Sirui 135mm T2.9 1.8x Full-Frame Anamorphic Lens (E-Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 3.2:1 De-Squeezed 16:9 Aspect Ratio
- Blue Streak Effects, Compact Design
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (DL Mount, Neutral Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Neutral Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Sirui Saturn 35mm T2.9 1.6x Carbon Fiber Full-Frame Anamorphic Lens (DL Mount, Blue Flare)
- Covers Full-Frame Sensors
- Aperture Range: T2.9 to T16
- Blue Streak Effects, Oval Bokeh
- Lightweight, Carbon Fiber Barrel
Rokinon 50mm T1.3 Compact High-Speed Cine Lens for Micro Four Thirds
- 50mm Lens
- 24.5° AOV, Four Thirds Format
- Multi-Layer Coating to Reduce Flare
- Aspheric Elements
Rokinon 14mm T3.1 DSX Ultra Wide-Angle Cine Lens (Nikon F Mount)
- Full-Frame 14mm Cine Lens, T3.1 Aperture
- 9-Blade Iris, Nikon F Mount
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 50mm T1.5 DSX High-Speed Cine Lens (MFT Mount)
- MFT 50mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, MFT Mount
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Viltrox S 20mm T2.0 Cine Lens (E Mount)
- Sony E-Mount Cine Lens/Full-Frame Format
- Aperture Range: T2.0 to f/16
- Manual Focus Design, Cine-Style Gears
- HD Nano Multilayer Coating
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens (Z Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- Blue Streak Effects, Compact Design
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens (L Mount)
- Covers Full-Frame Sensor
- Aperture Range: T2.9 to T16
- 2.8:1 De-Squeezed 16:9 Aspect Ratio
- Blue Streak Effects, Compact Design
Rokinon 10mm T3.1 Cine Lens for Nikon F Mount
- Covers APS-C Sized Sensors
- 15mm (35mm Equivalent)
- Aperture Range: T3.1 to T22
- Geared Focus and Aperture Control Rings
Rokinon 14mm T3.1 Cine DS Lens for Nikon F Mount
- Ultra-Wide-Angle 14mm Lens
- Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 35mm T1.5 Cine DS Lens for Nikon F Mount
- 35mm Lens, T1.5
- Covers Full-Frame
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 50mm T1.5 AS UMC Cine DS Lens for Micro Four Thirds
- Micro Four Thirds Format Lens
- 100mm (35mm Equivalent on MFT)
- Aperture Range: T1.5 - T22
- One Aspherical, One Hybrid Asph. Element
Rokinon 135mm T2.2 Cine DS Lens for Micro Four Thirds Mount
- 135mm Lens
- Covers Four-Thirds Format
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Samyang 35mm T1.5 VDSLR MK2 Cine Lens (RF Mount)
- Full-Frame 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 135mm T2.2 DSX High-Speed Cine Lens (Canon RF)
- Full Frame 135mm T2.2 Cine Lens
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 135mm T2.2 DSX High-Speed Cine Lens (F Mount)
- Full-Frame 135mm T2.2 Cine Lens
- Weather Sealed, 9-Blade Iris, Nikon F
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Samyang 16mm T2.2 Cine Lens for Nikon F
- Covers APS-C Sized Sensors
- Standard Gearing for Focus and Iris
- De-Clicked Aperture Ring
- Aspherical Lens Elements
Rokinon 24mm T1.5 Cine DS Lens for Micro Four Thirds Mount
- 24mm Lens
- 47.6° FOV, Four Thirds Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon 24mm T1.5 Cine DS Lens for Sony E-Mount
- 24mm Lens
- 84.1° FOV, Full-Frame Coverage
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Rokinon Cine AF 100mm T2.3 FE Lens (E-Mount)
- 100mm T2.3 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
Rokinon 135mm T2.2 DSX High-Speed Cine Lens (Sony E)
- Full-Frame 135mm T2.2 Cine Lens
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Samyang 12mm T3.1 VDSLR Cine Fisheye Lens for Pentax K Mount
- Pentax K Mount Lens/ Full-Frame Format
- Aperture Range: T3.1 to 22
- Three Extra Low Dispersion Elements
- Two Aspherical Elements
Samyang 12mm T3.1 VDSLR Cine Fisheye Lens for Nikon F Mount
- Nikon F Mount Lens/ Full-Frame Format
- Aperture Range: T3.1 to 22
- Three Extra Low Dispersion Elements
- Two Aspherical Elements
Rokinon 35mm T1.5 DSX High-Speed Cine Lens (RF Mount)
- Full-Frame 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 35mm T1.5 DSX High-Speed Cine Lens (E Mount)
- Full-Frame 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 35mm T1.5 DSX High-Speed Cine Lens (MFT Mount)
- MFT 35mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, MFT Mount
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Venus Optics Laowa Zero-D Cine Lens 10mm T2.1 (MFT, Feet/Meters)
- For MFT Sensors
- T2.1 to T22 Aperture
- 56mm Front diameter
- 5-Blade Iris
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


