Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Leica L, Neutral Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Micro Four Thirds, Neutral Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Micro Four Thirds, Blue Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Sony E, Blue Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Venus Optics Laowa 9mm T2.9 Zero-D Cine Lens (RF Mount, Feet/Meters, Black)
- RF Mount Lens, T2.9 to T22 Aperture
- 113° Angle of View, Covers Super35
- 4.7" Close Focus, 0.8 MOD Cine Gears
- 15 Elements in 10 Groups, 7-Blade Iris
Sirui VP-1 Vision Prime 75mm T1.4 Full-Frame Cine Lens (Multi-Mount, Black)
- Full Frame | T1.4-T16 Aperture Range
- Native E Mount | L, Z, and RF Adapters
- 0.8 MOD Gearing | Wide Focus Rotation
- 72mm Front Outside Diameter
Sirui VP-1 Vision Prime 15mm T1.6 Full-Frame Cine Lens (Multi-Mount, Black)
- Full Frame | T1.6-T16 Aperture Range
- Native E Mount | L, Z, and RF Adapters
- 0.8 MOD Gearing | Wide Focus Rotation
- 72mm Front Outside Diameter
Samyang 35mm T1.5 VDSLR MK2 Cine Lens (EF Mount)
- Full-Frame 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Samyang Cine V-AF 24mm T1.9 FE Lens (Sony E-Mount)
- 24mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally lamp on Front
Venus Optics Laowa Zero-D S35 7.5mm T/2.9 Cine Lens (Canon RF, Feet/Meters)
- For Cameras with Super35 Sensors
- T2.9 to T22 Aperture
- 80mm Front diameter
- 7-Blade Iris
Venus Optics Laowa Zero-D Cine 6mm T2.1 Lens (MFT, Feet/Meters)
- For MFT Sensors, T2.1 to T16 Aperture
- 61mm Front diameter
- 7-Blade Iris
- 58mm Front Filter Threads
Rokinon 135mm T2.2 DSX High-Speed Cine Lens (MFT Mount)
- MFT 135mm T2.2 Cine Lens
- Weather Sealed, 9-Blade Iris, MFT Mount
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon Cine AF 24mm T1.9 FE Lens (E-Mount)
- Covers Full-Frame Sensors, T1.9 Aperture
- Supports up to 8K Sensors
- Autofocus with Save Function
- Compact & Lightweight for Gimbals/Drones
7Artisans INFINTE 50mm T2.1 Cine Lens (ARRI PL, White)
- Full Frame | T2.1 to T22 Aperture Range
- 46.8° FOV, 11-Blade Aperture
- 12 Elements in 8 Groups
- 23.6" Minimum Focusing Distance
7Artisans INFINTE 50mm T2.1 Cine Lens (Canon EF, Black)
- Full Frame | T2.1 to T22 Aperture Range
- 46.8° FOV, 11-Blade Aperture
- 12 Elements in 8 Groups
- 23.6" Minimum Focusing Distance
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (X-Mount, Black)
- 24, 35, and 55mm Lens Set
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
Thypoch Simera-C 35mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- 210° Focus Throw
Thypoch Simera-C 28mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- 210° Focus Throw
Thypoch Simera-C 21mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- Aspherical, LD & HR Lens Elements
7Artisans INFINTE 105mm T2.1 Cine Lens (ARRI PL, White)
- Full Frame | T2.1 to T22 Aperture Range
- 23.8° FOV, 11-Blade Aperture
- 11 Elements in 7 Groups
- 39.4" Minimum Focusing Distance
Dulens APO Mini Prime 85mm T2.4 Lens (Canon EF, Black)
- Covers Full-Frame Sensors
- T2.4-22 Aperture Range
- Interchangeable EF Mount
- Coated for Smooth, Vintage Look
Dulens APO Mini Prime 31mm T2.4 Lens (Canon EF, Black)
- Covers Full-Frame Sensors
- T2.4-22 Aperture Range
- Interchangeable PL Mount
- Coated for Smooth, Vintage Look
Dulens APO Mini Prime 110mm T2.4 Lens (ARRI PL, Black)
- Covers Full-Frame Sensors | T2.4-16
- Coated for Smooth, Vintage Look
- 0.8 MOD Focus & Iris Gears
- 80mm Front Diameter, 72mm Filter Thread
Dulens APO Mini Prime 43mm T2.4 Lens (ARRI PL, Black)
- Full Frame | T2.4 to 16
- Coated for Smooth, Vintage Look
- 80mm Front Diameter, 72mm Filter Thread
- 0.8 MOD Focus & Iris Gears
Dulens APO Mini Prime 31mm T2.4 Lens (ARRI PL, Black)
- Full Frame | T2.4 to 22
- Interchangeable PL Mount
- Coated for Smooth, Vintage Look
- 80mm Front Diameter, 72mm Filter Thread
BLAZAR LENS Remus-M 85mm T2.8 1.5X Full-Frame Anamorphic Lens (Sony E)
- Retro Look, Full-Frame 3:2 Coverage
- Fast T2.8 Aperture, 16-Blade Iris
- 1.5x Anamorphic Squeeze
- Subtle Anamorphic Silver Flares
BLAZAR LENS Remus-M 100mm T2.8 1.5X Full-Frame Anamorphic Lens (Sony E)
- Retro Look, Full-Frame 3:2 Coverage
- Fast T2.8 Aperture, 16-Blade Iris
- 1.5x Anamorphic Squeeze
- Subtle Anamorphic Silver Flares
DZOFilm VESPID 125mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


