Rokinon 100mm T3.1 Macro Cine DS Lens for Micro Four Thirds Mount
- 100mm Lens
- Covers Four-Thirds Format
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (L-Mount, Neutral Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Neutral Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Jupiter 100mm T2.8 Full-Frame Macro 1.5:1 Cine Lens (Canon EF)
- Covers Full-Frame Format
- T2.8 to T22 Aperture Range
- 12 Iris Blades
- 92mm Filter Thread
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (FUJIFILM X, Neutral Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Sirui Night Walker T1.2 S35 Cine 2-Lens Set (Canon RF, Black)
- 16 and 75mm Lens Set
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8-MOD Gearing, 270° Focus Rotation
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (Micro Four Thirds-Mount, Gunmetal Gray)
- 24, 35, and 55mm Lens Set
- Covers Super 35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
Sirui VP-1 Vision Prime 35mm T1.4 Full-Frame Cine Lens (Multi-Mount, Black)
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Maximum Aperture
- Native E Mount; L, Z, and RF Adapters
- 12-Blade Aperture Delivers Smooth Bokeh
Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens (Multi-Mount, Black)
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Maximum Aperture
- Native E Mount; L, Z, and RF Adapters
- 12-Blade Aperture Delivers Smooth Bokeh
DZOFilm VESPID 75mm T2.1 Lens (PL & EF Mounts)
- Covers Full-Frame Sensors
- T2.1 to T22 Aperture Range
- 80mm Front Diameter
- 16-Blade Iris
Sirui Night Walker T1.2 S35 Cine 3-Lens Set (RF-Mount, Black)
- 24, 35, and 55mm Lens Set
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- Compact, Lightweight Design
Thypoch Simera-C 28mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
Sirui Astra Series T1.8 1.33x 50mm Full-Frame Anamorphic Lens (L-Mount, Neutral Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
Sirui Astra Series T.18 1.33x 50mm Full-Frame Anamorphic Lens (Sony E, Blue Flares)
- Covers Full Frame | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- 2.4:1 Aspect Ratio, No Cropping
DZOFilm VESPID 16mm T2.8 Cine Lens (ARRI PL, Canon EF)
- Covers Full-Frame Sensors | T2.8-22
- 16-Blade Iris, Smooth Bokeh
- 0.8 MOD Gears | 270° Focus Rotation
- 80mm Front Diameter
Sirui Saturn T2.9 1.6x Carbon Fiber Full-Frame Anamorphic 3-Lens Set (Sony E, Blue Flare)
- 35, 50, and 75mm T2.9 Anamorphic Lenses
- Covers Full-Frame Sensors
- 1.6x Squeeze Ratio, Blue Flares
- Lightweight Carbon Fiber Build
DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF)
- 12mm Lens Covers Full-Frame Sensors
- 10-Blade Iris, T2.8-22 Aperture
- 270° Focus Rotation
- 80mm Front Diameter
Venus Optics Laowa 24mm f/14 Probe Lens (Sony E, Cine-Mod Version)
- Full-Frame | f/14 to f/40
- Focus and Aperture Gears for Cine Use
- Unique Probe Design for Close-Up Work
- 2:1 to Infinity Magnification
BLAZAR LENS MANTIS 25mm T2.4 1.33x Anamorphic Lens (ARRI PL)
- Covers Full Frame | T2.4 to T22 Aperture
- 1.33x Anamorphic Squeeze for Wide FOV
- 14-Blade Iris | Signature Oval Bokeh
- Cinematic Visual Character and Depth
Venus Optics Laowa MFT Cine Prime 3-Lens Wide + Macro Bundle
- 10 and 17mm Wide; 50mm Macro
- For MFT-Sized Sensors
- Manual Focus and Iris; 0.8 MOD Rings
- Single 3-Lens Hard Case
DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colors
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colors
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
Venus Optics LAOWA Pro2be 24mm T8 2x Probe Lens (Direct View, ARRI PL)
- Covers Full Frame Format
- Straight Probe Lens
- T8 to T40 Aperture Range
- 20" Lens Barrel
DZOFilm X-Tract 18-28mm T8 FF Probe Zoom Macro Lens (90°, ARRI PL, Meters)
- Full Frame | T8 Maximum Aperture
- Innovative 90° Probe Zoom
- 0.8 MOD FIZ Gears, 300° Focus Rotation
- 2.1:1 Image Magnification, Macro Views
DZOFilm Arles Zoom 65-180mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
- Covers Full Frame | T2.6 Max Aperture
- Painterly Look with Rich Natural Colors
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
Sony FE PZ 28-135mm f/4 G OSS Lens Kit with Chiaro 95mm UV Filter
- FE PZ 28-135mm f/4 G OSS Lens
- Chiaro 95mm 99-UVBTS Brass UV Filter
- E-Mount Lens / Full-Frame Format
- Scratch-Resistant, Schott Glass Filter
Sigma 28-105mm T3 FF Cine Zoom Lens with AF (Sony E, Feet)
- Full-Frame Cine Lens with T3-22 Aperture
- 28-105mm Zoom Range
- Autofocus and Manual via Switch
- 15.7" Minimum Focus Distance
DZOFilm Catta Ace FF 18-35/35-80/70-135mm T2.9 Cine 3-Lens Bundle (PL/EF, Black)
- Catta Ace 18-35mm PL-Mount Zoom Lens
- Catta Ace 35-80mm PL-Mount Zoom Lens
- Catta Ace 70-135mm PL-Mount Zoom Lens
- EF-Mount Bayonet Kit
Cooke SP3 75mm T2.4 Full-Frame Prime Lens (Sony E, Feet/Meters)
- Covers Full-Frame Sensors, T2.4 Aperture
- User-Changeable Mounts
- Matches Cooke Panchro/i Classic Lenses
- Produces the Classic Cooke Look
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


