2800-8000K Color Temperature
- Ultra Smooth 16-Bit Dimming Curves
Godox KNOWLED P1200R Hard RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 136,000 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 32.8 x 23.8" Panel with Yoke; AC Power
Quasar Science 2-Bank Shell with Ossium Plate and Double Rainbow (4', 2-Light Kit)
- For Photo, Video and Film Production
- Double Rainbow Light
- 1750-10,000K Color Temperature
- Wireless DMX (CRMX), Bluetooth, Wi-Fi
Dracast Kala Plus Series LED3000 Bi-Color LED Light Panel (2-Light Travel Kit)
- 2x LED Panel, 2x Light Stand, Rigid Case
- For Studio & Film/TV Production
- Output: 2420 Lux at 3.3' (5600K, 120°)
- 2800-6500K; Bi-Color Control
ikan Helia 150W Bi-Color LED Fresnel Light (2-Light Kit)
- For Film, Broadcast & Video Production
- Output: 21,622 Lux at 3.3' (Spot, 5600K)
- 3200-5600K CCT
- AC Power
ikan Lyra LB10 Bi-Color LED Panel with Stryder Fresnel (3-Light Kit)
- 2 Panels, 1 Fresnel with Stands & Cases
- For Studio & Film/TV Production
- Output: 2491 Lux at 3.3' (5600K)
- 3200-5600K Bi-Color
ikan Lyra LB10 Bi-Color LED Panel with Stryder Fresnel (3-Light Kit)
- 2 Panels, 1 Fresnel with Stands & Cases
- For Studio & Film/TV Production
- Output: 2491 Lux at 3.3' (5600K)
- 3200-5600K Bi-Color
Godox KNOWLED P600R RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 29,070 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 30.6 x 22.3" Panel; AC Power
Dracast Cinebrite CB1200B Bi-Color LED Panel 3-Light Kit (120W)
- Panel Surface Area: 13.77 x 9.8"
- Beam Spread: 120°
- Color Temperature: 2800-5600K
- CRI: 99, TLCI: 97
BB&S Lighting Area 48 Studio Remote Phosphor LED Light Panel (AC Kit)
- Chroma Blue Phosphor Panel
- 1200W Tungsten Equivalent Output
- 14 x 11 x 5" Panel; AC Power
- TLCI 98
Elation Professional KL Fresnel 8 FC
- For Film and Television Productions
- Total Output: 18,000 Lumens
- Full-Color Spectrum LED Fixture
- CRI 94.5 / TLCI 94
DeSisti Soft LED 1XL Tungsten 60W (Manual Yoke)
- Color: 3200K, CRI/TLCI: 95/96
- Measures: 16.5 x 9.4 x 8"
- Dims 0-100%, Onboard DMX
- Variable Fan Speed, 90-250 VAC
DeSisti Soft LED 1XL D - Daylight CCT (Manually Operated)
- Remote Phosphors: 5600K
- Beam Angle: 98 by 60°
- CRI/TLCI: 96/96
- Measures 29 x 9 x 5.2"
BB&S Lighting Compact Fresnel Light Bi-Color 2-Light Kit with Integrated Zoom (12-52-Degree)
Frezzi SkyLight Single Kit (V-Mount)
- SkyLight Head, Measures 5 x 10 x 2"
- Spot and Flood Reflectors
- Color Temperature: 5600K, CRI: 95
- AC Adapter or Optional Battery
Frezzi SkyLight Single Kit (Gold Mount)
- SkyLight Head, Measures 5 x 10 x 2"
- Spot and Flood Reflectors
- Color Temperature: 5600K, CRI: 95
- AC Adapter or Optional Battery
Nanlite PavoTube II 15XR RGB LED Pixel Tube Light (2', 8-Light Kit)
- For Photo, Video & Film Production
- Output: 377 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
BB&S Lighting Reflect Bi-Color 2' LED (2700-5600K, Black)
Astera AX1 Pixel Tube RGB LED Tube Light (3.4', 4-Light Kit)
- Four Lights, Chargers, Accessories & Bag
- For Charging, Mounting & Portability
- Output: 253 Lux at 3.3' for Each Light
- Onboard, DMX, CRMX & App Control
Quasar Science 2-Bank Shell with Ossium Plate and Two Rainbow 2 Lights (2')
- Articulated Shell Controls Spill
- Two 2' Rainbow 2 Light Tubes
- 1750-10,000K Color Temp, Dimmable
- True-1 Multibank Power Adapter
Litepanels Studio X3 Tungsten LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 26,190 Lux at 3.3' (16° at 3200K)
- Beam Angle: 16-56°
- Color Temperature: 3200K
VELVETlight 5-Light Studio Focusable LED Key Light
- For Studio and Film/TV Production
- Output: 10,000 Lux / 925 fc at 3'
- 90-264 VAC, 2500 to 6500K Color Temp
- 30 to 100° Beam Angle
Litepanels Studio X2 Bi-Color LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 20,700 Lux at 3.3' (10° at 5600K)
- Beam Angle: 10-49°
- Color Temperature Range: 2700-6500K
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


