ikan Lyra LBX30 Soft Panel 1 x 3 Studio and Field LED Light
- Integrated 1/2 Stop Soft Diffusion Panel
- Bi-Color, Adjustable from 3200-5600K
- 110° Beam Angle
- DMX Control Via In and Out Ports
Dracast Reporter Daylight Kit (V-Mount and NP-F Mount)
- Two LED1000D Lights
- LED500D LED Light, LED160A Light
- Three BA90AC Batteries
- Two NP-F Batteries
Fiilex G3 Color Ellipsoidal LED Light
- 90W Full-Color Ellipsoidal
- 360° Rotating Barrel
- 95 CRI | 2000 to 10000K CCT
- Wired DMX via 5-Pin XLR Adapter
DeSisti Super LED F4.7VW Vari-White LED Fresnel Manual Operated Spotlight
Quasar Science 4-Bank Shell with Ossium Plate and Four Crossfade X (4')
- Articulated Shell Controls Shape/Spill
- Four 4' Crossfade X Tubes
- 2000-6000K Color Temperature, Dimmable
- True-1 Multibank Power Adapter
Fluotec CineLight Color30 1x1 Color LED Panel (Gold Mount)
- For Studio & Film/TV Production
- 1471 Lux at 3.3' (100° Beam Spread)
- 2500-10,000K CCT, Full Gamut Color Mixing
- 12 x 12" Panel
Fluotec CineLight Color30 1x1 Color LED Panel (V-Mount)
- For Studio & Film/TV Production
- 1471 Lux at 3.3' (100° Beam Spread)
- 2500-10,000K CCT, Full Gamut Color Mixing
- 12 x 12" Panel
Parabolix OMNI LED Light Kit with 30" Reflector and Focus Mount PRO
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 30" Parabolic Soft Silver Reflector
- Focus Mount PRO
Astera QuikBeam 2-Light Backpack Kit
- 2 LED Spotlights with Accessories & Bag
- For Studio & Film/TV Production
- Output: 20,646 Lux at 3.3'
- 2700-6500K Color Temperature
FotodioX Pro FACTOR 1x4 V-6000ASVL Bi-Color Kit with Grid and Travel Case
- 1 x Bi-Color 1x4 V-6000ASVL
- 1 x 90-Degree Grid
- 1 x Soft-Sided Kit Case
- Variable Color: 3200 to 5600K
Hedler Profilux LED1000 DMX Daylight Fresnel
- 20 to 60° Focusable Spot-to-Flood
- Approximately 5600K
- CRI 95
- Onboard DMX
K 5600 Lighting Joker 300 LED
- Bi-Color Matrix LED Chip
- Color Temperature: 2700-6500K, CRI: 95+
- Optional, Removable Beamer Reflector
- Powered by 300W LED or 1200W LED Ballast
VELVETlight VELVET Mini Power 1 DMX IP54 Weatherproof LED Panel with V-Mount Plate
- Integrated V-Mount Battery Plate
- 5-Pin XLR DMX Input
- Yoke with 28mm Junior Pin to 16mm Baby
Elation Professional KL Fresnel 6 FC RGBMA LED Fresnel Light
- For Film and Video / Live Productions
- Maximum Output: 79,727 Lux at 3.3'
- 5-in-1 Color LED Engine (RGBMA)
- 9.7-32.2° Beam Angle
Lupo Dayled 2000 PRO Fresnel with DMX (Manual Yoke)
- For Studio and Film/TV Production
- 97/98 CRI/TLCI, 3200K Color Temperature
- AC or Optional Battery
- 3 Dimming Curves, Dims 0 to 100%
Lupo Dayled 2000 PRO Daylight Fresnel (Manual Yoke)
- Measures 10.6 x 12 x 13", 90-240 VAC
- 5600K Color Temp, 97/98 CRI/TLCI
- Lightweight Reinforced Carbon Fiber
- AC or Optional Battery, Dims 0-100%
Godox S60-B Bi-Color LED Focusing 3-Light Kit
- Three S60-B Bi-Color LEDs with Barndoors
- Color Temperature: 2800 to 6500K
- Two Softboxes, Three Light Stands
- Projection Attachment with Accessories
Parabolix OMNI LED Light Kit with 35" Reflector and Focus Mount PRO
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 35" Parabolic Soft Silver Reflector
- Focus Mount PRO
VELVETlight VELVET Mini Power 1 DMX IP54 Weatherproof LED Panel with Gold Mount Plate
- Integrated Gold Mount Battery Plate
- 5-Pin XLR DMX Input
- Yoke with 28mm Junior Pin to 16mm Baby
CineGearFactory AirTube8B Bi-Color LED Light Kit
- 1 x 8' Bi-Color LED Light with Softbox
- Tubular Softbox Filled with Air
- 190W Power Output Equivalency
- 2500 to 20,000K CCT Range
VELVETlight VELVET MINI 2 IP54 Bi-Color LED Panel (Yoke)
- 2700-6500K Color Temperature
- TLCI: 93 at 3200K and 96 at 5600K
- Measures 24 x 7.5 x 2.5"
- Dims 0-100%, Beam Spread 100°
ikan Rayden Half x 1 Bi-Color 3-Point Panel LED Light Kit
- 3200 - 5600K, 50-Degree Beam Angle
- 3 x Rayden Bi-Color LED Panels
- 3 x V-Mount Battery Plates
- 3 x Gold Mount Battery Plates
ikan Mylo Soft Bi-Color LED 3-Point Light Kit
- 3 x Mylo MSB8 Soft Panel LED Lights
- 3 x Compact Light Stands
- 1 x Bag for Lights
- 1 x Bag for Stands
DeSisti SoftLED1 Tungsten-Balanced LED Light (Manual Operation)
- Remote Phosphors: 3200K
- Beam Angle: 96 x 110 Degrees
- CRI/TLCI: 95/96
- Measures 16.5 x 9.4 x 8"
DeSisti SoftLED1 Daylight-Balanced LED Light (Manual Operation)
- Remote Phosphors: 5600K
- Beam Angle: 96 x 110 Degrees
- CRI/TLCI: 95/96
- Measures 16.5 x 9.4 x 8"
Parabolix OMNI LED Light Kit with 40" Reflector and Focus Mount PRO
- Kit Designed for Beauty Lighting
- OMNI LED Light
- 40" Parabolic Soft Silver Reflector
- Focus Mount PRO
Elation Professional KL Fresnel 8 CW Daylight LED Light
- For Film and Television Productions
- Output: 150,858 Lux at 3.3' (5600K)
- 11 to 56.2° Beam Angle
- AC or Battery Power, Power Pass-Through
Fluotec VegaLux 300 HP Bi-Color LED Fresnel Light
- For Theater, Stage & Studio
- 90,755 Lux at 3.3' (3200K)
- 3000-5600K CCT
- Beam Angle: 16 to 55°
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


