DZOFilm Vespid2 18mm T1.9 Prime Lens (ARRI PL, Feet)
- Full Frame/VV | T1.9 to T22 Aperture
- Aspherical Element, Reduced Aberrations
- 0.8 MOD Gears, 300° Focus Rotation
- Cooke /i Technology Metadata
DZOFilm Arcana 75mm Anamorphic Prime Lens (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
- 0.8 MOD Gears / 270° Focus Rotation
DZOFilm Arcana 45mm Anamorphic Prime Lens (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
- 0.8 MOD Gears / 270° Focus Rotation
DZOFilm Arcana 32mm Anamorphic Prime Lens (ARRI PL, Titanium)
- Full Frame | T2.1-T16 Aperture Range
- Neutral Flare, Dramatic Oval Bokeh
- 1.5x Anamorphic Squeeze
- 0.8 MOD Gears / 270° Focus Rotation
Venus Optics Laowa 12mm T2.9 Zero-D Cine Lens (PL Mount)
- PL Mount Lens, T2.9 to T22 Aperture
- 122° Angle of View, Low Distortion
- Covers Full Frame/VistaVision/ALEXA LF
- 7" Close Focus, 0.8 MOD Cine Gears
Nikon NIKKOR Z 28-135mm f/4 PZ Lens (Nikon Z)
- Full Frame | f/4 to f/22
- Wide to Tele Power Zoom
- Stepping Motor AF System
- Power Zoom Functionality
Rokinon 14mm T3.1 Cine DS Lens for Sony E-Mount
- Ultra-Wide-Angle 14mm Lens
- Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Thypoch Simera-C 35mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- 210° Focus Throw
Thypoch Simera-C 21mm T1.5 Cine Lens (Sony E)
- Full Frame | T1.5 to T16
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- Aspherical, LD & HR Lens Elements
Thypoch Simera-C 21mm T1.5 Cine Lens (Leica M)
- Full Frame | T1.5 to T16 Aperture Range
- Excellent Low-Light Performance
- 2.64" Front Outside Diameter
- 16-Blade Iris for Circular Bokeh
DZOFilm DZO 10-24mm T2.9 MFT Parfocal Cine Lens
- Maintains Focus Throughout Zoom Range
- Near-Zero Breathing
- 12-Blade Iris
- 19.7" Minimum Focus Distance
Sirui Anamorphic 1.33x MFT Mount Lens Kit (24, 35, and 50mm)
- Set of 24, 35 & 50mm Anamorphic Lenses
- MFT Mount Lenses, Schott Optical Glass
- Covers Micro Four Thirds/APS-C Sensors
- 35/50mm f/1.8 & 24mm f/2.8 Aperture
Thypoch Simera-C 16mm T1.9 Cine Lens (Sony E)
- Full Frame | T1.9 Aperture
- Excellent Low-Light Performance
- 16-Blade Diaphragm
- Aspherical, LD & HR Lens Elements
Rokinon 24, 35, 50, 85mm T1.5 Cine DS Lens Bundle for Canon EF Mount
- 24, 35, 50, 85mm Cine-Style Lenses
- Canon EF Mount
- Covers Full-Frame Sensors
- T1.5 to T22 Exposure Range
Sirui VP-1 Vision Prime T1.4 Full-Frame Cine 3-Lens Kit (Multi-Mount, Metal Gray)
- 24, 35, and 50mm VP-1 Lens Kit
- 46mm Image Circle for Full-Frame Sensors
- Ultrafast T1.4 Aperture | Smooth Bokeh
- Native E Mount; L, Z, and RF Adapters
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colors
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
DZOFilm Catta Ace FF 35-80 & 70-135mm T2.9 Zoom Lens Bundle (PL/EF, Black)
- Catta Ace Full Frame 35-80mm Zoom Lens
- Catta Ace Full Frame 70-135mm Zoom Lens
- PL Mounts Installed, EF Mounts Included
- Front/Rear Caps, Shim Set
Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens (EF Mount)
- Covers Super35 & APS-C Formats
- EF Mount
- T4.4 Constant Maximum Aperture
- 9-Blade Iris
7Artisans 12mm T2.9 Vision Cine Lens (MFT Mount)
- For APS-C Sensors, Mirrorless Only
- T2.9 to T16 Aperture
- 89mm Front Diameter
- 9-Blade Iris
7Artisans 50mm T2.0 Spectrum Prime Cine Lens (L Mount)
- Covers Full-Frame Sensor
- T2.0 Maximum Aperture
- 82mm Filter Thread
- 12 Iris Blades
Sirui Night Walker 35mm T1.2 S35 Cine Lens (Micro Four Thirds-Mount, Black)
- Covers Super35/APS-C Sensors
- Ultrafast T1.2 Maximum Aperture
- 32mm Image Circle
- Compact, Lightweight Design
Sirui 24mm f/2.8 Super35 Anamorphic 1.33x Lens (RF Mount)
- Covers Super35/APS-C Sensors
- f/2.8 to f/16 Aperture Range
- 74mm Maximum Diameter
- 13 Elements in 10 Groups
Sirui 50mm f/1.8 Anamorphic 1.33x Lens (FUJIFILM X)
- Robust Aluminum Lens for APS-C Cameras
- 2.4:1 De-Squeezed Format; 10-Blade Iris
- Schott Glass with Nano Coatings
- Horizontal Blue Streaks/Less Stray Light
Sirui 50mm f/1.8 Anamorphic 1.33x Lens (Sony E-Mount)
- Robust Aluminum Lens for APS-C Cameras
- 2.4:1 De-Squeezed Format; 10-Blade Iris
- Schott Glass with Nano Coatings
- Horizontal Blue Streaks/Less Stray Light
7Artisans Spectrum 14mm T2.9 Prime Cine Lens (L-Mount)
- Covers Full-Frame Sensors | T2.9-T16
- Consistent Look, Minimal Breathing
- Cine-Style 0.8 MOD Focus and Iris Gears
- 10 Iris Blades, 82mm Filter Thread
Meike 35mm T2.2 Manual Focus Cinema Lens (MFT Mount)
- MFT Mount Cinema Lens
- Aperture Range: T2.2 to T22
- Multilayer Coating
- Manual Focus Design
Rokinon 35mm T1.5 Cine DS Lens for Canon EF Mount
- 35mm Lens, T1.5
- Covers Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Sirui Saturn 50mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (Canon RF, Neutral Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Neutral Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


