Zoom Lenses
Sigma expands their novel autofocus cine lens line with the new 28-105mm AF Cine T3 full frame zoom lens, available in E-mount or L-mount with markings in feet or meters. Based on the optical formula of the popular DG DN
The second generation of Nikon’s “Holy Trinity” professional-grade zoom lenses receives its second installment with the announcement of the new NIKKOR Z 70-200mm f/2.8 VR S II lens. Faster, lighter, smaller, and more refined than its F- and Z-mount predecessors, this S-line workhorse is an S-tier choice for professional multimedia creators in a broad range of applications.
Tamron is announcing a new high-end standard zoom lens for portrait photographers, the full-frame 35-100mm f/2.8 Di III VXD lens for both Nikon and Sony mirrorless mounts. Following in the footsteps of Tamron’s much-vaunted 35-150mm f/2-2.8 Di III VXD zoom, the new lens compresses the focal range to cover four of the most popular portrait focal lengths while still achieving
Starting off 2026 on a strong note, Nikon has unveiled their latest lens for the Z system. The Z 24-105mm f/4-7.1 is a flexible, carry-everywhere zoom designed with convenience in mind. At just 12.4 oz, this is one of the lightest zooms of its caliber in Nikons current lineup.
Nikon NIKKOR Z 24-
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Does a wide range zoom lens mean lower image quality? Sam shows you how to utilize Tamron's 25-200mm f/2.8-5.6 with an 8x zoom range for multiple photographic genres. You can go from taking wide landscapes to portraits to wildlife to street photography, all without lugging around a bunch of gear.
0:00 - Are Long Range Lenses Worth It?
1:08 - Test Shoot
2:23 - Sharpness, Bokeh & Minimum Focusing Distance
2:45 - Weight,
Tamrom continues to fill out their mirrorless lens lineup, delivering a much sought-after update with the 25-200mm f/2.8-5.6 Di III VXD G2 lens for the Sony E mount. A follow-up to the acclaimed 28-200mm lens, this updated model features a wider minimum focal length while maintaining the same compact size of the original.
Panasonic is excited to announce the first ultra-telephoto powerhouse zoom for their full-frame S series, the LUMIX 100-500mm f/5-7.1 OIS. The smallest 500mm zoom available for a full-frame camera system at just 7.7 inches in length when collapsed and 2.83 lb. Don't let its compact size and portable build fool you though.
Cinematic storytelling requires the right tools, and Venus Optics provides that creative control with the new LAOWA Sunlight T4.5 FF 2x Anamorphic Cine Zoom Lenses. These highly portable full-frame zooms feature a 2x anamorphic squeeze and come in 40-80mm and 70-135mm models with an ARRI PL mount. You can also choose between four flare colors—amber, blue, silver, and clear—to match your creative style. Bundles are also available with both lenses in your
OM System has announced the breakthrough M.Zuiko Digital ED 50-200mm f/2.8 IS PRO—a fully weather sealed, all-purpose super zoom and the world’s first and only lens with an effective focal length of 100-400mm (35mm equivalent) and a constant f/2.8 aperture. Weighing only 2.37 lbs. and coming in at just over 8.8” long, this is the perfect companion to wildlife and nature photographers looking for an unrivaled, adventure
Third-party lens manufacturer Tamron announces the last of its “trinity” of premium G2 full-frame zoom lenses, the 16-30mm f/2.8 Di III VXD G2. A fast, wide-angle zoom with high-end optics and a lightweight build, the travel and everyday-friendly lens delivers professional-grade imagery in street, landscape, architecture, and astrophotography applications. The versatile lens is
Sigma has a penchant for releasing boundary-pushing lenses, and today’s announcement is for another stunner—the 17-40mm f/1.8 DC Art lens. A successor to their wildly popular, nearly 10-year-old 18-35mm f/1.8 DC HSM Art lens for APS-C SLRs, this new lens—for APS-C mirrorless cameras—expands the zoom range while borrowing optical design principles from the full-frame 28-45mm f/1.8 DG DN Art lens. Like its predecessors, this 17
Panasonic announces yet another long-awaited follow-up: the full-frame all-arounder S1 II Mirrorless Camera, intended for hybrid creators in need of a high-speed, high-quality workhorse. To that end, the 24.1MP S1 II boasts Panasonic’s first partially-stacked sensor, improving read out speeds to deliver both 6K30p open-gate video and up to 70 fps continuous, blackout-free stills shooting—all-time highs for
Sony continues to push the boundaries of its G Master zoom lenses with the release of the FE 50-150mm f/2 GM lens, which follows up last fall’s release of the 28-70mm f/2 lens with yet another remarkably fast zoom with a unique focal range that stands out in portraiture, wedding, event, and indoor and close-range sports applications. Like its sibling, the lens is optimized for hybrid use, making it
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Sony expands its G-series lineup with two new lenses catering to vastly different shooting needs: the FE 16mm f/1.8 G, a compact ultra-wide prime ideal for vloggers and video creators, and the FE 400-800mm f/6.3-8 G OSS, Sony’s longest zoom lens designed for wildlife, sports, and birding enthusiasts. Both lenses reinforce Sony
Less than a year after their acquisition of RED Camera, Nikon is making good on their renewed dedication to video with the release of their latest lens, the NIKKOR Z 28-135mm f/4 PZ Lens. It's the first Power Zoom lens the company has made for their FX format, and one they've designed to pair with their full-frame mirrorless cameras like the flagship Z9, along with the Z8 and Z6 III. An all-in-one lens aimed at the professional