Nikon PC-E NIKKOR 24mm f/3.5D ED Tilt-Shift Lens
- F-Mount Lens/FX Format
- Aperture Range: f/3.5 to f/32
- Three ED and Three Aspherical Elements
- Nano Crystal & Super Integrated Coatings
Canon TS-E 50mm f/2.8L Macro Tilt-Shift Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Two UD Elements, One Aspherical Element
- Air Sphere and Subwavelength Coatings
Yongnuo YN 50mm f/1.8 II Lens for Canon EF (White)
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/22
- Multi-Coated Lens Elements
- Autofocus with AF/MF Switch
Mitakon Zhongyi 20mm f/2 4.5x Super Macro Lens for Nikon F
- Nikon F Mount/FX-Format
- Aperture Range: f/2 to f/16
- Magnification Range: 4.5x to 4x
- Minimum Working Distance: 0.8"
7Artisans 7.5mm f/3.5 Fisheye Lens (Nikon F)
- APS-C | f/3.5-22
- 12mm (35mm Equivalent)
- Multi-Layer Lens Coating
- 205° Angle of View
Meike 85mm f/1.8 SE Mark II Lens (Canon EF)
- Full-Frame | f/1.8 to f/16
- Fast Aperture Portrait-Length Prime
- Autofocus Design
- STM Stepping Motor
Rokinon 14mm f/2.8 IF ED UMC Lens For Nikon with AE Chip
- Ultra Wide-Angle 14mm Lens
- Compatible w/ Full Frame & APS-C Cameras
- Hybrid Aspherical Lenses -- Sharp Images
- Multi-Layer Coating to Reduce Flare
Rokinon 85mm f/1.4 AS IF UMC Lens for Nikon F with AE Chip
- Nikon F Mount Lens/FX Format
- Aperture Range: f/1.4 to f/22
- One Hybrid Aspherical Element
- Ultra Multi-Coating
Samyang 14mm f/2.8 ED AS IF UMC Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Two Aspherical Elements, Two ED Elements
- Three High Refractive Index Elements
Tokina SZX 400mm f/8 Reflex MF Lens for Nikon F
- F-Mount Lens/DX Format
- Catadioptric Telephoto Lens
- Fixed Aperture: f/8
- Manual Focus
TTArtisan 100mm f/2.8 Macro Lens (Nikon F)
- Full-Frame | f/2.8 to f/22
- Telephoto Prime Lens
- 2x Magnification Factor
- Manual Focus Design
NiSi 250mm f/5.6 Reflex Lens (Canon EF)
- Full-Frame | Fixed f/5.6 Aperture
- Manual Focus Design
- Pleasing Donut-Shaped Bokeh
- Multi-Coating for Reduced Aberration
IRIX 11mm f/4 Firefly Lens for Pentax K
- Pentax K-Mount/Full-Frame Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
Kase 200mm f/5.6 MC Reflex Mirror Lens (Canon EF)
- Full-Frame | f/5.6 Fixed Aperture
- Manual Focus
- Multicoated Optical Glass
- Pleasing Donut-Shaped Bokeh
TTArtisan 500mm f/6.3 Lens (Nikon F)
- Full-Frame | f/6.3 to f/32
- Manual Focus Design
- Full Metal Body
- Large Focus Gear Ring
Rokinon 14mm f/2.8 Series II Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Three HR Elements, Two ED Elements
- Aspherical & Hybrid Aspherical Elements
Samyang 16mm f/2.0 ED AS UMC CS Lens for Nikon
- Nikon F Mount Lens
- For DSLRs with APS-C Sized Image Format
- Aperture Range: f/2.0-22
- 24mm Equivalency in 35mm Format
IRIX 11mm f/4 Firefly Lens for Canon EF
- Canon EF-Mount/Full-Frame Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
IRIX 11mm f/4 Firefly Lens for Nikon F
- Nikon F-Mount/FX Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
Tokina SZ SUPER TELE 500mm F/8 Reflex Lens (T-Mount)
- T-Mount / Full Frame Format
- Fixed Aperture: f/8
- Catadioptric Telephoto Lens
- Manual Focus
Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/0.95 to f/16
- One Extra-Low Dispersion Element
- Manual Focus Design
Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra Macro Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/16
- One Extra-Low Dispersion Element
- 2.5:1 to 5:1 Magnification
Tokina SZ SUPER TELE 500mm F/8 Reflex Lens (Nikon F-Mount)
- Nikon F-Mount / Full Frame Format
- Fixed Aperture: f/8
- Catadioptric Telephoto Lens
- Manual Focus
Rokinon 135mm f/2.0 ED UMC Lens (Pentax K)
- Pentax K Mount Lens/Full Frame
- 202.5mm (35mm Equivalent)
- Aperture Range: f/2.0 to f/22
- One Extra-Low Dispersion Element
Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Sony A-Mount
- A-Mount Lens/APS-C Format
- 90mm (35mm Equiv. on APS-C Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Pentax HD Pentax-FA 35mm f/2 Lens
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- One Aspherical Element
- HD and SP Coatings
Pentax SMC PENTAX-FA 50mm f/1.4 Classic Lens
- Full-Frame | f/1.4 to f/22
- Fast Normal-Length Prime
- Old-School Retro Design
- Compact and Portable Form Factor
IRIX 11mm f/4 Blackstone Lens for Nikon F
- Nikon F-Mount/FX Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


