Search results for: photography tips solutions understanding natural light in outdoor photography
About 6 filtered resultsby Mathew Malwitz · Posted
As photographers, we are faced with a wide array of lighting conditions, ranging from bright sunlight to dimly lit interiors. Using ambient light as your main source is often preferable; however, in a situation such as an event or portrait where time is of the essence, you will need to know how to properly expose all these varying scenes using both natural and artificial light sources.
Being resourceful with your lighting setups lends greater efficiency, and having a lighting system you can easily move from one situation to the next quickly is
by Mathew Malwitz · Posted
Despite what you might have seen on the internet, you don’t need all the money and time in the world to photograph wildlife. Sure, an African safari would be nice, but it is by no means the only way to capture stunning images of wild animals. In fact, regardless of where you live, odds are there’s a vast ecosystem that likely goes unnoticed. If you have trees in your neighborhood, you’re off to a great start.
What You Need to Photograph Wildlife
While gear plays a crucial role in our ability to photograph wildlife, it isn’t everything. In this
by John Harris · Posted
Many photographers, attempting to postpone a major decision or save money, will buy a lens they believe will give them the results they desire, only to find that the lens does not perform as expected. When budget is a factor (and when isn’t it?), it’s important to select a telephoto lens that best serves your specific purposes. When it comes to sports and wildlife photography, the purposes are often similar—magnify distant subjects, separate the subject from background—but it’s worth understanding a few basic distinguishing features and how
by Bjorn Petersen · Posted
There is a lot of talk about lighting and photography, and specifically how learning to use light can make you a better photographer. This is true, of course, but is also a notion that’s more often applied to working with artificial lighting, such as for portraits or products, where you can work in a studio with a strobe or LED to fine-tune how your shot looks. When it comes to landscapes, on the other hand, most likely you won’t have the ability to or just won’t want to use artificial lighting for your scenic shots. This is part of the
by Cory Rice · Posted
When Nicéphore Niépce invented the first permanent photographic process in the early 19th century, he named it heliographie—or, sun-writing. Nearly two hundred years later, the sun continues to provide a quality light source to photographers at a fraction of the cost of its competitors. Like any creative decision, using natural light for portraits has its pros and cons. Its popularity stems from the facts that it is free, accessible,
by Todd Vorenkamp · Posted
Many years ago, back in the days of wired telephones and film, most photographers did not give white balance (WB) or color temperature much thought. Those who did would carry around color-correction filters to screw onto the front of their lenses that would cancel out the color casts of the artificial or natural light illuminating a scene. If you were paying attention back in those ancient times, you may have noticed that some film was marketed specifically for indoor or outdoor use or specific light sources.
My guess is that many digital