IRIX 150mm f/2.8 Macro 1:1 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Neutrino Coating
- 1:1 Magnification, 1.1' Minimum Focus
Rokinon 35mm f/1.4 AS UMC Lens for Canon EF (AE Chip)
- Aperture Range: f/1.4 to f/22
- Compatible with Full-Frame and APS-C
- Hybrid Aspherical Lenses -- Sharp Images
- 56mm (35mm Equivalent)
Venus Optics Laowa 105mm f/2 Smooth Trans Focus Lens for Nikon F
- Nikon F-Mount Lens/FX Format
- Aperture Range: f/2 (T3.2) to f/22
- One Apodization Element for Smooth Bokeh
- Three Low Dispersion Elements
Pentax HD PENTAX-D FA 28-105mm f/3.5-5.6 ED DC WR Lens
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5-5.6 to f/22-32
- ED Glass Elements
- Super Protect & HD Multi-Layer Coatings
Samyang 35mm f/1.4 AS UMC Lens for Canon EF
- Aperture Range: f/1.4 to f/22
- Compatible with Full-Frame and APS-C
- Hybrid Aspherical Lenses -- Sharp Images
- 56mm (35mm Equivalent on APS-C)
Sigma 30mm f/1.4 DC HSM Art Lens for Nikon F
- F-Mount Lens/DX Format
- 45mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- One Aspherical Element
Rokinon 24mm f/1.4 ED AS UMC Wide-Angle Lens for Nikon
- Fast f/1.4 Wide-Angle 24mm Lens
- For APS-C & Full-Frame Image Formats
- Two Aspherical and Four ED Elements
- Manual Focus
Venus Optics Laowa 14mm f/4 Zero-D Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Aspherical Elements
- Two Extra-Low Dispersion Elements
Venus Optics Laowa 15mm f/4 Macro Lens for Nikon F
- F Mount Lens/FX Format
- Aperture Range: f/4 to f/32
- 1:1 Magnification Ratio; Internal Focus
- One ED & Three High-Refractive Elements
Venus Optics Laowa 15mm f/4 Macro Lens for Canon EF
- EF Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/32
- 1:1 Magnification Ratio; Internal Focus
- One ED & Three High-Refractive Elements
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Nikon F)
- Full-Frame | f/4 to f/32
- Manual Focus Design
- Minimum Focusing Distance: 1.6'
- Apochromatic APO Design
Samyang 35mm f/1.4 AS UMC Lens for Canon EF (AE Chip)
- Aperture Range: f/1.4 to f/22
- Compatible with Full-Frame and APS-C
- Hybrid Aspherical Lenses -- Sharp Images
- 56mm (35mm Equivalent on APS-C)
Lensbaby Velvet 85mm f/1.8 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/16
- Soft Glowing Effect at Wide Apertures
- Inspired by Classic Portrait Lenses
Pentax HD Pentax DA 70mm f/2.4 Limited Lens (Black)
- Pentax K Mount
- 105mm (35mm Equivalent)
- Aperture Range: f/2.4 to f/22
- Compact Portrait-Length Lens
Rokinon AF 14mm f/2.8 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- One Extra-Low Dispersion Element
- Two Aspherical and Four HRI Elements
Pentax HD Pentax-D FA Macro 100mm f/2.8 ED AW (Black)
- K-Mount Lens/ Full-Frame Format
- Aperture Range: f/2.8-f/32
- Minimum Focus Distance: 5.1"
- ED and Anomalous Dispersion Elements
Sigma 24mm f/1.4 DG HSM Art Lens for Nikon F (Refurbished)
- Refurbished Products Have a Limited 90-Day Manufacturer Warranty
- F Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- FLD and Special Low Dispersion Elements
Venus Optics Laowa 12mm f/2.8 Zero-D Lens for Pentax K (Black)
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Three Extra-Low Dispersion Elements
- Two Aspherical Elements
Venus Optics Laowa 12mm f/2.8 Zero-D Lens for Nikon F (Black)
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Three Extra-Low Dispersion Elements
- Two Aspherical Elements
AstrHori 28mm f/13 Macro Probe Lens (Canon EF)
- Full-Frame | f/13 to f/40
- Unique Probe Design for Close-Up Work
- 2:1 Magnification
- Min. Focus: 1.6'; Working Distance: 0.3"
Nikon AF-S NIKKOR 24-120mm f/4G ED VR Lens
- F-Mount Lens/FX Format
- Aperture Range: f/4 to f/22
- Three Aspherical and Two ED Elements
- Nano Crystal & Super Integrated Coatings
Venus Optics Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO Lens (Canon EF)
- Full-Frame | f/2.8 to f/11
- 1:1 to 5:1 Magnification
- Fixed 1.6" Working Distance
- Internal Parfocal Zoom
Venus Optics Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens (Nikon F)
- Full-Frame | f/1.7 to f/5.6
- 5:1 to 10:1 Magnification
- Fixed 0.9" Working Distance
- Internal Parfocal Zoom
Venus Optics Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens (Canon EF)
- Full-Frame | f/1.7 to f/5.6
- 5:1 to 10:1 Magnification
- Fixed 0.9" Working Distance
- Internal Parfocal Zoom
Nikon AF Fisheye-NIKKOR 16mm f/2.8D Lens
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Super Integrated Coating
- 180° Angle of View
Pentax HD Pentax-FA 77mm f/1.8 Limited (Silver)
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/22
- High-Grade PENTAX HD Multi-Layer Coating
- 7 Elements in 6 Groups
Venus Optics Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens with Coaxial Illumination (Nikon F)
- Full-Frame | f/1.7 to f/5.6
- 5:1 to 10:1 Magnification
- Fixed 0.9" Working Distance
- Coaxial Lighting Improves Detail
Venus Optics Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens with Coaxial Illumination (Canon EF)
- Full-Frame | f/1.7 to f/5.6
- 5:1 to 10:1 Magnification
- Fixed 0.9" Working Distance
- Coaxial Lighting Improves Detail
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


