7Artisans Spectrum 120mm T2.9 Full-Frame 2x Macro Lens (L-Mount)
- Covers Full-Frame Sensors | T2.9-T22
- 2x Magnification Ratio
- Cine-Style 0.8 MOD Gears | 270° Focus
- 93mm Front Outside Diameter
Meike 65mm T2.2 Manual Focus Cinema Lens (MFT Mount)
- MFT Mount Cinema Lens
- Aperture Range: T2.2 to T22
- 10" Close Focus, 0.8 MOD Cine Gears
- 130mm 35mm Equivalent with MFT
Meike 85mm T2.2 Manual Focus Cinema Lens (MFT Mount)
- Super35/APS-C Sensor Coverage
- Wide T2.2 Maximum Aperture
- 35" Minimum Focus Distance
- All-Metal Housing
Meike 50mm T2.2 Cinema Prime Lens (MFT, Feet/Meters)
- M4/3 Image Coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
- Cine Standard Focus and Iris Rings
Meike 35mm T2.2 Manual Focus Cinema Lens (MFT Mount)
- MFT Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Multilayer Coating
- Manual Focus Design
Sirui Night Walker 16mm T1.2 S35 Cine Lens (Sony E, Gunmetal Gray)
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8-MOD Gearing, 270° Focus Rotation
- 13-Blade Aperture, Smooth Bokeh
Rokinon 16mm T2.2 Cine DS Lens for Sony E Mount for APS-C
- 16mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 16mm T2.2 Cine DS Lens for Canon EF Mount for APS-C
- 16mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 35mm T1.3 Compact High-Speed Cine Lens (E-Mount)
- Covers APS-C and Four-Thirds Sensors
- Ultra Multi-Coating
- De-Clicked Iris
- 15" Minimum Focusing Distance
Rokinon 50mm T1.5 AS UMC Cine DS Lens for Sony E Mount
- E Mount Lens/APS-C & Full Frame
- 75mm (35mm Equivalent on APS-C)
- Aperture Range: T1.5 - T22
- One Aspherical, One Hybrid Asph. Element
7Artisans INFINTE 65mm T2.9 2x Macro Lens (Nikon Z)
- Full-Frame | T2.9 to T22
- 2x Magnification Ratio | 38.4° FOV
- Manual Focus Design | 6.7" Close Focus
- 0.8 MOD Gears | 330° Focus Throw
7Artisans 35mm T1.05 Vision Cine Lens (L Mount, Feet/Meters)
- For APS-C Sensors, Mirrorless Only
- T1.05 to T16
- 90mm Front Diameter
- 12 Iris Blades
Meike 35mm T2.2 Cinema Prime Lens (X-Mount, Feet/Meters)
- Super35/APS-C Image Coverage
- Aperture Range: T2.2 to T22
- Focus Scales Marked in Feet and Meters
- Cine Standard Focus and Iris Rings
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Leica L)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
TTArtisan 50mm T2.1 Dual-Bokeh Cine Lens (Sony E)
- Covers Full Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design, Bubble & Soft
- 11-Blade Iris | 47° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
7Artisans Hope 10mm T2.1 S35 Cine Lens (FUJIFILM X, Black)
- Covers S35 Sensor | T2.1 to T22 Aperture
- Minimal Breathing and Aberration
- Cinema-Standard 0.8 MOD Gearing
- Easy Calibration with DJI Focus Pro
SLR Magic Cine 21mm f/1.5 Wide-Angle Lens (E-Mount)
- Covers Full-Frame Sensors
- Maximum Aperture: f/1.5
- Cine Geared Focus and Iris Rings
- 11 Elements in 13 Groups
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (Sony E Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (EF Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
SLR Magic MicroPrime Cine 75mm T1.5 (E-Mount)
- Covers Full-Frame Sensors
- Sony E-Mount
- Suitable for 4K Image Capture
- Consistent Lens Gear Placement
Mitakon Zhongyi Speedmaster S35 20mm T1 Cine Lens (Canon RF)
- Covers Super35 Sensors
- Ultrafast T1.0 Aperture
- Suitable for 4K Image Capture
- Use with KOMODO, S35 Canon RF Cameras
Rokinon 50mm T1.5 DSX High-Speed Cine Lens (RF Mount)
- Full-Frame 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 35mm T1.5 DSX High-Speed Cine Lens (EF Mount)
- Full-Frame 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Sirui Jupiter 75mm T2.8 Full-Frame Macro 1:1 Cine Lens (ARRI PL)
- Covers Full-Frame Format
- T2.8 to T22 Aperture Range
- 13 Iris Blades
- 92mm Filter Thread
Sirui Jupiter 100mm T2.8 Full-Frame Macro 1.5:1 Cine Lens (ARRI PL)
- Covers Full-Frame Format
- T2.8 to T22 Aperture Range
- 12 Iris Blades
- 92mm Filter Thread
Sirui Jupiter 50mm T2 Full Frame Macro Cine Lens (PL Mount)
- Covers Full Frame Format
- T2 to T22 Aperture Range
- 11 Iris Blades
- 92mm Filter Threads
Rokinon 16mm T2.6 Full Frame Cine DS Lens (Sony E Mount)
- Super Wide-Angle 16mm Lens
- Full-Frame Coverage
- Multi-Layer Coating Reduces Flare
- Standard Focus and Iris Gearing
Meike 10mm T2.2 Cine Lens (RF Mount)
- Covers APS-C Format
- T2.2 Maximum Aperture
- 77mm Filter Threads
- Lens Markings in Meters and Feet
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


