Hedler Profilux LED1000x Daylight Flood
- 75° Flood
- Approximately 5600K
- CRI 95
- 110-240 VAC
CineGearFactory AirPillow 24C RGBWY LED Light Kit
- 2 x 4' RGBWY LED Light with Softbox
- Pillow-Shaped Softbox Filled with Air
- 180W-Equivalent Power Output
- 2500 to 20,000K CCT Range
Godox KNOWLED P600R Hard RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 71,700 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 22.4 x 19.5" Panel with Yoke; AC Power
Lupo UltrapanelPRO Dual Color Soft 30 LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 8,600 Lux at 3.3' (6500K)
- 2800 to 6500K CCT
- 13.8 x 13.7" Panel, Multi-Voltage AC
Lupo UltrapanelPRO Dual Color Hard 30 LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 73,000 Lux at 3.3' (6500K)
- 2800 to 6500K CCT
- 13.8 x 13.7" Panel, Multi-Voltage AC
Nanlite Forza 60CR RGBLAC LED Spotlight with CRMX (3-Light Kit)
- Film/Video Light & Battery Grip
- Output: 12,180 Lux at 3.3' (5600K)
- 1800-20,000K; Full RGB Color Control
- AC or Battery Power
Dracast LED2000 Palette Series II RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 7176 Lux at 3.3' (5600K)
- 2500-9999K; RGB Color Control
- 17.4 x 15.8" Panel; AC/DC Operation
Dracast LED500B Pro Series II Bi-Color LED Fresnel Light
- For Studio, Film & Broadcast
- Output: 124,969 Lux at 3.3' (5600K)
- 2500-9999K CCT
- 20-50° Beam Angle
Godox Litemons LA300R RGB LED Monolight (3-Light Kit with Stands, Black)
- Three Lights with Light Stands & Case
- Output: 94,700 Lux at 3.3' per Light
- 1800-10,000K CCT; Full RGB Color Control
- AC or Optional Battery Power
Hedler Profilux LED1000x DMX Daylight Flood
- 75° Flood
- Approximately 5600K
- CRI 95
- Onboard DMX
Creamsource Micro Color Pro Kit (V-Mount Battery Plate)
- Micro Color, Yoke, 5/8" Receiver
- Multi-Voltage Power Supply & Cable
- 20, 60, & 100° Lenses, PSU Back Mount
- RGBW with Extended CCT: 2200-15,000K
Creamsource Micro Color Pro Kit (Gold Mount Battery Plate)
- Micro Color, Yoke, 5/8" Receiver
- Multi-Voltage Power Supply & Cable
- 20, 60, & 100° Lenses, PSU Back Mount
- RGBW with Extended CCT: 2200-15,000K
Creamsource Micro+ Bender Pro Kit (V-Mount Battery Plate)
- Micro+ Bender, Yoke, 5/8" Receiver
- Multi-voltage Power Supply & Cable
- 20, 60, and 100° Lenses, PSU Back Mount
- Color Temperature: 2700-6500K
Creamsource Micro+ Bender Pro Kit (Gold Mount Battery Plate)
- Micro+ Bender, Yoke, 5/8" Receiver
- Multi-voltage Power Supply & Cable
- 20, 60, and 100° Lenses, PSU Back Mount
- Color Temperature: 2700-6500K
Dracast Palette TrueColor LED2000 Soft Panel
Dracast Kala Plus Series LED4000 RGBWW LED Panel
- 2000-10,000K Color Temp, 96 CRI
- 0-100% Dimming
- RGB Mode for a Myriad of Colors
- Measures 24.4 x 15.3 x 3.1", Barndoors
Lupo Dayled 1000 Dual Color Pro Fresnel with DMX (Manual Yoke)
- 2800-6500K Color Temp, Bluetooth / DMX
- 90-240 VAC, Measures 11.8 x 11x 10.6"
- Widely Used Bowens Front Mount
- Technopolymer Construction
Westcott Flex Cine 100W Bi-Color Set (1 x 3')
- 1 x 3' LED Mat, Flex Power Adapter
- Flex Cine Dimmer with AC Adapter
- Power Cord (US/CA Plug), Shoulder Strap
- 140 to 360° Beam Spread
Aputure STORM 1200x Tunable White LED Monolight (Lamp Head Only)
- For Studio & Film/TV Production
- Output: 76,410 Lux at 3.3' (Bare)
- 2500-10,000K CCT, Green/Magenta Control
- CRI 95 | TLCI 95 | SSI 87 | CQS 96
Quasar Science 4-Bank Shell with Ossium Plate and Four Crossfade X (2')
- Articulated Shell Controls Shape/Spill
- Four 2' Crossfade X Tubes
- 2000-6000K Color Temperature, Dimmable
- True-1 Multibank Power Adapter
Kino Flo FreeStyle Air RGB LED Light Panel
- For Film, Broadcast & Video Production
- Output: 3270 Lux at 3.3' (6500K)
- 2500-9900K CCT; RGB Color Control
- 39.5 x 13 x 2" Panel; AC/DC Operation
BB&S Lighting Reflect Color RGB LED Light (2')
- For Studio, Film & TV Production
- Output: 4013 lux at 3.3' (60°, 5600K)
- Full RGB Color Control
- DMX/RDM Control via 4-Pin XLR
Godox S60 LED Focusing 3-Light Kit with Color Effects
- Three S60 Light Heads with Barndoors
- Two Softboxes, Three Light Stands
- Projection Attachment with Accessories
- 15-Color Vivid, Creative Color Kit
Lupo SuperpanelPRO Dual Color 30 Soft LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 4200 Lux at 3.3' (5600K)
- 2800 to 6500K; Dual Color
- 13.7 x 13.8" Panel; Multi-Voltage AC
Lupo SuperpanelPRO Dual Color 30 Hard LED Light Panel (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Output: 36,000 Lux at 3.3' (40°, 5600K)
- 2800 to 6500K; Variable Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
CHAUVET Professional Ovation F-265WW-2 Warm White Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 16 to 68°
- Up to 12,802 Lumens (68°)
ProLights EclProfile CT+ LED Ellipsoidal (Without Lens Tube)
- 6-Color Engine, CCT: 2800-10,000, 94 CRI
- 270W, RGB Mode for Myriad Colors
- Requires 14,19, 26, 36, 50, or 70° Tube
- 15-30° and 25-50° Zooms Available
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


