Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (E Mount, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (Nikon Z, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (Sony E, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (L-Mount, Neutral Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Neutral Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Nikon Z)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- 2.4:1 & 2.8:1 De-Squeezed Aspect Ratios
- Blue Streak Effects
Sirui 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Canon RF)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- 2.4:1 & 2.8:1 De-Squeezed Aspect Ratios
- Blue Streak Effects
Rokinon 50mm T1.5 DSX High-Speed Cine Lens (EF Mount)
- Full-Frame 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 21mm T1.5 Compact High-Speed Cine Lens for Sony E
- 21mm Lens
- 69.3° AOV, APS-C
- Multi-Layer Coating to Reduce Flare
- Aspheric Elements
Meike 25mm T2.1 Super35 Prime Cine Lens (EF Mount)
- 25mm T2.1 Super 35mm Sensor Coverage
- EF Mount, 33.6mm Image Circle
- 33.5" Minimum Focus Distance
- 270° Focus Rotation
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (FUJIFILM X, Neutral Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Venus Optics Laowa 9mm T2.9 Zero-D Cine Lens (RF Mount, Feet/Meters, Black)
- RF Mount Lens, T2.9 to T22 Aperture
- 113° Angle of View, Covers Super35
- 4.7" Close Focus, 0.8 MOD Cine Gears
- 15 Elements in 10 Groups, 7-Blade Iris
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (Sony E, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui VP-1 Vision Prime 75mm T1.4 Full-Frame Cine Lens (Multi-Mount, Metal Gray)
- Full Frame | T1.4-T16 Aperture Range
- Native E Mount | L, Z, and RF Adapters
- 0.8 MOD Gearing | Wide Focus Rotation
- 72mm Front Outside Diameter
Sirui VP-1 Vision Prime 35mm T1.4 Full-Frame Cine Lens (Multi-Mount, Black)
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Maximum Aperture
- Native E Mount; L, Z, and RF Adapters
- 12-Blade Aperture Delivers Smooth Bokeh
Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens (Multi-Mount, Metal Gray)
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Maximum Aperture
- Native E Mount; L, Z, and RF Adapters
- 12-Blade Aperture Delivers Smooth Bokeh
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (X-Mount, Black)
- 24, 35, and 55mm Lens Set
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (RF-Mount, Black)
- 24, 35, and 55mm Lens Set
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
DZOFilm VESPID Cyber Full Frame 75mm T2.1 Prime Lens (PL & EF Mounts)
- 75mm Lens Covers Full Frame Sensors
- Focus & Aperture Data Interface
- T2.1 to T22 Aperture Range
- Interchangeable PL & EF Mounts
DZOFilm VESPID 125mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
BLAZAR LENS Mantis 135mm T3.2 1.33x Anamorphic Lens (ARRI PL)
- Full Frame | T3.2-T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 0.8 MOD Gearing / 180° Focus Rotation
- 80mm Front Outside Diameter
Dulens APO Mini Prime 43mm T2.4 Lens (ARRI PL, Black)
- Full Frame | T2.4 to 16
- Coated for Smooth, Vintage Look
- 80mm Front Diameter, 72mm Filter Thread
- 0.8 MOD Focus & Iris Gears
Sirui Astra Series T1.8 1.33x 50mm Full-Frame Anamorphic Lens (Nikon Z, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Sirui Astra Series T1.8 1.33x 50mm Full-Frame Anamorphic Lens (L-Mount, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Sirui Astra Series T1.8 1.33x 100mm Full-Frame Anamorphic Lens (Sony E, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Thypoch Simera-C 75mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- 210° Focus Throw
DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Thypoch Simera-C 50mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Thypoch Simera-C 35mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


