Dracast Pro Series LED1000 Bi-Color LED Light Panel (Gold Mount, Interview 3-Light Kit)
- Three Lights with Stands
- Output: 3402 Lux at 3.3' per Light
- 3200-5600K CCT
- 12 x 12" Panel; AC/DC Operation
Dracast Pro Series LED1000 Bi-Color LED Light Panel (V-Mount, Interview 3-Light Kit)
- Three Lights with Stands
- Output: 3402 Lux at 3.3' per Light
- 3200-5600K CCT
- 12 x 12" Panel; AC/DC Operation
HIVE LIGHTING Hornet 200-CX Omni-Color Open Face LED Light
- 180° Beam Spread, CRI: 98, TLCI: 97
- Color Temperature: 1650-8000K
- Flicker-Free 7-Chip Omni-Color LED
- 700-1000W Incandescent Equivalent
ikan Lyra 1 x 1 Daylight 2-Point Soft Panel LED Light Kit
- 5600K, 110 Degree Beam Angle
- 2x Lyra Daylight LED Soft Panels
- 2x V-Mount Battery Plates
- 2x Gold Mount Battery Plates
Nanlite Forza 500B II Bi-Color LED Monolight
- For Studio & Film/TV Production
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
- Onboard, DMX & App Control
ikan Lyra LBX20 Soft Panel 1 x 2 Studio and Field LED Light
- Integrated 1/2 Stop Soft Diffusion Panel
- Bi-Color, Adjustable from 3200-5600K
- 110° Beam Angle
- DMX Control Via In and Out Ports
Westcott Flex Cine Bi-Color Mat 1-Light Kit (1 x 2')
- 1 x Flex Cine 1 x 2' Mat
- 1 x Dimmer w/ V-Mount Plate / AC Adapter
- 1 x Flex Power Adapter
- 1 x Power Cord, 1 x Shoulder Strap
Godox KNOWLED M300R RGB LED Monolight
- For Studio & Film/TV Production
- Output: 101,000 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- AC Power; Optional Battery Power
Godox Knowled M600Bi Pro Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 21,400 Lux at 3.3' (5600K)
- 2800-6500K CCT
- Power via 100-240 VAC or 48 VDC
Matrix Light ML-SG4K LED Sun Gun Light Module
ikan Stryder RGBW LED Fresnel Light (2-Light Kit)
- Two Lights with Stands & Carry Bag
- 2800-6500K; RGBW Control
- Output: 2460 Lux at 5' per Light
- 3" Fresnel Lens, 15-45° Beam Angle
ikan IB508-v2 Bi-Color LED Light Panel (3-Light Studio Kit)
- 3 x IB508-v2 Bi-Color LED Light Panel
- 3 x Kit Stands, Kit Case, Stand Bag
- 6 x L-Type Batteries
- 3 x Diffusion Filters
FotodioX Pro FACTOR V-5000ASVL Bi-Color Dimmable LED Studio Light (2 x 2')
- Variable Color: 3200 to 5600K
- 10 to 100% Dimming
- DMX Control of Color and Dimming
- High CRI of 96 for Accurate Color
SWIT S-2330 Bi-Color Studio LED Focusing Spotlight (300W)
- Adjustable Beam Angle: 20-70°
- Variable Color Temperature: 3000-8000K
- Touchscreen or DMX Control Capability
- COB LED with High CRI/TLCI: 95/95
CHROMA-Q Studio Force II Plus 12 Bi-Color LED Fixture with LumenRadio (Black)
- For Studio & Broadcast/TV Production
- Output: 32,590 Lux at 3.3' (20°, 5600K)
- Variable +/- Green Shift
- 13.2 x 7.5 x 8.6"; AC Operation
CHAUVET Professional Ovation F-415FC-2 RGBAL Fresnel-Style LED with Motorized Zoom
- For Theatrical and Studio Applications
- Delivers Flat, Even Field of Light
- Smooth Motorized Zoom: 14 to 68°
- RGBA+Lime with Virtual Color Wheel
SWIT FL-C200D Bi-Color LED Fresnel Light
- For Theater, Stage & Studio
- Output: 65,000 Lux at 3.3' (15°)
- 2700-8000K CCT
- 15-50° Beam Angle
FotodioX Pro FACTOR Jupiter 24" VR-4500ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color Jupiter 24" VR-4500ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
Luxli Cello² 10" On-Camera RGB LED Light Panel (3-Light Kit with Diffusers & Honeycomb Grid)
- 3-Light Kit with Diffusers & Grid
- 3 x 10" RGB LED Light Panels
- 3 x Magnetic Diffuser Hoods
- 1 x Magnetic Honeycomb Grid
Lupo Dayled 650 Dual-Color PRO LED Fresnel with DMX (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Variable Color: 2800 to 6500K, CRI: 97
- Onboard DMX, AC or Optional Battery
- 4-Way Barndoors
Lupo Dayled 650 PRO (Pole-Operated Yoke)
- For Studio and Film/TV Production
- Tungsten LED Fresnel with Onboard DMX
- AC or Optional Battery
- 97/98 CRI/TLCI, 4-Way Barndoors
Lupo Dayled 650 PRO Fresnel with (Pole-Operated Yoke)
- For Studio and Film/TV Production
- 5600K Daylight-Balanced Color Temp
- 97/98 CRI/TLCI, 4-Way Barndoors
- Onboard DMX/RDM, Bluetooth, AC Adapter
VELVETlight VELVET Articulated 2-Light Studio LED Light Panel
- For Studio & Film/TV Production
- Output: 4000 Lux at 3.3'
- 2500-6500K CCT; Green/Magenta Correction
- 11.8" Long; AC Power
Hensel Intra LED 2-Light Kit
- 2 x Intra LED Lights
- 5000K Daylight Balanced
- CRI 92
- 10 to 100% Dimming
Blizzard Verismo 300W RGBALC LED Fresnel Light with Zoom Lens
- For Stage and Video Production
- 7031 Lux at 8.2' (18°)
- 18 to 65° Beam Angle
- 2400 to 6500K Color Temperature, CRI: 96
CHROMA-Q Studio Force II Plus 12 Bi-Color LED Fixture with LumenRadio (White)
- For Studio & Broadcast/TV Production
- Output: 32,590 Lux at 3.3' (20°, 5600K)
- Variable +/- Green Shift
- 13.2 x 7.5 x 8.6"; AC Operation
FoxFury Nomad P56 Production 5600K LED Light
- 450/1600/4100 Lumens
- Cordless/Rechargeable
- Integrated Tripod Mount
- Extends to 8' High
American DJ Encore FR Pro Color 400W LED Fresnel with 7" Lens
- 400W LED Engine, 11,000 Lumens
- 7" Fresnel Lens, Preset Color Macros
- 6-in-1 COB LED Engine (RGBALC)
- Tunable White: 2400 to 8500K
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


