Lume Cube Studio Panel LED Bi-Color Light with Stands & Barndoors (2-Light Kit)
- 2 x Studio Panel LED Bi-Color Lights
- 2 x Air-Cushioned Light Stands
- 2 x Barndoors for Studio Panel
- Edge-Lit Technology for Gentle Light
Westcott U60-B Bi-Color LED Monolight with Octabox (2-Light Kit)
- For Content Creators and Vloggers
- Output: 2950 Lux at 3.3'
- 3200-5600K CCT
- AC or Battery Power
Godox SL60IID Daylight LED Video Light (2-Light Kit)
- For Film, Broadcast & Video Production
- Output: 18,600 at 3.3' (5600K)
- 5600K, ±200K CCT
- AC Power with Included Adapter
Neewer RGB1200 RGB LED Light Panel (2-Light Kit)
- For Content Creators and Vloggers
- Output: 7300 Lux at 3.3'
- 2500-8500K CCT; RGB Mode
- 13.2 x 13.5" Panel; AC/DC Operation
Godox KNOWLED MS60R RGB LED Light
- For Film, Broadcast & Video Production
- Output: 11,000 Lux at 3.3' w/ Lens
- 1800-10,000K CCT; Full RGB Color Control
- USB-C Power Supply, NFC Connection
Godox FL100R RGB Flexible LED Light Mat (1 x 2')
- For Content Creators & Video Production
- Output: 4090 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 1 x 2' Panel; AC/DC Operation
Godox RS60Bi Bi-Color LED Monolight (2-Light Kit)
- For Live Events, Broadcast, and Video
- Output: 17,400 Lux at 3.3' (5600K)
- 2800-6500K CCT
- AC/Battery Power Supply
Godox SL300IIIBI Bi-Color LED Monolight
- For Studio and Film/TV Production
- Output: 117,000 Lux at 3.3' (5600K)
- 2800 to 6500K CCT
- AC Power 100-240V, 50/60 Hz, 2.1A
Genaray Daylight 36" Soft Strip 2-Light Kit with Heavy Duty Light Stands
- 2 Soft Strip 36" Daylight LED Lights
- 2 Heavy-Duty 9.5' Air-Cushioned Stands
- Light Measures: 37.6 x 4.2 x 1.9"
- Beam Spread Angle: 68°
Godox KNOWLED F200Bi Bi-Color LED Light Panel (2.1 x 2.1')
- For Film, Broadcast & Video Production
- Output: 8300 Lux at 3.3' (5600K)
- 2700-8500K CCT
- 2.1 x 2.1' Panel; AC/DC Operation
Nanlite Forza 60C RGB LED Monolight (Projection Attachment Kit)
- Light, Projection Attachment & Lenses
- Output: 12,810 Lux at 3.3' w/ Reflector
- 1800-20,000K; Full RGB Color Control
- AC or Battery Power
ARRI Omnibar 2 Creator Set (Blue/Silver)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
Nanlite PavoTube II 30XR RGB LED Pixel Tube Light (4', 2-Light Kit)
- For Photo, Video & Film Production
- Output: 746 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Nanlite FS-300B Bi-Color LED Monolight (Softbox & Fresnel Lens 3-Light Kit)
- Three Lights, Two Softboxes & Fresnel
- Output: 38,720 Lux at 3.3' per Light
- Softboxes for Diffused Light Output
- Glass Fresnel Focuses 10 to 45 Degrees
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Standard Yoke, US Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Nanlite PavoSlim 240C RGB LED Panel
- For Studio, Film & TV Production
- Output: 24,970 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 24 x 24" Panel; AC/DC Operation
Astera FP6 HydraPanel LED 4-Light Kit with Charging Case
- Measures 6.5 x 3.3 x 1.7"
- Up to 1300 Lumens Output
- 1750-20,000K CCT
- CRI 96 | TLCI 96
Aputure NOVA II 1x1 Tunable Color LED Light Panel
- For Studio & Film/TV Production
- Output: 108,200 Lux at 3.3' (35º, 5600K)
- 1800-20,000K CCT; BLAIR-CG Chipset
- Plus/Minus Green Adjustment
Aputure NOVA II 1x1 Tunable Color LED Light Panel (Travel Kit)
- Light with Rolling Hard Case
- Output: 108,200 Lux at 3.3' (35º, 5600K)
- 1800-20,000K CCT; BLAIR-CG Chipset
- Plus/Minus Green Adjustment
Aputure NOVA II 2x1 Tunable Color LED Light Panel (Travel Kit)
- Light with Rolling Hard Case
- Output: 197,300 Lux at 3.3' (35º, 5600K)
- 1800-20,000K CCT; BLAIR-CG Chipset
- Plus/Minus Green Adjustment
Aputure STORM XT52 Point-Source Tunable-White LED Monolight Dual Flight Case Kit (Bare Ends Cable)
- For Studio & Film/TV Production
- Output: 103,500 Lux at 9.8' w/ Reflector
- 2500-10,000K CCT
- High-Output/Tunable-White/BLAIR Chipset
TTArtisan Mini Magnetic RGB LED Light (Black)
- Magnetic Cold Shoe Mount
- Full Color RGB Spectrum
- 250 Lumens
- 300mAh Battery; 60-Minute Charge
Sunpak VL-LED-96 Compact Video Light
- 96 LEDs
- For HDSLR Camera or Camcorder
- Uses 4 AA Alkaline or AA Ni-MH Batteries
- Shoe Mount and 1/4"x20
Neewer RGB61 Magnetic Cold Shoe RGB LED Video Light
- For Content Creators and Vloggers
- 800 Lux at 1.6'
- 2500-8500K CCT
- 3.1 x 2.6" Light Panel; Battery Power
TRIGYN 10" Ring Light with Smartphone Holder and Desktop Tripod Stand
- For Selfies and Livestreaming
- 10 Brightness Levels
- 3 Light Tones: White, Natural, Cold
- Desktop Tripod Stand
ALZO China Ball (No Bulb)
- 18" China Ball
- For Overhead Lighting
- 26' Switched Cord
- On/Off Switch 6' from Plug
SmallRig Vibe P96 Pro Mini LED Video Light (Black)
- Embedded Color LCD Screen
- Multiple Mounting Options
- Built-In 1500mAh Battery
- 1.2 Hours of Battery Life at Full Power
Ulanzi VL66 RGB LED Light
- For Content Creators & Vloggers
- Output: 112 Lux at 3.3'
- 2500-6500K CCT; RGB Color Control
- 3.6 x 3" Light; 2-Hour Runtime Battery
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


