CineGearFactory AirSquare 44B Bi-Color LED Light Kit
- 4 x 4' Bi-Color LED Light with Softbox
- Square Softbox Filled with Air
- 550W-Equivalent Power Output
- 2500 to 20,000K CCT Range
Aputure INFINIMAT LED with Clear Softbox & 400W Control Box Pack (2 x 4', Gold Mount)
- Modular Full-Color RGBWW LED Light Mat
- Multiple Mounting & Rigging Methods
- Control Box Pack with Dual Gold Mount
- Skirt, Clear Softbox, Air Pump Mini
Lupo HyperpanelPRO Dual Color Hard 60 LED Light Panel
- For Studio & Film/TV Production
- Output: 200,000 Lux at 3.3' (40°, 6500K)
- 2800-6500K CCT
- 27.2 x 18.3" Panel; AC/DC Operation
Genaray Hex Lighting 36" Soft Strip 6-Light Pro Kit with C-Stands
- 6 x Soft Strip 36" LED Light
- 60-Degree Beam Spread, 2 x AC Adapters
- 5600K Daylight Color
- CRI 95, TLCI 98.3
Dracast LED4000 Palette Series II RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 13,156 Lux at 3.3' (5600K)
- 2500-9999K; RGB Color Control
- 22.6 x 19.8" Panel; AC/DC Operation
Dracast Cinebrite 3600 Bi-Color LED Panel
- 2800 to 5600 Color Temp, 99/97+ CRI/TLCI
- Weighs 37 lb, Measures 24 x 13.6 x 5.8"
- Aluminum Construction, DMX512
- AC or Optional Battery Power
ikan Rayden Bi-Color 3-Point LED Light Kit with 1 x RB10 and 2 x RB5
- 1 x Rayden 50° Bi-Color RB10
- 2 x Rayden 50° Bi-Color RB5
- 3 x Light Stands
- 3 x Power Supplies with Cables
Nila Varsa V2 Deluxe Daylight Kit
- 1 x Varsa 2 Daylight Fixture & Barndoors
- 6 x Holographic Lenses
- 4 x Hard Gel Filters
- 1 x Lens Pouch, 1 x Power Cable
Dracast DRSPACE8000 Space Light Bicolor LED Panel
- 25° Beam Spread
- Color Temperature: 3000-8000K
- CRI: 95, 800W
- Local and DMX Control, 0-100% Dimming
Dracast Palette TrueColor LED4000 Soft Panel
- Color Temperature: 2800 to 10,000K
- 0-100% Stepless Dimming
- RGB Color Adjustment
- Gel Mode
Dracast Cinebrite CB3600B Bi-Color LED Panel (360W)
- Panel Surface Area: 24.1 x 13.65"
- Beam Spread: 120°
- Color Temperature: 2800-5600K
- CRI; 99, TLCI: 97
HIVE LIGHTING Hornet 200-C PAR Spot Omni-Color LED Light
- 22-Degree PAR Spot
- Omni-Color LEDs: 1650 to 8000K
- 360° Hue, 0 to 100% Saturation
- Wireless DMX Range: 500', Bluetooth: 50'
Chimera Panel Lantern Pro Kit (US/North American Plug)
- 1 x PL100 LED Light Engine
- 1 x Controller
- 1 x Power Supply
- 1 x Fabric Lantern: 24 x 24"
Chimera Panel Lantern Pro Kit (EU Plug)
- 1 x PL100 LED Light Engine
- 1 x Controller
- 1 x Power Supply
- 1 x Fabric Lantern: 24 x 24"
Acebil SL-B100DT Bi-Color LED Studio Panel (2-Light Kit)
- 2 x SL-B100DT Bi-Color Panels
- Stands, Cables, Carry Bag
- For Film, Broadcast, & Video Production
- Output:100W
CHAUVET Professional Ovation Rêve E-3 Multicolor LED Ellipsoidal (Black)
- For Theater, Film, and Broadcast
- Full-Spectrum LED ERS-Style Fixture
- Virtual Color Wheel
- Matches Popular Color Gels & Temp Preset
Lupo Dayled 2000 PRO Fresnel with DMX (Pole-Operated Yoke)
- For Studio and Film/TV Production
- 97/98 CRI/TLCI, 3200K Color Temperature
- AC or Optional Battery
- 3 Dimming Curves, Dims 0 to 100%
Lupo Dayled 2000 PRO Daylight Fresnel (Pole-Operated Yoke)
- Measures 10.6 x 12 x 13", 90-240 VAC
- 5600K Color Temp, 97/98 CRI/TLCI
- Lightweight Reinforced Carbon Fiber
- AC or Optional Battery, Dims 0-100%
SWIT Monet-400 RGB LED Light Panel (1 x 1')
- For Studio and Film/TV Production
- Output: 11,500 Lux at 3.3' (5600K)
- 2800-10,000K CCT; RGB Mode
- 1 x 1' Panel; AC Power
Cineo Lighting LightBlade Edge LB2 LED Light (160W, 2')
- Color Temperature: 2700 to 6500K
- 2 x LightBlade Tubes
- Detachable Controller
- Smart RGB Mode, 0 to 100% Dimming
DeSisti Super LED F4.7 Tungsten-Balanced Fresnel Light (Pole Operated)
- 60W LED with CRI/TLCI of 92 / 91
- 750W Tungsten Fresnel Equivalent
- Color Temperature: 3200K
- 4.75" Diameter Fresnel Lens
VELVETlight VELVET Power 1 Spot IP54 LED Light Panel
- For Studio and Film/TV Production
- Output: 54,000 Lux at 3.3
- 2700 to 6500K CCT, 15° Beam Spread
- 15 x 12 x 2.7", AC or Optional Battery
VELVETlight VELVET Power 1 Flood IP54 LED Light Panel
- For Studio and Film/TV Production
- Output: 19.350 Lux at 3.3
- 2700 to 6500K CCT, 30° Beam Spread
- 15 x 12 x 2.7", AC or Optional Battery
Lupo Dayled 2000 Dual-Color PRO LED Fresnel with DMX (Pole-Operated Yoke)
- 8" Lens, Beam: 15-50°
- Color: 2800-6500K, CRI/TLCI: 97/98
- 4-Way Barndoors, Onboard DMX
- Dims 0-100%, 3 Dimming Curves
ARRI L5-C Plus RGB LED Fresnel Light with 5' Power Cord Kit (Blue/Silver, Manual)
- Light with 5' Long Mains Cable
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-46°
CHAUVET Professional Ovation E-910FC IP RGBA-Lime LED Light Fixture
- For Theater, Film, and TV Production
- 2800-6500K Color Temperature
- Virtual 31 Color Preset Wheel
- DMX and RDM
ARRI L5-C Plus RGB LED Fresnel Light with Mains Cable Kit (Black, Manual)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-46°
ARRI L5-C Plus RGB LED Fresnel Light with Inline Switch Cable Kit (Black, Manual)
- For Film, Broadcast & Video Production
- Output: 48,900 Lux at 3.3' (12°)
- 2800-10000K CCT; RGB
- Beam Angle: 12-46°
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


