Nikon AF-S NIKKOR 50mm f/1.4G Lens with Cleaning Cloth Kit
- F-Mount Lens/FX Format
- Aperture Range: f/1.4 to f/16
- Super Integrated Lens Coating
- Silent Wave Motor AF System
Bower 16mm f/2.0 ED AS UMC CS Lens for Four Thirds Mount
- Four Thirds Mount Lens
- For Four Thirds Sized Image Format
- Aperture Range: f/2.0-22
- 32mm Equivalency in 35mm Format
Bower 16mm f/2.0 ED AS UMC CS Lens for Sony Alpha Mount
- Sony Alpha Mount Lens
- For APS-C Sized Image Format
- Aperture Range: f/2.0-22
- 24mm Equivalency in 35mm Format
Samyang 24mm f/1.4 ED AS UMC Wide-Angle Lens for Nikon
- 24mm Wide-Angle Lens
- Aperture Range: f/1.4-22
- For APS-C & Full-Frame Image Formats
- Minimum Focusing Distance of 9.84"
Venus Optics Laowa 105mm f/2 Smooth Trans Focus Lens for Pentax K
- Pentax K-Mount Lens/Full-Frame Format
- Aperture Range: f/2 (T3.2) to f/22
- One Apodization Element for Smooth Bokeh
- Three Low Dispersion Elements
Pentax HD PENTAX-D FA 28-105mm f/3.5-5.6 ED DC WR Lens
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5-5.6 to f/22-32
- ED Glass Elements
- Super Protect & HD Multi-Layer Coatings
Pentax HD Pentax DA 35mm f/2.8 Macro Limited Lens (Black)
- Pentax K Mount
- 53.5mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- Macro 1:1 Maximum Magnification Ratio
Pentax HD Pentax DA 21mm f/3.2 AL Limited Lens (Black)
- Pentax K Mount
- 31.5mm (35mm Equivalent)
- Aperture Range: f/3.2 to f/22
- Compact Pancake-Style Design
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens (Leica R)
- Full-Frame | f/3.5 to f/22
- Produces 3D-Like Effect
- Manual Focus Design
- Coated Schott and Ohara Optical Glass
Mitakon Zhongyi Speedmaster 85mm f/1.2 Lens for Pentax K
- Pentax K Mount/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- Two Extra-Low Dispersion Elements
- Four High Refractive Index Elements
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Leica R
Samyang 35mm f/1.4 AS UMC Lens for Canon EF (AE Chip)
- Aperture Range: f/1.4 to f/22
- Compatible with Full-Frame and APS-C
- Hybrid Aspherical Lenses -- Sharp Images
- 56mm (35mm Equivalent on APS-C)
Canon EF 85mm f/1.8 USM Lens
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.8 to f/22
- Super Spectra Coating
- Ring-Type Ultrasonic Motor AF System
Rokinon 85mm f/1.4 AF Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/1.4 to f/16
- One Hybrid Aspherical Element
- Ultra Multi-Coating
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Pentax K
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Revised Triplet Optical Design
- Coated Schott Optical Glass
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Revised Triplet Optical Design
- Coated Schott Optical Glass
Meyer-Optik Gorlitz Trioplan 50mm f/2.8 II Lens for M42
- M42 Screw Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Revised Triplet Optical Design
- Coated Schott Optical Glass
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens for Pentax K
- K-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5 to f/22
- Coated Schott and O'Hara Optical Glass
- Manual Focus Design
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/3.5 to f/22
- Coated Schott and O'Hara Optical Glass
- Manual Focus Design
Meyer-Optik Gorlitz Lydith 30mm f/3.5 II Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/3.5 to f/22
- Coated Schott and O'Hara Optical Glass
- Manual Focus Design
Samyang 14mm f/2.8 ED AS IF UMC Lens for Canon EF with AE Chip
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Two Aspherical Elements, Two ED Elements
- Three High Refractive Index Elements
Rokinon AF 14mm f/2.8 Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- One Extra-Low Dispersion Element
- Two Aspherical and Four HRI Elements
Venus Optics Laowa 14mm f/4 Zero-D Lens for Nikon F
- F-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Aspherical Elements
- Two Extra-Low Dispersion Elements
Venus Optics Laowa 14mm f/4 Zero-D Lens for Canon EF
- EF-Mount Lens/Full-Frame Format
- Aperture Range: f/4 to f/22
- Two Aspherical Elements
- Two Extra-Low Dispersion Elements
Mitakon Zhongyi Speedmaster 85mm f/1.2 Lens for Nikon F
- Nikon F Mount/FX Format
- Aperture Range: f/1.2 to f/16
- Two Extra-Low Dispersion Elements
- Four High Refractive Index Elements
Mitakon Zhongyi Speedmaster 85mm f/1.2 Lens for Canon EF
- Canon EF Mount/Full-Frame Format
- Aperture Range: f/1.2 to f/16
- Two Extra-Low Dispersion Elements
- Four High Refractive Index Elements
Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO Lens for Nikon F
- F-Mount Lens/FX Format
- Aperture Range: f/2.8 to f/22
- Two Low Dispersion Elements
- Maximum Magnification: 2:1
Samyang 10mm f/2.8 ED AS NCS CS Lens (Nikon F Mount)
- Nikon F Mount Lens
- Aperture Range: f/2.8 to f/22
- 15mm (35mm Equivalent)
- Designed for APS-C-Sized Sensors
The Importance of a Good Camera Lens
A good camera lens has a major impact on the quality of your photos. It gives even the most basic cameras the ability of producing great images. There are several important components to consider when shopping for a lens, including zoom capability, aperture size, focal length, quality of the glass, and more. If you’re still exclusively using the lens that came with your camera and want to improve your photography, it may be time to find out what other lenses can do for you.
Which lens is right for me?
It depends on what you’re shooting. Some common types of photography include panoramas, skyscapes, interiors, landscapes, candid family shots, portraits, sports and action, wildlife, and the night sky. Different subjects require different lenses. One important aspect to consider is focal length, which is the path the light travels on the way to your camera’s sensor. Generally speaking, big, wide scenes require lenses with shorter focal lengths, while more distant subjects require longer focal lengths. A zoom lens will allow you to use a single lens at a variety of focal lengths.
Here are various applications, and the lenses most ideally suited for them. Note that these examples use the focal length marked on the lens itself, or 35mm-equivalent. For some cameras – such as APS-C or m4/3 – you may need to apply a crop factor (see this Explora article for more information):
- For ultra-wide scenes, waterscapes, and skyscapes—a fisheye or ultra-wide angle lens with a focal length range between 8mm – 24mm
- For interiors, architecture, and general landscapes—a standard wide angle lens with a focal length range between 24mm – 35mm
- For environmental or full-length portraits, street photography, and travel—a standard lens with a focal length range between 35mm – 85mm (50mm is the most common)
- For portraits and candid shooting—a short telephoto lens with a focal length range between 85mm – 135mm
- For close sports and action—a medium telephoto lens with a focal length range between 135mm – 300mm
- For wildlife and more distant sports—a super telephoto lens with a focal length above 300mm
It’s not uncommon for versatile photographers to own multiple lenses. Check out Explora’s Purchasing Your Next Lens article for more information.


