DZOFilm VESPID 16mm T2.8 Cine Lens (PL & EF Mounts)
- Covers Full-Frame Sensors | T2.8-22
- 16-Blade Iris, Smooth Bokeh
- 0.8 MOD Gears | 270° Focus Rotation
- 80mm Front Diameter
BLAZAR LENS MANTIS 35mm T2.0 1.33x Anamorphic Lens (ARRI PL)
- Covers Full Frame | T2.0 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 14-Blade Iris | Signature Oval Bokeh
- Cinematic Visual Character and Depth
BLAZAR LENS Viper 35mm T2.1 Full-Frame 1.5x Anamorphic Lens (ARRI PL)
- Full Frame | T2.1-T22 Aperture Range
- 1.5x Anamorphic Squeeze, Silver Flares
- 0.8 MOD Gears / 200° Focus Rotation
- 80mm Front Outside Diameter
DZOFilm Arcana 32mm Anamorphic Prime Lens (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
- 0.8 MOD Gears / 270° Focus Rotation
NiSi ATHENA PRIME 135mm T2.2 Full-Frame Lens (ARRI PL)
- Full Frame | T2.2 Maximum Aperture
- Soft, Engaging Bokeh
- 0.8 MOD Gears/300° Focus Rotation
- Screw-In Rear Filter Mount
Sirui VP-1 Vision Prime T1.4 Full-Frame Cine 3-Lens Kit (Multi-Mount, Metal Gray)
- 24, 35, and 50mm VP-1 Lens Kit
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Aperture | Smooth Bokeh
- Native E Mount; L, Z, and RF Adapters
DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom Lens (PL Mount and EF Mount)
- Maintains Focus Throughout Zoom Range
- Near-Zero Breathing
- Swappable PL Mount; Canon EF Included
- 16-Blade Iris
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colors
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
Sirui Astra T1.8 1.33x AF Anamorphic 3-Cine Lens Kit (Sony E, Neutral Flares)
- 50, 75, and 100mm Lens Kit
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Sigma 28-105mm T3 FF Cine Zoom Lens with AF (Sony E, Feet)
- Full-Frame Cine Lens with T3-22 Aperture
- 28-105mm Zoom Range
- Autofocus and Manual via Switch
- 15.7" Minimum Focus Distance
Thypoch Simera-C T1.5 Cine 5-Lens Kit (Sony E)
- 21, 28, 35, 50 & 75mm Prime Lenses
- Full-Frame | T1.5
- Excellent Low-Light Performance
Cooke SP3 32mm T2.4 Full-Frame Prime Lens (Sony E, Feet/Meters)
- Covers Full-Frame Sensors, T2.4 Aperture
- User-Changeable Mounts
- Matches Cooke Panchro/i Classic Lenses
- Produces the Classic Cooke Look
Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount)
- Covers Super 35 Sensor Size
- Suitable for 4K, HDR Image Capture
- Widely Used 70-200mm Focal Range
- Parfocal to Maintain Focus While Zooming
Sirui 24mm f/2.8 Super35 Anamorphic 1.33x Lens (L Mount)
- Covers Super35/APS-C Sensors
- f/2.8 to f/16 Aperture Range
- 74mm Maximum Diameter
- 13 Elements in 10 Groups
7Artisans DREAM 50mm T1.5 Full-Frame Cinema Lens (Sony E)
- Full Frame | T1.5-T16 Aperture
- Cinematic Look with Micro-Contrast
- 0.8 MOD Gearing/300° Rocus Rotation
- 88mm Front Outside Diameter
Sirui Night Walker 24mm T1.2 S35 Cine Lens (X-Mount, Black)
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- 31mm Image Circle
- Compact, Lightweight Design
Sirui Night Walker 35mm T1.2 S35 Cine Lens (RF-Mount, Black)
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- 32mm Image Circle
- Compact, Lightweight Design
Sirui 24mm f/2.8 Anamorphic 1.33x Lens (E Mount)
- Covers Micro Four Thirds/APS-C Sensors
- Suitable for 4K Image Capture
- 2.4:1 De-Squeezed Format; 8-Blade Iris
- Schott Optical Glass with Nano Coatings
7Artisans DREAM 35mm T1.5 Full-Frame Cinema Lens (Sony E)
- Full Frame | T1.5-T16 Aperture
- Cinematic Look with Micro-Contrast
- 0.8 MOD Gearing/300° Rocus Rotation
- 88mm Front Outside Diameter
Sirui 75mm f/1.8 1.33x Anamorphic Lens (Nikon Z)
- 75mm Anamorphic Nikon Z Mount Cine Lens
- f/1.8 Maximum Aperture, 13-Blade Iris
- Robust Aluminum Lens for APS-C Cameras
- 2.4:1 Aspect Ratio; 13-Blade Iris
Sirui 35mm f/1.8 Super35 Anamorphic 1.33x Lens (RF Mount)
- Covers Super35/APS-C Sensors
- f/1.8 to f/16 Aperture Range
- 71mm Maximum Diameter
- 13 Elements in 9 Groups
Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount
- 85mm Lens
- Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
7Artisans Spectrum 14mm T2.9 Prime Cine Lens (L-Mount)
- Covers Full-Frame Sensors | T2.9-T16
- Consistent Look, Minimal Breathing
- Cine-Style 0.8 MOD Focus and Iris Gears
- 10 Iris Blades, 82mm Filter Thread
7Artisans 35mm T2.0 Spectrum Prime Cine Lens (Z Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
7Artisans 35mm T2.0 Spectrum Prime Cine Lens (L Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 10 Iris Blades
TTArtisan 35mm T2.1 Dual-Bokeh Cine Lens (Nikon Z)
- Covers Full-Frame | T2.1 to T22 Aperture
- Dual-Bokeh Design (Bubble & Soft)
- 11-Blade Iris | 63° Angle of View
- 85mm Front Diameter | 82mm Filter Thread
Sirui Night Walker T1.2 S35 Cine 2-Lens Set (Micro Four Thirds, Black)
- 16 & 75mm Lens Set
- Covers Super35/APS-C | T1.2-T16 Aperture
- High Refractive-Index Glass Elements
- 0.8-MOD Gearing, 270° Focus Rotation
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (Sony E, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


