Dracast Pro Series II LED1000 Bi-Color LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 2368 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 10 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED1000 Bi-Color LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 2368 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 10 x 10" Panel; Gold Mount; AC/DC
ikan White Star Bi-Color LED Fresnel Light
- For Studio & Film/TV Production
- Output: 12,172.5 Lux @ 3.3' (65°, 5600K)
- Color Temperature: 2800-5600K
- Beam Angle: 25-65°
CAME-TV L2500S High CRI Bi-Color SMD LED Round Panel 2-Light Kit
- Variable Color: 3200-5600K
- Approx. 19" Diameter Disc
- Dimmable, CRI/TLCI: 96
- Onboard DMX
ikan Onyx 1x1 Bi-Color LED 3-Point Light Kit
- 3 x Onyx 1x1 Bi-Color Heads w/ Barndoors
- 3 x Wireless Remote Controls
- 3 x Light Stands, 3 x Power Adapters
- 1 x Stand Bag, 1 x Bag for the Lights
FotodioX Pro Warrior 600X Bi-Color LED Light Kit
- 2700-5600K, CRI/TLCI: 96/95, Dimmable
- 120° Beam Angle, 15° with Reflector
- 100-240 VAC, Remote
- V-Mount for Optional Battery
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Standard Yoke, Bare Ends Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
FotodioX FoldScreen 2 x 4' RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 13,620 Lux at 3.3' (5600K)
- 2700-10,000K CCT; RGB Color Control
- 2 x 4' Folding Panel; AC/DC Operation
Aputure LS 1200d Pro LED Light (Lamp Head Only)
- Output: 57,420 Lux at 3.3' (Bare)
- 5600K Color Temperature
- 95 CRI/TLCI
- Comparable to 1600W HMI
CHAUVET Professional Ovation F-915FC-2 RGBAL Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 17 to 85°
- RGBA+Lime with Virtual Color Wheel
CHAUVET Professional Ovation F-415VW-2 Variable White Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 14 to 68°
- 6-Color LED System
Hedler Profilux LED1000 Daylight Fresnel
- 20 to 60° Focusable Spot-to-Flood
- Approximately 5600K
- CRI 95
- 110-240 VAC
VELVETlight Velvet Light 1 Bi-Color Rainproof LED Panel
- Variable Color: 2700-6500K
- Beam Angle: 100 Degrees
- Illuminated Surface: 14.5 x 12"
- Optional AC Adapter or Batteries
ALZO 900 Bi-Color LED Light 3-Light Kit with Case
- 3 Bi-Color 900 Panels w/ Barndoors
- AC Adapter or Optional V-Mount Battery
- 120-240 VAC, All Metal Yokes
- DMX Ready, Includes Case
Genaray GXS-200BI 230W Bi-Color Monolight (3-Light Kit)
- Three Lights, Stands, Softboxes & Bag
- Output: 47,701 Lux at 3.3' per Light
- 2700 to 6500K Bi-Color Control
- Multivoltage AC Power
VELVETlight VELVET MINI 1 Power STUDIO IP51 LED Panel with Built-In AC PSU
- 35° Light Beam
- 2700-6500K Variable Color Temperature
- Slim and Compact
- Quick Setup
ProLights EclPanel TWCMini2x1 IP20 115W RGB Tunable White & Full Color LED Mini 2x1 Softlight (Black)
DMG Lumiere DASH Pocket RGB LED Light Panel (4-Light Kit with CRMX/W-DMX)
- Four Light Kit with Quad Mount
- For Studio & Film/TV Production
- Total Output: 1000 Lux at 3.3' (6500K)
- 1700 to 10,000K; CCT Control
ALZO 900 Bi-Color LED Video 3-Light Kit
- Three Bi-Color 900 Panels w/ Barndoors
- AC Adapter or Optional V-Mount Battery
- 120 to 240 VAC, All Metal Yokes
- DMX Ready
Lupo SuperpanelPRO Full Color 30 Hard LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 16,700 Lux at 3.3' (40°, 5600K)
- 2800 to 10,000K; RGBWW Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
Lupo SuperpanelPRO Full Color 30 Soft LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Output: 4800 Lux at 3.3' (5600K)
- 2800 to 10,000K; RGBWW Color Control
- 13.7 x 13.8" Panel; Multi-Voltage AC
Lupo Ultrapanel Full Color 30 Soft 1x1 LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- 9500 Lux at 3.3', 120° Beam Angle
- Color: 2800 to 10,000K
- RGBWW Mode for a Myriad of Colors
Lupo Superpanel Full Color 30 Hard 1x1 LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- CCT Mode: 2800-10,000K
- RGBWW Independent Color Control
- Multi-Voltage AC, Optional Battery Power
Lupo Superpanel Full Color 30 Soft 1x1 LED Light Panel (Manual Yoke)
- For Studio and Film/TV Production
- Color: 2800-10,000K, CRI/TLCI: 96/98
- RGBWW Independent Color Control, DMX
- HSI Mode: Hue and Saturation Control
Nanlite Forza 500B II Bi-Color LED Monolight (Fresnel & Rolling Case Kit)
- Light with Fresnel Lens & Barndoors
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
- Onboard, DMX & App Control
GVM YU600C PRO RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 16,000 Lux at 3.3' (5600K)
- 2000-10,000K CCT; RGB Color Control
- 32.3 x 20.6" Panel; AC Power
Dracast X Series M80RGB RGB LED Monolight (V-Mount, 4-Light Kit with Nylon Case)
- Four Lights with Stands & Nylon Case
- Output: 12,290 Lux at 3.3' per Light
- 2800-6500K CCT; Full RGB Color Control
- AC or Battery Power
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


