Harlowe Mark Mann Signature Kit
- For Professional Portrait Photography
- 1700 to 10,000K CCT; RGBCW Mode
- Each Light Dimensions: 14.2 x 1.4 x 0.7"
- CRI 96 | TLCI 96
ikan Lyra LBX40 Soft Panel 1 x 4 Studio and Field LED Light
- Integrated 1/2 Stop Soft Diffusion Panel
- Bi-Color, Adjustable from 3200-5600K
- 110° Beam Angle
- DMX Control Via In and Out Ports
HIVE LIGHTING Hornet 200-C Adjustable Fresnel Omni-Color LED Light
- Adjustable Spot-to-Flood
- Omni-Color LEDs: 1650 to 8000K
- 360° Hue, 0 to 100% Saturation
- Wireless DMX Range: 500', Bluetooth: 50'
ARRI L5-C Plus RGB LED Fresnel Light with Mains Cable Kit (Black, Pole-Operated)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-46°
ARRI L5-C Plus RGB LED Fresnel Light with Mains Cable Kit (Blue/Silver, Pole-Operated)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10000K CCT; RGB
- Beam Angle: 12-46°
ARRI L5-C Plus RGB LED Fresnel Light with Inline Switch Kit (Black, Pole-Operated)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-46°
ARRI L5-C Plus RGB LED Fresnel Light with Inline Switch Cable Kit (Blue/Silver, Pole-Operated)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-46°
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Pole-Operated Yoke, US Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Litepanels Studio X2 Daylight LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 19,170 Lux at 3.3' (12° at 5600K)
- Beam Angle: 12-48°
- Color Temperature: 5600K
American DJ Encore FR150Z 130W LED Fresnel (4-Pack)
- 130W LED Engine
- 8" Fresnel Lens
- 3000K Warm-White Beam
- CRI of 95
Creamsource Vortex4 Soft RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 9770 Lux at 3.3' (5600K, 110°)
- 2200-15,000K; RGB Color Control
- 15 x 15"; AC/DC Operation
Litegear LiteMat Plus 2 Bi-Color LED Light Panel (V-Mount Dimmer Kit)
- For Studio & Film/TV Production
- Output: 3131 Lux at 3.3' (6000K)
- 2600-6200K CCT
- 21 x 21" Panel; Optional Battery Power
Litegear LiteMat Plus 2 Bi-Color LED Light Panel (Gold Mount Dimmer Kit)
- For Studio & Film/TV Production
- Output: 3131 Lux at 3.3' (6000K)
- 2600-6200K CCT
- 21 x 21" Panel; Optional Battery Power
Kino Flo FreeStyle T41 DMX System Universal
- FreeStyle T41 LED Fixture
- DMX Controller
- Gel Presets and FX Mode
- 2500-9900K Adjustable Color Temperature
Fluotec CineLight Color30 1x1 DMX LED Panel & Accessories Bundle (1-Pack, Gold-Mount)
- Color30 Panel with Gold Mount Plate
- Interchangeable Diffuser
- Gel Frame
- Light Stand
Fluotec CineLight Color30 1x1 DMX LED Panel & Accessories Bundle (V-Mount)
- Color30 Panel with V-Mount Plate
- Interchangeable Diffuser
- Gel Frame
- Light Stand
ikan Lyra 1 x 1 Bi-Color 3-Point Soft Panel LED Light Kit
- 3200-5600K, 110-Degree Beam Angle
- 3 x Lyra Bi-Color LED Soft Panels
- 3 x V-Mount Battery Plates
- 3 x Gold Mount Battery Plates
Kino Flo Freestyle Mini LED DMX Universal System
- Mini LED Panel with Louver
- DMX Controller
- Gel Presets and FX Mode
- 2500-9900K Adjustable Color Temperature
Kino Flo FreeStyle 4' LED DMX System Universal (2-Tubes)
- 2 x FreeStyle 4' LED Tube
- 2 x FreeStyle Tube Mount Baby Pin
- 2 x 25' Head Extension Cable
- FreeStyle 120 LED DMX Controller
DMG Lumiere SL1 MIX LED Panel
- Panel Surface Area: 48 x 8"
- Color Temperature from 1700-10,000K
- Red, Lime, Green, Blue, Amber, and White
- White Mode, Gel Mode, and Color Mode
Kino Flo FreeStyle 31 LED Fixture
- 40.5 x 10.5 x 3.5" w/ 6.5" Barndoors
- Removable LED Panel and Louver
- Molded Corners for Rigging Options
- Several Optional Mounts
Litegear LiteMat Plus 2L Bi-Color LED Light Panel (Gold Mount Dimmer Kit)
- For Studio & Film/TV Production
- Output: 2945 Lux at 3.3' (6000K)
- 2600-6200K CCT
- 40 x 11" Panel; Optional Battery Power
Dracast Plus Series LED500 Bi-Color LED Light Panel (Location 3-Light Kit)
- Three LED500 Bi-Color Lights
- Three Light Stands & Barndoors
- Three V-Mount Batteries & Dual Charger
- Includes Filter Set & Hard Case
Dracast Plus Series LED500 Daylight LED Light Panel (Location 3-Light Kit)
- Three LED500 Daylight Lights
- Three Light Stands & Barndoors
- Three V-Mount Batteries & Dual Charger
- Includes Filter Set & Hard Case
GVM Reign R1200B Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 82,547 Lux at 3.3' (Bare Bulb)
- 2700-6800K CCT; Bi-Color Control
- AC Power
Harlowe Pro 300 Spectra RGB LED Light (Creator AC/DC Kit)
- Light with Power Supply, Softbox & Stand
- Output: 35,100 Lux at 3.3' (4500K)
- 1700-10,000K CCT; RGBCW Color Control
- AC or 99.36Wh Max Battery Power
ikan Lyra LCX21 RGBW LED 1 x 2 Soft Panel
- Measures 31 x 26 x 7", 110° Beam Angle
- Variable CCT: 2800-10000K
- RGB Color, Saturation, and HSI Control
- 8-Bit & 16-Bit DMX, Special Effects
Dracast Complete Remote Newsroom Studio Bi-Color 4-Light Kit
- Two Fresnel 2000 Bi-Color Fixtures
- Two LED1000 Pro Bi-Color LED Panels
- Two Four-Way Barndoors
- Four Spring-Cushioned Stands
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


