Westcott Flex Cine Daylight LED X-Bracket Kit (1 x 1')
- 1 x Daylight 1 x 1' Mat
- 1 x Dimmer
- 1 x AC Adapter
- 1 x Power Cord
Godox SL200 RF PaletteLab RGB LED Light
- For Film, Broadcast & Video Production
- Output: 72,900 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- AC Power
GVM PD60C RGB Pocket LED Monolight (3-Light Kit)
- Three Lights with Softboxes & Barndoors
- Output: 6280 Lux at 3.3' per Light
- 2700-6800K CCT; Full RGB Color Control
- Built-In Rechargeable Battery; AC Power
Kino Flo FreeStyle T44 LED Fixture
- 52 x 13 x 3.5" w/ 6.5" Barndoors, Grid
- No LED Tubes - Purchased Separately
- Requires Optional DMX Controller for Use
- Variable Color Temperature: 2700-6500K
Elation Professional KL Fresnel 4FC Full-Color LED Light
- For Studio & Film/TV Production
- Output: 26,334 Lux at 3.3' (3200K)
- 2400 to 8500K Color Temperature Range
- 10 to 45° Spot-to-Flood Adjustment
Genaray PX2-RGB Pixel RGB LED Tube Light Kit (2', 4-Light Kit)
- 4 x Pixel RGB LED Tube Light with Case
- 1 x 5-Pin and 3 x Mini 3-Pin DMX Cables
- For Photo, Video & Film Production
- Output: 368 Lux at 3.3'
ALZO 900 Bi-Color LED Video Light
- Bi-Color 900 Panels w/ Barndoors
- AC Adapter or Optional V-Mount Battery
- 120-240 VAC, All Metal Yokes
- DMX Ready
Litepanels Sola 6+ LED Fresnel Light
- Daylight-Balanced 6.0" LED Fresnel
- Beam Control of 16 to 67°
- High Power Performance
- 8-Way Barndoors
Harlowe Sol 40 Spectra RGB LED Light (Standard Kit)
- For Film, Broadcast & Video Production
- Output: 2500 Lux at 3.3' (6500K)
- 1700-10,000K CCT; RGBCW Mode
- 11.2 x 11.2" Panel; AC/DC Operation
GVM SD500C AIO RGB LED Monolight
- For Film, Broadcast & Video Production
- 18,400 Lux at 3.3' (Optional Reflector)
- 2000-10,000K CCT; Full RGB Color Control
- AC Power
SWIT CL-120D 120W 2:1 Bi-Color SMD LED Panel
- Panel Surface Area is 23.6 x 12.2"
- 2700-6500K Color Temp, 98/99 CRI/TLCI
- Onboard DMX, Dims 0-100%
- Beam Angle Spread: 65°, Barndoors
PILOTCINE AtomCUBE RX50 10" Portable RGBWW LED Light Panel (Platinum Edition)
- Color Temperature: 2500-8500K
- CCT and RGB Modes
- Measures 9 x 6.5"
- CRI/TLCI: 95/99, 100-240 VAC, 15 FX
FotodioX Pro Prizmo Globe RGBW+T LED 6-Light Kit
- For Studio & Film/TV Production
- 6 Globe Lights with Charging Case
- Output: 315 Lux at 3.3' (7500K)
- Built-In Battery Power, USB-C Charger
FotodioX Pro FACTOR Radius1 1x2' Curved Bi-Color Dimmable LED Studio Light
- Variable Color: 3200 to 5600K
- High CRI/TLCI: 96/95 for Accurate Color
- 10 to 100% Dimming, 180° Beam Angle
- Measures: 21 x 14.6 x 17.3"
ikan Stryder RGBW LED Fresnel Light
- For Studio & Film/TV Production
- 2800-6500K; Bi-Color Control
- Output: 8550 Lux at 3.3' (5600K)
- 3" Fresnel Lens, 15-45° Beam Angle
FoxFury Rugo RC, 5-Point Lighting Kit
- 5 x Rugo RC Fixtures
- 5600K Output with CRI of 92
- 620-Lumen Max Output
- Aluminum and Nylon Construction
CAME-TV 1380 Bi-Color LED Light
- Variable Color Temperature: 3200K-5600K
- 10-100% Dimming
- 4-Way Barndoors
- AC or Battery Power
CAME-TV 1380 Daylight LED Light
- Daylight Balance: 5600K
- 10-100% Dimming
- 4-Way Barndoors
- AC or Battery Power
Nanlite Forza 60B II Bi-Color LED Monolight (Projection Kit)
- Light, Projector Mount & Carry Case
- Includes 19 & 36° Lenses
- Includes Four Gobos & Gobo Holders
- Includes Battery Grip & Bowens Adapter
Elation Professional KL Fresnel 4CW Cool White LED Light
- 14 to 33° Spot-to-Flood Adjustment
- Color Temperature: 5600, CRI: 97
- Smooth Dimming with 5 Modes
- On-Board Control and DMX In/Out Slots
Elation Professional KL Fresnel 4 50W Warm White LED Light
- 14 to 30-Degree Spot-to-Flood Adjustment
- Color Temperature: 3000K
- 0-100% Smooth Dimming with 5 Modes
- Rated CRI of 97
American DJ Starter Stream PAK
- Two Warm White LED Fresnel Lights
- Dimmer Pack for Remote Dimming
- Two Light Stands with T-Bar
ikan Onyx Half x 1 Bi-Color 3-Point LED Light Kit
- 3 x OBY240 Bi-Color LED Panels
- 3 x Heavy Duty Light Stands
- 6 x L-Series Batteries
- 3 x Dual Battery Chargers
Bescor Grip-184B Gripper Gooseneck Bi-Color 4-Light Kit with Batteries
- 4 x Gripper Clamps
- 4 x Goosenecks
- 4 x FP-180 Bi-Color LED Lights
- 4 x AC Adapters
FotodioX SkyFiller Wings 1x4 Bi-Color LED Panel with Softbox and Grid
- Measures 46 x 12 x 1"
- Color Temperature: 2700 to 6500K
- CRI/TLCI: 96/98, 120° Beam Spread
- Folds in Half for Storage and Transport
FotodioX Pro Warrior 400X Bi-Color LED Light Kit
- For Film, Broadcast & Video Production
- Output: 14,710 Lux at 3.3' (6500K)
- 2700-6500K CCT
- AC Power Supply
Astera QuikBeam Zoomable Fresnel LED Spotlight with QuikBrick Battery
- For Studio & Film/TV Production
- Output: 20,646 Lux at 3.3'
- 2700-6500K Color Temperature
- RGB, Mint & Amber Colors
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


