Search results for: photography tips solutions look of medium format
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by John Harris · Posted
It would be foolish to claim that there is only one way to take a portrait, but there are some accepted norms and basic camera settings that you should understand if portraiture is to become your area of photographic interest. Remember though, as you walk down your creative path, that a portrait is more than a headshot, more than a beautiful photo of your subject; it is an opportunity to get to know someone, to have a visual conversation with a person, and to use your photographic skills to pass that understanding of the person on to the
by Mathew Malwitz · Posted
We’ve all tried to photograph something up close. This small-scale world fascinates us all, whether it be a stunning flower or a bumble bee crawling about, but our cameras can’t seem to focus as close as we want. So, what is a struggling photographer to do?
There are several ways to do close-up, or "macro" photography, but the
by Mathew Malwitz · Posted
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
by Mathew Malwitz · Posted
As you begin to research cameras, you’ll likely hear some technical jargon about sensors. While it’s easy to ignore some elements of any devices, there’s no way to work around sensors. But what is a sensor and what does it do? In this guide, we’re diving into the often confusing world of imaging sensors. By time we’re done, you’ll have a better understanding of the most significant component in our digital camera.
About Sensors
What Is an Imaging Sensor?
At the heart of our digital cameras sits an imaging sensor, which serves as the digital
by Mathew Malwitz · Posted
You’re probably aware that film has been making a comeback in recent years, but let’s be honest with ourselves. Did it ever really go away? Sure, it may have seen a dip in popularity at the dawn of the digital age, but many serious enthusiasts never stopped using it. Just ask the experts here at B&H! In fact, we asked some long-time film shooting experts here, “What’s your favorite film/camera combination and why?” Below, you’ll find their answers
by Mathew Malwitz · Posted
Portraiture: It’s one of the most popular and prevalent forms of photography. Although it may seem simple on paper, it comes with its own unique obstacles. Of course, you’ll want to be familiar with your gear. This is essential to all working photographers, but it allows you to focus your efforts on the genre-specific challenges you’ll face.
When photographing people, you’ll find that some folks are photogenic, while others are not. Your job as a photographer is to break down the barriers set by your clients and to put them in the most
by Luke Rollins · Posted
Color negative and color transparency films have distinctive ways of rendering specific colors, and may have a warm (reddish), cool (bluish), or neutral color balance, as well as different color contrast characteristics. Thanks to the resurgence in film’s popularity in recent years, analog shooters have an astonishing number of choices, from major manufacturers like Kodak, Ilford, and Fujifilm, to smaller suppliers like Foma, Rollei, Agfa, Lomography, Kentmere, and Arista.
Obviously, we can’t include comprehensive info and hands-on impressions
by Todd Vorenkamp · Posted
If you are selling a used car online, one great way to make your car stand out from the rest and attract more attention is to up your photo game. You don’t need to be a professional photographer to capture compelling images of the car or truck you are ready to sell—a few simple tips can help your photos grab the attention of possible buyers.
Photographs © Todd Vorenkamp
You’ve seen the standard used-car photo—the boring shot taken outside a dealership, in a driveway or crowded parking lot, midday, from standing eye level, of a sterile-looking
by Todd Vorenkamp · Posted
by Jill Waterman · Posted
In recent years, several incidents involving careless shutterbugs light painting with burning steel wool gained notoriety in the press, giving legitimate night photographers a bad reputation. With these unfortunate matters in mind, we interviewed a variety of night-photography specialists to compile the following eight tips on safety and etiquette when photographing in the darkness.
Above photograph © Troy Paiva
1. Do no harm and don’t be a jerk
Taking a cue from the Hippocratic Oath, Stu
by Todd Vorenkamp · Posted
FUJIFILM continues to lead the digital photography world with its unique and beautiful film simulations that give FUJIFILM X series APS-C interchangeable lens, X series fixed lens, and
by Bjorn Petersen · Posted
There is no doubt that digital photography is here to stay, and film has certainly seen better days, in terms of availability and affordability. However, what if you’re a digital photographer who simply wants to shoot a roll of film every once in a while, for fun? Film photography has a distinct look that, even with the latest and greatest 50MP cameras, cannot be duplicated by digital imaging. It’s subjective to say whether one look is better or worse, but there is no denying that there is a unique quality to film. Back in the halcyon days of
by Todd Vorenkamp · Posted
Is it strange to sit back and think that buying a film camera is a new experience to many—even most—photographers? Just 20 years ago, almost everyone was buying and using film cameras. Today, there are legions of photographers who have never shot a single roll of film. Luckily for us, film photography still exists and there are both film and film cameras that you can buy with which
by Bjorn Petersen · Posted
In photography vernacular, there’s something called the “medium format look.” This distinctive but hard-to-describe look is commonly associated with medium format cameras (hence its name) and refers to aesthetic qualities in an image, such as pronounced smoothness, more blurriness in shallow-depth-of-field images, more accurate color rendering, and so on. It’s difficult to pinpoint because it’s somewhat subjective and varies from shot to shot. Also, despite its name, it’s not an effect relegated solely to medium format cameras, although some
by Bjorn Petersen · Posted
Have you ever tried to take a photograph of a snowy scene and later realized that your shot was underexposed, maybe with an overwhelming orange or blue hue, or just lacking a certain "something?" Frustratingly, and surprisingly, snow can be one of the trickiest environments in which to make a correct exposure. But, with a few tricks and techniques in mind, hopefully you'll be able to make easy work of these trying conditions.
It All Begins with the Light Meter
The culprit behind these wrong exposures is likely your light meter; but this light