GVM B200C Foldable RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 6369 Lux at 3.3'
- 2000-10,000K CCT; RGB Color Control
- 23.6 x 23.6" Panel; AC Power
Nanlite PavoSlim 60C RGB LED Panel
- For Studio, Film & TV Production
- Output: 7074 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 12.1 x 11.8" Panel; AC/DC Operation
Nanlite PavoSlim 60CL RGB LED Panel
- For Studio, Film & TV Production
- Output: 7094 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 24 x 6" Panel; AC/DC Operation
ZOLAR Blade 60C RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 4170 Lux at 3.3' (5600K)
- 2000-20,000K CCT; RGB Color Control
- 23.6 x 11.8 x 1" Panel; AC/DC Operation
Harlowe Mini Max Bi-Color LED Monolight Standard Kit (Brown Faux Leather)
- Light with Battery, Adapter, and Handle
- Output: 7325 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Godox P120Bi Bi-Color LED Light Panel (Travel Kit)
- Light with Carry Bag
- Output: 4610 Lux at 3.3' (5600K)
- 3200-5600K CCT
- 18 x 16" Panel with Yoke; AC/DC Power
Dracast Boltray Plus Series LED800 Bi-Color LED Monolight (2-Light Kit)
- For Studio and Film/TV Production
- Output: 2882 Lux at 3.3' at 6500K
- Variable Color: 3000 to 6500K
- AC Adapter, Optional Battery
Dracast X Series LED2000 Daylight LED Light Panel
- For Live Events, Broadcast & Video
- Output: 3236 Lux at 3.3' (5600K)
- 5600K CCT
- 20.25 x 12.25" Panel; AC/DC Operation
Dracast Plus Series LED1000 Bi-Color LED Light Panel
- Light with Gold & V-Mount Battery Plates
- Output: 3402 Lux at 3.3' (5600K)
- 3200-5600K CCT
- 12 x 12 x 2" Panel; AC/DC Operation
Dracast Plus Series LED1000 Daylight LED Light Panel
- Light with Gold & V-Mount Battery Plates
- Output: 6480 Lux at 3.3' (5600K)
- 5600K CCT
- 12 x 12 x 2" Panel; AC/DC Operation
Dracast Fresnel Studio LED700 Daylight LED Light
- Fresnel Lens
- 15º to 60º Adjustable Beam Angle
- Daylight Balance: 5600K
- CRI: > 95
Dracast Fresnel Studio LED700 Tungsten LED Light
- Fresnel Lens
- 15º to 60º Adjustable Beam Angle
- Tungsten Balance: 3200K
- CRI: > 95
Dracast Fresnel Studio LED500 Tungsten LED Light
- 15-60° Adjustable Beam Angle
- Surface-Mounted LEDs with CRI of 95
- Color Temperature: 3200K
- 0-100% Dimming, On-Board Manual Controls
Dracast Fresnel Studio LED500 Daylight LED Light
- 15-60° Adjustable Beam Angle
- Surface-Mounted LEDs with CRI of 95
- Color Temperature: 5600K
- 0-100% Dimming, On-Board Manual Controls
Bescor Field Pro FP-180KL Bi-Color On-Camera 2-Light Battery Kit
- 2 x FP-180 LED Lights
- 2 x Air-Cushioned Light Stand: 74"
- 2 x Multi-Voltage AC Adapters
- 2 x FP-98NC 14.4V Lithium-Ion Batteries
HIVE LIGHTING Bumble Bee 25-C PAR Spot with Barndoors Omni-Color LED Light
- Measures Just 2.5 x 4", Weighs 1 lb
- Omni-Color LEDs: 1650-8000K
- 360° Hue, 0-100% Saturation
- 0-100% Dimming, Hive ANTENNA App
FotodioX Skyfiller Wings 2x2 Bi-Color LED Panel
- Measures 20.4 x 22 x 1.2"
- Color: 2800 to 6500K
- CRI/TLCI: 98/96, 120° Beam Spread
- Folds in Half for Storage and Transport
FotodioX Pro FACTOR V-2000ASVL Bi-Color Dimmable LED Studio Light (1 x 1')
- Variable Color: 3200 to 5600K
- 10 to 100% Dimming
- DMX Control of Color and Dimming
- High CRI of 96 for Accurate Color
Geekoto NC350B Bi-Color LED Monolight
- For Film, Broadcast and Video Production
- Output: 47,800 Lux at 3.3' w/ Reflector
- 2700-6500K CCT
- AC Power
ikan Mylo Bi-Color 3200-5600K Half x 1 Portable Field LED Light
- 95+ CRI LEDs
- 550W Incandescent Light Equivalent
- AC or Battery Operation
- 2 x Sony Style L-Type Batteries
American DJ Encore FR150Z 130W LED Fresnel
- 130W LED Engine
- 8" Fresnel Lens
- 3000K Warm-White Beam
- CRI of 95
FotodioX Pro Warrior Deluxe Daylight 5600K 2-Light Kit
- 2 Remote Controllers
- Dayllight 5600K
- 2 Reflectors
- 11 Special FX
CAME-TV 576B Bi-Color LED 4-Panel Kit
- Four 576B Bi-Color LED Light Panels
- Color Temperature: 3200-5600K, CRI: 96
- Measures 8.7 x 8.7"
- Two NPF Battery Plates
Zhiyun Molus X200 Bi-Color COB LED Light with Softbox (Combo Kit)
- Light with Softbox
- Extension Pole & Battery Hub
- Output: 8900 Lux at 3.3' (5500K)
- 2700-6500K CCT
ProLights EclNanoPanel TWC RGB LED Soft Light
- For Studio and Film/TV Production
- Variable Color: 2200-15,000K
- RGBW Mode for Full Color Control
- Built-In Battery, 159° Beam Spread
FotodioX SkyFiller Wings 2x2 200W Bi-Color Folding LED Panel with Softbox & Grid
- Measures 24 x 24 x 2"
- Color Temperature: 2700 to 6500K
- CRI/TLCI: 96/98, 120° Beam Spread
- Folds in Half for Storage and Transport
COLBOR CL60R RGB COB LED Monolight (Studio 4-Light Kit)
- Four Lights with Softbox & Light Stand
- 22,974 Lux at 3.3' (6500K)
- 2700-6500K CCT, CRI: 97+
- 360° Color Adjustable RGBWW
FotodioX Pro FACTOR Jupiter 12" VR-1200ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color Jupiter 12" VR-1200ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


