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by Emily Mandagie · Posted
"Alright, your time in flight will be approximately twelve minutes." Berty and I swallowed that weighted sentence and nervously nodded in response. Smiles were on the outside, but deep inside we were wondering how in the world we were going to make the most of those fleeting seconds in that helicopter and capture exactly what we wanted from the sky!
Aerial photography can be exciting and exhilarating. But it can also come with a lot of added challenges, such as time limits, weather conditions, and—let's be real—a large expense! (Flights aren't
by Brian Zwiebel · Posted
When winter rolls around, many bird photographers choose to hibernate like a bear or fly south like a bunting. However, with a few precautions and considerations, winter can be an excellent time of year to photograph birds, even in the northern climates. Over the years, I have made dozens of trips to photograph birds in some pretty extreme locations, such as the high arctic, northern Michigan, and northern Minnesota. In this first part of my two-part series, I will share my strategies to prepare yourself and your gear in the best ways for
by Cory Rice · Posted
With digital cameras and editing software constantly improving, photographers are able to get away with a lot more today than they could in the past. Better sensors, flexible ISO ranges, raw image processing, and ever-advancing lens technologies have all contributed to a more forgiving margin of error for the photographer—or, to put it more optimistically—greater creative possibilities. For the portrait photographer, this means you don’t have to invest in a studio’s worth of gear to create compelling photographs of your sitters. Some will say
by Todd Vorenkamp · Posted
Many of us have been there. We get into photography and then we start getting more serious about the art, craft, hobby, or profession. Eventually, the “kit lenses” don’t seem to cut it any longer. Regardless of your path through the world of photography, it is likely that you set your gaze on the camera bag of a professional photographer and saved your hard-earned nickels to buy a set of “pro” lenses. Those lenses usually include the triad of f/2.8 aperture zooms covering wide (14-24mm), mid-range (24-70mm), and telephoto (70-200mm) needs.
by Daniel Wagner_1 · Posted
There are several schools of thought regarding whether or not a Rolleiflex TLR is a good camera for street photography. On the negative side, the exposures per roll are limited to 12, the vintage design often attracts attention, and it takes longer to advance the film to the next frame. On the positive side, the camera can be operated stealthily by shooting from the waist and/or aiming the camera perpendicular to the direction you’re facing; the 120 negative is much larger than its 35mm counterpart; and the leaf shutter is quieter and has