Venus Optics Laowa Cine APO 50mm T2.9 Macro Lens (MFT, Feet/Meters)
- For MFT Sensors
- T2.9 to T22 Aperture
- 58mm Front diameter
- 7-Blade Iris
Rokinon 16mm T2.2 Cine DS Lens for Nikon F Mount for APS-C
- 16mm Lens
- APS-C Sized Sensors
- Multi-Layer Coating to Reduce Flare
- Standard Gearing for Focus and Iris
Meike 75mm T2.1 Super35 Prime Cine Lens (EF Mount)
- Covers Super35 Sensors
- T2.1 Maximum Aperture
- Cine-Style 0.8 MOD Focus and Iris Gears
- 27.6" Minimum Focus Distance
Meike 50mm T2.1 Super 35 Cine Prime Lens (PL Mount)
- 50mm Lens Covers Super 35 Sensors
- Fast T2.1 Maximum Aperture
- Cine-Style 0.8 MOD Focus & Iris Gears
- Suitable for 6K Image Capture
Meike 50mm T2.1 Super 35 Cine Prime Lens (EF Mount)
- 50mm Lens Covers Super 35 Sensors
- Fast T2.1 Maximum Aperture
- Cine-Style 0.8 MOD Focus & Iris Gears
- Suitable for 6K Image Capture
Meike 35mm T2.1 Cine Lens (EF Mount)
- Covers Super35 Sensors
- Fast T2.1 Maximum Aperture
- Cine-Style 0.8 MOD Focus & Iris Gears
- 11-Blade Iris for Smooth Bokeh
Rokinon 24mm T1.5 DSX High-Speed Cine Lens (RF Mount)
- Full-Frame 24mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon RF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 24mm T1.5 DSX High-Speed Cine Lens (E Mount)
- Full-Frame 24mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Sony E
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Rokinon 24mm T1.5 DSX High-Speed Cine Lens (EF Mount)
- Full-Frame 24mm Cine Lens, T1.5 Aperture
- Weather Sealed, 9-Blade Iris, Canon EF
- Multilayer Coating to Reduce Flare
- Focal Lengths Visible on Both Sides
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens with 1.25x Anamorphic Adapter (Z Mount)
- 100mm T2.9 1.6x FF Anamorphic Lens
- 1.25x Anamorphic Adapter, 2x Total
- Covers Full-Frame Sensors
- Oval Bokeh, Blue Streak Effects
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens with 1.25x Anamorphic Adapter (RF Mount)
- 100mm T2.9 1.6x FF Anamorphic Lens
- 1.25x Anamorphic Adapter, 2x Total
- Covers Full-Frame Sensors
- Oval Bokeh, Blue Streak Effects
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens with 1.25x Anamorphic Adapter (L Mount)
- 100mm T2.9 1.6x FF Anamorphic Lens
- 1.25x Anamorphic Adapter, 2x Total
- Covers Full-Frame Sensors
- Oval Bokeh, Blue Streak Effects
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens with 1.25x Anamorphic Adapter (E Mount)
- 100mm T2.9 1.6x FF Anamorphic Lens
- 1.25x Anamorphic Adapter, 2x Total
- Covers Full-Frame Sensors
- Oval Bokeh, Blue Streak Effects
Samyang Cine V-AF 20mm T1.9 FE Lens (Sony E)
- 20mm T1.9 Cinema Lens with Autofocus
- Supports Sensors up to 8K
- Compact & Lightweight for Gimbals/Drones
- LED Tally Lamp on Front
Sirui Night Walker T1.2 S35 Cine 2-Lens Set (Leica L, Black)
- 16 and 75mm Lens Set
- Covers Super35/APS-C | T1.2-T16 Aperture
- High-Refractive Index Glass Elements
- 0.8 MOD Gearing, 270° Focus Rotation
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (FUJIFILM X, Neutral Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (FUJIFILM X, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (Micro Four Thirds, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Dulens APO Close-Focus Triassic Prime 90mm T2.8 Lens (ARRI PL)
- Covers Full-Frame Sensors | T2.8-T22
- 13.4" Close Focus, Apochromatic Design
- Cine-Style 0.8 MOD Focus & Iris Gears
- Coordinates with APO Mini Primes
Dulens APO Close-Focus Triassic Prime 50mm T2.8 Lens (ARRI PL)
- Covers Full-Frame Sensors | T2.8-T22
- 9.4" Close Focus, Apochromatic Design
- Cine-Style 0.8 MOD Focus & Iris Gears
- Coordinates with APO Mini Primes
Dulens APO Close-Focus Triassic Prime 35mm T2.8 Lens (ARRI PL)
- Covers Full-Frame Sensors | T2.8-T22
- 7.5" Close Focus, Apochromatic Design
- Cine-Style 0.8 MOD Focus & Iris Gears
- Coordinates with APO Mini Primes
Dulens APO Close-Focus Triassic Prime 25mm T2.8 Lens (ARRI PL)
- Covers Full-Frame Sensors | T2.8-T22
- 7.9" Close Focus, Apochromatic Design
- Cine-Style 0.8 MOD Focus & Iris Gears
- Coordinates with APO Mini Primes
Dulens APO Close-Focus Triassic Prime 120mm T2.8 Lens (ARRI PL)
- Covers Full-Frame Sensors | T2.8-T22
- 32.7" Close Focus, Apochromatic Design
- Cine-Style 0.8 MOD Focus & Iris Gears
- Coordinates with APO Mini Primes
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (Leica L, Neutral Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 40mm T1.8 1.33x S35 AF Anamorphic Lens (Leica L, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Leica L, Neutral Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Neutral Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Leica L, Blue Flares)
- Covers Super 35 | T1.8-T22 Aperture
- Selectable Manual and Autofocus
- Blue Streak Flares
- Creates 2.35:1 Aspect Ratio in 16:9
Sirui 20mm T1.8 1.33x S35 AF Anamorphic Lens (Nikon Z, Neutral Flares)
- 37mm Image Circle Covers S35 Sensors
- Creates 2.35:1 Aspect Ratio in 16:9
- Eye-Tracking Autofocus with STM Motor
- T1.8-T22 Aperture
Learning About Cinema Lenses
Cinema lenses record continuous motion and produce high-quality videos for filmmaking. From build quality to focal length, cine lenses come in different configurations. Therefore, it's important to understand their specific features in order to make the right buying decision. If you're a beginner filmmaker, consider used cine lenses.
Features of Cine Lenses
1. Accurate Focus Control
Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. The focus ring rotates past 270 degrees to give you a sufficient focus throw.
2. Beautiful Optical Quality
A cine lens offers exceptional image quality even in poor light. It also produces sharp images across the frame. With these lenses, you won't have to worry about chromatic aberrations, vignetting, and barrel distortion.
3. Internal Zoom Control
A cine lens gives you full control when zooming in and out without changing length because the focal distance adjusts internally. This offers great convenience when shooting, especially when the camera rig is on a stabilizer system.
4. Light and Aperture Control
A cine lens has iris rings that regulate the amount of light passing through the lens, allowing you to adjust aperture and exposure smoothly without any clicking.
Different Types of Cinema Lenses
Choose cine lenses according to your intended use. Zoom lenses are great if you're looking for something with adjustable focal length. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. Macro lenses allow you to film microscopic subjects in incredible detail.


