Search results for: audio tips solutions how to use a lavalier microphone
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by Jennifer Hahn · Posted
If you’ve gotten this far without having to use Zoom, Teams, Facebook, Skype, or another video conferencing platform, you are one of the few these days. But if you have been using the popular video conferencing platform (or one of them) for meetings, performances, or education, how good do you feel about your presentation? Are you happy with your look online, or do you feel the webcam is not representing how you really want to present yourself? Can the other participants hear you clearly? Let’s go over a few ways you can improve the look and
by John Harris · Posted
Zoom, Hangouts, BlueJeans, Slack, and Teams. These are words that have taken on a whole new significance over the past few weeks. With so many of us now relying on livestreaming, video chat, and video conferences, the quality of connection and the quality of your image is increasingly important. It may be time to upgrade from the camera in your computer or the basic webcam that has been dangling off the side of your monitor for all these years. Joking aside, appearing clear, in focus, and well-lit is crucial when impressions are being made,
by Jennifer Hahn · Posted
In times of transition, such as adding an extension to your business, creating a personal brand, or, especially now, mandatory social distancing during a pandemic, it becomes necessary to connect with friends, clients, or an audience in different ways. Livestreaming video seems fairly easy at its most basic if you're talking to your Mom or a friend on your smartphone, but when, for example, a yoga teacher needs to suddenly transition their classes online or a house of worship needs to reach their congregation, a higher-quality approach may be
by Phillip Nichol… · Posted
When it comes to producing audio for video and purchasing relevant equipment, one can make many mistakes based upon misinformation and misguided (though well-intentioned) recommendations. Whether you’re relatively new to the audio side of things or you just want to make sure you haven’t missed an important tip, it’s worth reviewing these six common misconceptions about audio for video.
#1: Wireless Is Better Than Wired
Verdict: Misleading
In the context of audio for video, you cannot rightfully state that wireless is better than wired or vice
by Jill Waterman · Posted
Ami Vitale has a remarkable affinity for life-changing events. A native of South Florida, Vitale was a self-described shy, gawky child who, like many young girls, possessed little confidence. The assessment of a grade school teacher, who told her she was not very good at English, stuck with her for years. “I just thought that I had no ability as a writer, or as a creative person,” she says. “I remember thinking I was going to become an engineer because I had almost perfect math scores on my SAT.”
Photographs © Ami Vitale
1,276 Views· Posted
In this second video in the Audio for Video series, AB discusses ways to choose the best mic for the type of content you’re recording. He discusses pickup patterns, lavalier and shotgun mics, mic placement, and more. If you want to know how to use the right mic to capture audio for different video applications effectively, this is a great resource.
If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content
by Nicholas Messitte · Posted
Coming at you fast and furiously, we’ve got eight quick tips for cleaning dialogues in a short film context—although, really, these tips could apply to any length film; from 30-second spots to feature-length films. If a project with dialogue has fallen into your professional lap, you’re going to want a cheat sheet for how to clean up that dialogue before you go about EQ’ing, compressing, and more.
Well, my friends, here is that cheat sheet. Follow these eight steps, and you’ll be ready to start mixing the dialogue of your audio/visual project
by Eric Calvi · Posted
Say you’re covering news or conducting interviews in the field for your V-blog, YouTube channel, Facebook Live, or a documentary. The locations vary widely—indoor/outdoor, press conferences and on-the-fly interviews, and perhaps even political conventions—and all represent widely varying sound-recording environments. As a news gatherer, you know that your audio quality can make or break your video piece. What system should you use to get the best sound possible, no matter the location or situation? Should you go wired, or wireless?
Any audio
by Nicholas Messitte · Posted
If you’re an audio person who likes the adrenaline rush of on-location recording, you’ve got options for work. On the music side, there are on-sight jazz records, classical concerts, and rock venues. But you also might want to take on-location gigs for other media—movies, TV web series, and our chosen topic of today, ENG.
But wait—what is ENG?
ENG stands for Electronic News Gathering. You know when you watch the news and they cut from the studio to some poor schmoe stuck in a hurricane describing the rain? That’s an example of ENG.
It’s not to
by Shawn C. Steiner · Posted
While you can definitely get by with the same kit you use for your still photography, video adds some additional concerns that require extra equipment. Now that you know a few basics about shooting video, or you should if you read the first part of this series, Getting Started, you will definitely want some of these helpful tools to step up your game.
The essentials
An
by Peter Ward_1 · Posted
Vlogging, or intertwining video content with blog posts, looks like it might become the new blogging. If you are thinking about starting a vlog, or already have one, you might want to know what tools are best to use. In this part of Explora’s vlogging how-to series, we will consider sound; in particular, how to capture and record great sound.
With vlogging, as with other types of audio acquisition, the basic challenge is the same
by jaime traba · Posted
Poor audio! While many tout the mantra that sound is half your film or broadcast, budgetary constraints can relegate sound to an afterthought—unfortunately, often to the peril of your project’s quality. While getting your sound captured correctly can be a daunting task, especially to the audio-uninitiated, you fortunately already have a powerful tool right in your pocket. No, not your wallet—your other pocket.
The iPhone has evolved from a straightforward portable communication device to a powerful, portable computer, capable of much more than
by Sam Mallery and Nicholas Messitte · Posted
Nowadays, many people are using portable digital recorders like the Zoom H4n, Zoom H6, or Tascam DR-40X to record the audio during video shoots with DSLR/mirrorless cameras. Now you need some real-world advice about using this
by Thomas Popp · Posted
One idea that resonates for me, having worked as a Sound Mixer for many years, is that there is no one way to do anything. Putting a lavalier microphone on talent is a skill that requires as many “solutions” as you can possibly devise. The person with the largest number of options and tools is the one who will be prepared for any situation.
Unfortunately, no one accessory or wiring technique is perfect for every scenario, but if something doesn’t work out on
by jaime traba · Posted
Whit Norris is a professional film sound mixer with a filmography ranging from work on Fast Five to Anchorman 2. Norris took some time off on the set of his current project, the forthcoming Vince Vaughn film, Term Life to talk about gear, and share some great tips and experiences from his expansive filmography.
On your IMDB page, you have a fairly prolific filmography listed. When did you realize sound for film was your passion, and how did you get your start as a professional?
When I was in college, I always had a passion for sound,