Samyang 16mm f/2.0 ED AS UMC CS Lens for Canon
- Canon EF-S Mount Lens
- For DSLRs with APS-C Sized Image Format
- Aperture Range: f/2.0-22
- 25.6mm Equivalency in 35mm Format
Samyang 35mm f/1.4 AS UMC Lens for Nikon F (AE Chip)
- Aperture Range: f/1.4 to f/22
- Compatible with Full-Frame and DX
- Hybrid Aspherical Lenses -- Sharp Images
- 52.5mm (35mm Equivalent on DX)
Rokinon 100mm f/2.8 Macro Lens for Pentax K
- K Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
Rokinon 20mm f/1.8 ED AS UMC Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/22
- Two Aspherical and Three ED Elements
- Ultra Multi-Coating
Rokinon 14mm f/2.8 IF ED UMC Lens For Canon EF with AE Chip
- Ultra Wide-Angle 14mm Lens
- Compatible w/ Full Frame & APS-C Cameras
- Hybrid Aspherical Lenses -- Sharp Images
- Multi-Layer Coating to Reduce Flare
Samyang 50mm f/1.4 AS UMC Lens for Canon EF
- Canon EF Mount/Full Frame Format
- Aperture Range: f/1.4 to 22
- One Hybrid and One Aspherical Element
- Ultra Multi-Coating Lens Coat
Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Pentax K-Mount
- K-Mount Lens/APS-C Format
- 90mm (35mm Equiv. on APS-C Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Venus Optics Laowa 60mm f/2.8 2X Ultra-Macro Lens for Sony A-Mount
- A-Mount Lens/APS-C Format
- 90mm (35mm Equiv. on APS-C Format)
- Aperture Range: f/2.8 to f/22
- Magnification Range: 2.0x to 0.1x
Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra Macro Lens for Pentax K
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/16
- One Extra-Low Dispersion Element
- 2.5:1 to 5:1 Magnification
Rokinon 14mm f/2.8 Series II Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Three HR Elements, Two ED Elements
- Aspherical & Hybrid Aspherical Elements
Samyang MF 85mm f/1.4 WS Mk2 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to 22
- One Hybrid Aspherical Element
- Ultra Multi-Coating
Mitakon Zhongyi Speedmaster 50mm f/0.95 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/0.95 to f/16
- One Extra-Low Dispersion Element
- Manual Focus Design
Samyang 135mm f/2.0 ED UMC Lens for Pentax K Mount
- K Mount Lens/Full Frame Format
- 202.5mm (35mm Equivalent on APS-C)
- Aperture Range: f/2.0 to 22
- One Extra-Low Dispersion Element
NiSi 250mm f/5.6 Reflex Lens (Nikon F)
- Full-Frame | Fixed f/5.6 Aperture
- Manual Focus Design
- Pleasing Donut-Shaped Bokeh
- Multi-Coating for Reduced Aberration
Pentax HD Pentax-FA 35mm f/2 Lens
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/2 to f/22
- One Aspherical Element
- HD and SP Coatings
Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR Lens with Cleaning Cloth Kit
- F-Mount Lens/DX Format
- 27-157.5mm (35mm Equivalent)
- Aperture Range: f/3.5 to f/22
- One Aspherical Element, One ED Element
Lensbaby Velvet 28mm f/2.5 Lens for Nikon F (Black)
- F-Mount Lens/FX Format
- Aperture Range: f/2.5 to f/22
- 1:2 Magnification, 2" Working Distance
- Soft Glowing Effect at Wide Apertures
Lensbaby Velvet 28mm f/2.5 Lens for Canon EF (Black)
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.5 to f/22
- 1:2 Magnification, 2" Working Distance
- Soft Glowing Effect at Wide Apertures
Sigma 30mm f/1.4 DC HSM Art Lens for Nikon F
- F-Mount Lens/DX Format
- 45mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- One Aspherical Element
IRIX 11mm f/4 Blackstone Lens for Nikon F
- Nikon F-Mount/FX Format
- Aperture Range: f/4 to f/22
- Three Aspherical Elements
- Two ED and Four HR Elements
IRIX 45mm f/1.4 Lens for Nikon F
- Full Frame Format | f/1.4 to f/22
- Manual Focus Design with Focus Lock
- One Aspherical Element, Four HR Elements
- One Extra-Low Dispersion Element
Mitakon Zhongyi 200mm f/4 1x Macro Lens (Canon EF)
- Full-Frame | f/4 to f/32
- Manual Focus Design
- Minimum Focusing Distance: 1.6'
- Apochromatic APO Design
IRIX 15mm f/2.4 Blackstone Lens for Pentax K
- Pentax K-Mount/Full-Frame Format
- Aperture Range: f/2.4 to f/22
- Two Aspherical Elements
- Two ED and Three HR Elements
Rokinon 100mm f/2.8 Macro Lens for Nikon F
- F Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
Rokinon 10mm f/2.8 ED AS NCS CS Lens for Pentax K Mount
- Pentax K Mount Lens
- Aperture Range: f/2.8 to f/22
- 15mm (35mm Equivalent)
- Designed for APS-C Sized Sensors
IRIX 150mm f/2.8 Macro 1:1 Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/32
- Neutrino Coating
- 1:1 Magnification, 1.1' Minimum Focus
Samyang 24mm f/1.4 ED AS UMC Wide-Angle Lens for Canon
- 24mm Wide-Angle Lens
- Aperture Range: f/1.4-22
- For APS-C & Full-Frame Image Formats
- Minimum Focusing Distance of 9.84"
Samyang 100mm f/2.8 ED UMC Macro Lens for Nikon F
- F Mount Lens/FX Format
- Aperture Range: f/2.8 to f/32
- One High Refractive Index Element
- One Extra-Low Dispersion Element
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


