All LED Lights
ikan Mylo Soft Bi-Color LED 2-Point Light Kit
- 2 x Mylo MSB8 Soft Panel LED Lights
- 2 x Compact Light Stands
- 1 x Bag for Lights
- 1 x Bag for Stands
ikan Onyx Half x 1 Bi-Color LED 3-Point LED Light Kit
- 3 x Onyx Half x 1 Bi-Color Heads
- 3 x Four-Way Barndoors
- 3 x Wireless Remote Controls
- 3 x Stands, 3 x Power Adapters
ikan Mylo MB8 Half x 1 Bi-Color LED 2-Point Light Kit
- 2 x Mylo MB8 Bi-Color Light Panels
- 4 x Sony L Style Batteries
- 2 x Dual Chargers
- 2 x Neutral Diffusion Filters
TRIGYN Vari-Light RGBW 1x1 LED Soft Light Kit
- CCT Color: 2800-9990K, Dims 0-99%
- RGB Mode, Hue, Saturation, Intensity
- Includes Wireless Remote, App Control
- AC or V-Mount Battery Power
Hedler Profilux LED1000 Tungsten Fresnel
- 20 to 60° Focusable Spot-to-Flood
- Approximately 3200K
- CRI 95
- 110-240 VAC
FotodioX Pro FACTOR V-6000ASVL Bi-Color Dimmable LED Studio Light (1 x 4')
- Variable Color: 3200 to 5600K
- 10 to 100% Dimming
- DMX Control of Color and Dimming
- High CRI of 96 for Accurate Color
CHROMA-Q Studio Force II Plus 12 LED Fixture with Trunnion, TRUE1 to 15-5P Cable (Black)
- Full-Spectrum Variable White Light Engine
- High-Intensity Homogenized Output
- Extremely Smooth Uniform Wash
- Variable Plus / Minus Green Shift
Dracast Pro Series LED500 Daylight LED Light Panel (V-Mount, Interview 3-Light Kit)
- Three Lights with Stands
- Output: 4455 Lux at 3.3' per Light
- 5600K CCT
- 12 x 6" Panel; AC/DC Operation
CHROMA-Q Studio Force II Plus 12 LED Fixture with Trunnion, TRUE1 to 15-5P Cable (White)
CAME-TV Boltzen Andromeda MKII RGB LED Tube Light (3', 4-Light Kit )
- For Studio & Film/TV Production
- 4 MKII Andromeda Tubes with Barndoors
- 4 Chargers, 4 Power Cables
- Mounting Bracket, Remote Control
Luxli Timpani² 1x1 RGB LED Light Panel (3-Pack)
- For Studio and Film/TV Production
- Output: 6600 Lux at 3.3' (78°)
- 2800 to 10,000K CCT Color Control
- 17.6 x 15.75" Panel; AC/DC Operation
Nanlite PavoSlim 60B Bi-Color LED Panel (3-Light Kit)
- For Studio, Film & TV Production
- Output: 8156 Lux at 3.3' (5600K)
- 2700-6500K
- 12.1 x 11.8" Panel; AC/DC Operation
Fluotec CineLight 50 RGB LED Light Panel (Gold Mount)
- For Studio & Film/TV Production
- Output: 1451 Lux at 3.3' (6500K)
- 2700-10,000K CCT; RGB Color Control
- 16.6 x 12" Panel; AC/DC Operation
Fluotec CineLight 50 RGB LED Light Panel (V-Mount)
- For Studio & Film/TV Production
- Output: 1451 Lux at 3.3' (6500K)
- 2700-10,000K CCT; RGB Color Control
- 16.6 x 12" Panel; AC/DC Operation
Fluotec StudioLED 450 HP DMX LED Panel
- Color Temperature: 2700-6200K
- CRI: 97
- Beam Angle: 45°
- HALODIM Stepless 0-100% Dimming
Fluotec VegaLux 200 HP Daylight 7" StudioLED Fresnel (Stand Mount)
- Nebula Diffusion Chamber Technology
- 12 to 52° Spot-to-Flood Adjustment
- Motorized Zoom
- Color Temperature: 5600K, CRI: 93
Fluotec VegaLux 200 HP Tungsten 7" StudioLED Fresnel (Stand Mount)
- Nebula Diffusion Chamber Technology
- 12 to 52° Spot-to-Flood Adjustment
- Motorized Zoom
- Color Temperature: 5600K, CRI: 93
GVM 1200B-AIO Bi-Color LED Monolight (30° Standard Reflector Kit)
- Light with Reflector
- Output: 55,146 Lux at 3.3' (Bare Bulb)
- 2700-6800K CCT; Bi-Color Mode
- AC Power
Lupo Movielight 300 Full Color PRO Kit
- Movielight 300 with AC & D-Tap Cables
- V-Mount Clamp, Backpack
- For Studio and Film/TV Production
- 2800-10,000K Color Temp, RGBWW Control
Harlowe Max Bi-Color LED Monolight Master Kit (AC Power)
- For Film, Broadcast & Video Production
- Output: 20,590 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Nanlite Forza 500B II Bi-Color LED Monolight
- For Studio & Film/TV Production
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
- Onboard, DMX & App Control
Nanlite Alien 300C RGB LED Light Panel (Gold Mount)
- For Studio & Film/TV Production
- Output: 28,630 Lux at 3.3' (5600K)
- 2000-12,000K; RGBWW Color Control
- 20.2 x 17.8" Panel; AC/DC Operation
ikan Stryder 100W IP54 Water-Resistant Daylight Field LED Fresnel Light
- Color: 5600K, CRI/TLCI: 95/98
- 28/53° Beam Angle, Dims 0 to 100%
- Lightweight, 5" Fresnel Lens
- 4-Way Barndoors, V-Mount Battery Adapter
ikan Rayden 1x1 Daylight 5600 2-Point LED Light Kit
- 2 x Rayden RW10 Fixtures
- 2 x Gold Mount Battery Plates
- 2 x V-Mount Battery Plates
- 2 x Power Supplies
ikan Lyra 1 x 1 Daylight 2-Point Soft Panel LED Light Kit
- 5600K, 110 Degree Beam Angle
- 2x Lyra Daylight LED Soft Panels
- 2x V-Mount Battery Plates
- 2x Gold Mount Battery Plates
ikan Lyra LBX20 Soft Panel 1 x 2 Studio and Field LED Light
- Integrated 1/2 Stop Soft Diffusion Panel
- Bi-Color, Adjustable from 3200-5600K
- 110° Beam Angle
- DMX Control Via In and Out Ports
Dracast Remote Newsroom Studio Basics Daylight 3-Light Kit (V-Mount)
- LED1000 Daylight LED Panel, V-mount
- LED500 Pro Daylight Panel w/ V-Mount
- BoltRay LED600 Plus Daylight Light
- 2 NP-F 2200 mAh Batteries and Charger
Dracast Cinebrite 2400 Bi-Color LED Light Panel
- For Studio and Film/TV Production
- Output: 3400 Lux at 3' and 5600K
- 2800 to 5600K CCT
- 17.35 x 13.65" Panel, AC/DC Operation
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.

