Search results for: film grain aesthetic
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by Luke Rollins · Posted
Despite film being “dead,” there’s still a surprising number of different and unique films to choose from in 2025, ranging from the classics from the major manufacturers to some more creative films from up and coming, smaller brands.
Here’s an overview of the current black and white films available right now.
Kodak
It’s hard not to start with mother Kodak in an article like this, with all of the history—the ups and downs—Kodak
by Luke Rollins · Posted
All the world’s a soundstage for today’s content creators. And yes, while you carry an effective production multitool in your pocket already (your smartphone), its shortcomings will eventually outweigh its convenience. The contemporary class of point-and-shoot cameras offers significant upgrades in sensor size, lens quality, video performance, and audio inputs, all within a (relatively) pocketable form factor. Wireless connectivity options ensure your content can be quickly posted on YouTube, TikTok, Instagram, and more.
We’ll briefly go over
by Bjorn Petersen · Posted
Nearly two years ago, Harman released their first color negative film: Phoenix 200. This character-rich film was known for its bold colors, strong grain, and distinct color and shadow rendering—along with a bit of uncertainty while shooting. While fun and spontaneous, it was a difficult film to control or necessarily rely on. Today, Harman has announced the second generation of this film: Phoenix II 200.
by Todd Vorenkamp · Posted
Raw vs. JPEG. The debate has persisted since the early days of digital photography. With modern digital technology, in-camera JPEG processing has never been better. Across brands, some photographers claim to have switched their workflow to JPEG exclusively, forgoing the advantages (and disadvantages) of shooting raw files. Others shoot raw + JPEG simultaneously to enjoy the benefits of both. Of course, many shoot only raw images. With a week in Ireland to focus on photography, I decided to dive deeper into the raw vs. JPEG option and see if it
by Steven Gladstone · Posted
It might seem easy these days to go shoot on a beach. I mean, you could just throw an action camera into a protective case and all is good. Perhaps that works—for some shoots.
And if that is all you need, then more power to you. However, I’ve done a few shoots on beaches, and my experience is that the beach can be one of the most difficult environments in which to shoot. From getting the look you want, to protecting your gear from sand and salt spray, a little bit of planning can make a huge difference.
The Look of Your Shoot
On a sunny day
by Bjorn Petersen · Posted
Kodak announced Ektachrome E100's triumphant return to production a few years ago, and, for the past couple of years, the film has been available for 35mm and Super 8 shooters. Finally, at the end of 2019,
by Jill Waterman · Posted
The bright lights and lively bustle of the city at night is especially captivating to photographers, who have long sought to capture this rich spectrum of color, contrast, and motion in images. Yet there is more to consider in the world after dark than just a snapshot approach and automatic camera settings. With this in mind, consider these seven tips to help you get the most out of urban environments in low light.
Establishing time and place
by Todd Vorenkamp · Posted
There is something magical about creating an image from a tiny amount of light that traveled through the smallest of holes—regardless of whether the image is captured on film or on a modern digital camera sensor. Pinhole photography is, arguably, the purest form of the art and, if you can mentally handle the fact that you are embarking on a voyage that runs counter to all of your wide-aperture-super-expensive-no-digital-noise digital aspirations, it is a