Search results for: cinematography basics
About 18 filtered results
by Mary Latvis · Posted
Virtual Production environments encompassing LED volumes are an exciting, revolutionary addition to the background capture techniques used in video and motion picture production. A successor to established techniques like green screen and front and rear projection, this latest technology means that your surroundings are limited only by your background content.
ROE Visual LED Panels in the Vancouver PXO & WFW Stage
What is Virtual Production?
In basic terms, Virtual Production uses digital cinematography, LED volumes, game engines, and
by John Foldi · Posted
The steady march of technological innovation has made it easier for individuals to achieve professional-quality results, and almost nowhere is that more apparent than with drone tracking. It's hard to overstate how much of a difference it makes to be able to film engaging and immersive tracking shots on your own, eliminating the complexity, cost, and crew that's traditionally needed. Most drones offer this feature today, which encompasses active tracking of moving objects to intelligent flight modes that focuses on static subjects. Keep
by M. Brett Smith · Posted
Choosing the best drone for your needs depends on several key factors, including the intended application, your skill level, budget, and more. To help you find the drone that best suits your needs, we've put together this comprehensive guide on what to look for when shopping for a drone.
What Are the Different Types of Drones?
Before diving into which drone is right for you, let's quickly recap the different types of
by Shawn C. Steiner · Posted
Taking to the skies to capture breathtaking footage has never been easier. Modern drones are not only incredible filmmaking tools they are also becoming more affordable and accessible. Filmmakers looking to take flight will want to find something that can capture cinematic imagery with ease. Fortunately, there are plenty of options available today. Whether you are a first-time content creator, professional filmmaker, or anywhere
by Stepan Andranikian · Posted
Imagine you're ready to start actualizing your lifelong cinema dreams, only to be dissuaded at the last second by the astonishing (and prohibitive) prices of expensive cinema camera gear. The hefty price tags on cinema camera equipment can be quite discouraging, and it's not uncommon for a lens to cost more than the camera itself, especially if we’re talking cinema glass. However, before you throw your dreams of snagging that Academy Award for Best
by Zack Young · Posted
For decades, classic three-point lighting has been the conventional approach to lighting most sit-down interviews in film and TV. While this type of lighting looks nice, it can feel stale at times. By mixing up the lights you use and how you place them, you can shake up your cinematography game and shoot visually dynamic interviews that keep viewers engaged. In this article we’ll explore three unique ways to light your interview subjects, so they pop
Posted
How much do you know about New York City’s 1982 Loft Law, which established a process for artists to obtain legal occupancy of the raw industrial spaces they inhabited, while also providing rent stabilization and protection from future eviction? Or the pigeon fanciers who were once a fixture across the rooftops of Brooklyn and remain valued as neighborhood sentinels?
Above photograph © Joshua Charow
If these poetic vestiges from Gotham’s storied past have you dreaming about the good old days, then you won’t want to miss our podcast with gen-Z
by M. Brett Smith · Posted
Cinematographer Oren Soffer sat down with B&H’s “Inside Digital Production” to discuss his work in Gareth Edwards’s sci-fi epic The Creator.
Brett Smith: So, one of the things that really surprised me about The Creator was that you reportedly used the
by Stepan Andranikian · Posted
So you just finished watching a great white shark feeding video and thought, “Wouldn’t it be awesome to be in the water with a camera to film this feast?” I'm right there with you, which is why today we’ll be diving into the world of underwater video creation, from the gear you’d need, to tips for getting the perfect action shot.
Before we get into it, I’d like to leave a little disclaimer: while venturing out into the vast and expansive deep blue is a riveting adventure, please practice caution and, if you’re not experienced in underwater
Posted
Photographer and cinematographer Jeff Berlin discusses how he learned to think like a filmmaker. Berlin breaks down the basics of creating cinematic content, goes over his techniques, and explains everything you need to know about cinematography.
0:00 - Introduction
1:43 - Jeff Berlin's work
7:25 - What Makes Film Cinematic?
13:32 - Breaking Down Director's Notes
15:55 - The Journey from Photo to Film
17:30 - The Best Camera for "The Mission"
23:09 - What is Dual-Base ISO?
26:14 - 180-Degree Shutter Rule: What is Shutter Angle?
28:40 - What
by Stepan Andranikian · Posted
The Sony VENICE 2 Cinema Camera has made waves in the global cinematography community with its exhaustive features, incredible specs, and impressive imaging capabilities. Borrowing many elements from the original VENICE, the VENICE 2 is a compact, pragmatic, and supercharged package. We are going to take a closer look at the VENICE 2, highlighting its many uses and how it can revolutionize one's workflow from pre- to post
by Mary Latvis · Posted
Live 8K cinema-quality streaming, live cinematic production, virtual production, VFX, and RAW R3D capture―all are now possible using the dedicated RED Connect Module from RED DIGITAL CINEMA for V-RAPTOR/XL cameras. Not only does the RED Connect Module enable simultaneous streaming and recording, but it does so at rates up to 8K 120 fps or 4K 240 fps. Multicamera users will appreciate the RED Connect Module’s ability to sync numerous cameras using genlock and timecode via PTP (SMPTE ST 2059-2) and a single-mode LC connection at rates up to 10
by Chris Elia · Posted
Drones have exploded in popularity over the past few years. No longer a niche interest or an expensive tool, these unmanned aerial vehicles have drastically improved in both quality and accessibility. Now both hobbyists and professionals have a wide range of inexpensive, portable drones to choose from. However, this can be a bit overwhelming—especially when every option seems to boast a "high-resolution camera" and advertises as "under 250 grams." This guide will help you narrow down the best mini drones.
Sub-250 gram drones—which we'll
by Jordan Gallant · Posted
Becoming a professional and efficient freelancer or cinematographer means optimizing your equipment workflow and investing in just the right tools to suit your skill set and needs. But choosing those tools becomes a tad overwhelming when you see all your options laid out in front of you, especially in the world of handheld shooting. When you’re out in the field, you need a reliable rig that’s going to hold your camera of choice and accessories intuitively. The
by Steven Gladstone · Posted
Day for night for color cinematography is an old shooting methodology that relies on a number of techniques regarding human perception, socially accepted convention, and technical qualities of film/sensors. There are a variety of reasons for shooting day for night, and understanding the whys and wherefores can help you create believable images.
Moonlight Is Blue
It isn’t really, any more than sunlight is blue. The reality is that moonlight is reflected sunlight, so why do people think moonlight is blue? Sunlight has a color temperature of