Godox FL100R RGB Flexible LED Light Mat (1 x 2')
- For Content Creators & Video Production
- Output: 4090 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 1 x 2' Panel; AC/DC Operation
Lowel TOTA LED XL Daylight LED Flood Light (2-Light Kit)
- 2 x LED XL Daylight LED Flood Lights
- 2 x Air-Cushioned Light Stands
- 11,200 Lux at 3' (60° Beam Angle)
- 5600K Color Temperature
Godox RS100R RGB LED Light (Projection Attachment Kit)
- Light, Lens & Projection Attachment
- Output: 15,900 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- Built-In USB-Rechargeable Battery
Nanlite PavoTube II 15C RGB LED Tube Light (2', 4-Light Kit)
- For Photo, Video & Film Production
- Output: 423 Lux at 3.3' for Each Light
- 2700-7500K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
FotodioX C-700RSV FlapJack LED Bi-Color Edge Light (18")
- Variable Color Temperature: 3200-5600K
- 10-100% Dimming
- 778 lux 3200K, 865 lux 5600K @ 3.28'
- High CRI: Approx. 91 to 93
Godox KNOWLED TP4R Pixel RGB LED Tube Light (4')
- For Studio, Film & TV Production
- Output: 765 Lux at 3.3' (5600K)
- 2000-10,000K CCT; RGB Mode
- Onboard, DMX, CRMX, Bluetooth Control
Nanlite PavoSlim 60C RGB LED Panel
- For Studio, Film & TV Production
- Output: 7074 Lux at 3.3' (5600K)
- 2700-7500K; RGBWW Color Control
- 12.1 x 11.8" Panel; AC/DC Operation
amaran F22x 2x2 Bi-Color LED Flexible Mat (Gold Mount)
- For Studio & Film/TV Production
- Output: 6960 Lux at 3.3' (5600K)
- 2500-7500K; HSI Color Control
- 2x2'; AC/DC Operation
SmallRig RC 220B Pro Soft Lighting Kit
- Two RC 220B Pro Bi-Color LED Monolights
- Two Angler 28" FastBox STUDIO Softboxes
- Light Kit Roller Bag
- 40° Grids, Bowens Mounting
Astera Titan Tube RGB LED Tube Light (3.4', Basic Kit)
- Light, Stand, Eyebolts & Metal Holders
- For Multiple Mounting Options
- Output: 785 Lux at 3.3' (4000K)
- 1750-20,000K CCT; RGB Mode
Nanlite Forza 300B II Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 68,060 Lux at 3.3' w/ Reflector
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
Nanlite FC500B Bi-Color LED Spotlight (Rapid 120 Softbox 2-Light Kit)
- Two Lights with Softboxes
- Softboxes for Diffused Light Output
- Output: 65,640 Lux at 3.3' per Light
- 2700-6500K CCT
ARRI Omnibar 2 Single Set (Blue/Silver)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
Godox KNOWLED F200Bi Bi-Color LED Light Panel (2.1 x 2.1', 2-Light Kit)
- Two Lights with Softboxes & Carry Bag
- Output: 8300 Lux at 3.3' per Light
- 2700-8500K CCT
- 2.1 x 2.1' Panel; AC/DC Operation
Aputure Nova P300c RGB LED Light Panel (Travel Kit)
- For Studio & Film/TV Production
- Output: 9000 Lux at 3.3' (5500K)
- 2000-10,000K; RGB Color Control
- 15.7 x 10.7" Panel; AC/DC Operation
ARRI Omnibar 4 Single Set (Black)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
Nanlite Forza 300B II Bi-Color LED Monolight (Travel 2-Light Kit)
- Two Lights with Rolling Case
- Output: 68,060 Lux at 3.3' per Light
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
Nanlite Forza 720B Bi-Color LED Monolight with Rolling Case
- Film/Video Light & Rolling Padded Case
- Output: 84,460 Lux with Reflector
- 2700-6500K CCT
- AC or Battery Power
Nanlux Evoke 600C RGB LED Spotlight (Trolley Case Kit)
- Light, Trolley Case & Wired Controller
- Output: 24,620 Lux at 3.3' (Bare, 5600K)
- 1000-20,000K CCT; Full RGB Color Control
- +/- 200 Green/Magenta Tint Adjustment
Fiilex P3 Color K300 3-Light Kit with Stands, Barndoors, Softbox, and Case
- Three P3 Color 90W Portable Lights
- Softbox, Speed Ring, Three Light Stands
- V-Mount Plate, DMX Adapters
- Three Sets of Barndoors
Aputure INFINIBAR PB6 RGB LED Light Panel (2', 4-Light Kit)
- For Studio and Film/TV Production
- Output: 328 Lux at 3.3' (120º, 6500K)
- 2000 to 10,000K; RGB Color Control
- 23.8 x 1.8" Panel; AC/DC Operation
Aputure INFINIBAR PB12 RGB LED Light Panel (4', 4-Light Kit)
- For Studio and Film/TV Production
- Output: 617 Lux at 3.3' (120º, 7500K)
- 2000 to 10,000K; RGB Color Control
- 47.4 x 1.8" Panel; AC/DC Operation
Aputure NOVA II 2x1 Tunable Color LED Light Panel (Travel Kit)
- Light with Rolling Hard Case
- Output: 197,300 Lux at 3.3' (35º, 5600K)
- 1800-20,000K CCT; BLAIR-CG Chipset
- Plus/Minus Green Adjustment
Sunpak Pro Series Bi-Color LED Panel Light
- For Home, Office, or Live Streaming
- 104 LEDs, Nine Brightness Settings
- Color Temperature: 3000-6500K
- 12" Fixture Diameter
Sunpak VL-LED-96 Compact Video Light
- 96 LEDs
- For HDSLR Camera or Camcorder
- Uses 4 AA Alkaline or AA Ni-MH Batteries
- Shoe Mount and 1/4"x20
VIJIM VL81 Rechargeable LED Video Light
- Compact Stackable Light for Vloggers
- 3200 to 5500K Color Temperature
- Brightness Dimming
- 3 x Shoe Mounts for Stacking/Accessories
Neewer SL30 RGB Magnetic LED Wand
- 120 Minute Continuous Runtime
- CCT: 2700-6500K
- CRI: 95
- Magnetic and 1/4"-20 Mounting
Neewer TL97C RGB Magnetic Handheld LED Light Stick (4.3")
- For Photo & Video Enthusiasts
- Output: 90 Lux at 3.3'
- 2500-8500K CCT; RGB Mode
- Onboard & App Control
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


