There comes a time in one’s life when you strongly consider starting a podcast with the people around you. No matter what the topic is, you’re going to need some gear. Microphones, cables, audio interfaces—they can all be a bit confusing, but it’s not incomprehensible. Whether you are brand new to this wonderful hobby or a seasoned speaker looking to take your podcast to the next level, we have some suggestions for you.
Microphones
There are two general types of microphones out there, USB and XLR. USB microphones can be easily plugged into a computer. You use the internal settings on your PC to adjust volume, gain, and other elements. Meanwhile, XLR mics require a preamp or an interface of some sort. The benefit of this is how you can fine-tune your experience a bit better as well as support multiple mics simultaneously depending on the interface.
So for USB users who are doing their podcast remotely, you can look at options like the Blue Yeti, which is great not just for podcasting but for overall content creation. It has a built-in stand and has a ton of options built right into the mic itself. The Audio-Technica AT2040USB is also a fantastic mic that delivers high-quality audio and can connect to any computer via USB-C cable. I have used both of these mics over the years of podcasting and found both to be reliable, high quality, and easy to use.
When it comes to XLR mics, you have a lot of wiggle room because XLR is so widely adapted. If you’re just getting into the world of XLR microphones, then I would suggest the Elgato Wave DX Dynamic Broadcast Microphone. It uses a dynamic capsule and an internal pop filter to produce high-quality sound suitable for all types of podcasts and content creation.
Audio-Technica comes back into the conversation with their XLR version of the previously mentioned microphone, the AT2040. It features a large diaphragm for enhanced audio pickup ensuring clear and precise vocals. If you are looking for mics with a bit more range and versatility, the RODE NT1 is a solid choice. On top of the deeper range, it also features both an XLR and USB-C connector. It truly is the best of both worlds.
It is impossible to discuss microphones without bringing up the widely praised Shure SM7B. It is widely seen all over the world in various in-person and remote podcasts and even seen in video podcasts from some of the biggest names in the industry. It features a dynamic design for great vocal pickup, solid mid-range controls, and a whole lot more.
Interfaces
If you are considering grabbing an XLR microphone, then you need an interface. But before you go out and buy one, you need to think about your setup. Is it just you in a remote situation or are you going to have multiple guests? Maybe a solid co-host? I’m available. Either way, you’re going to need an interface.
Focusrite’s Scarlett Solo is a wonderful interface that can easily handle your mic. This particular model is designed for single-mic usage, which is great for remote podcasts. If you have four mics set up, the Scarlett 18i16 is a great solution. Both are designed for simplicity, so beginners and even advanced users will have a great time when it comes to entering this hobby.
If you are looking for something more robust, the TASCAM Mixcast 4 is a great solution. It offers multiple XLR inputs alongside eight faders and a whole lot more. It also has onboard multitrack recordings with SD card support for when you don’t have a computer to connect to. The RODE RODECaster Pro II is also a great option thanks to its core design, multiple faders, and also includes recording to a microSD card or USB device.
Kicking it up a notch, if you have a ton of guests and you need multiple microphones setup with the most fine-tuning you could get, a true audio mixer is what you’ll need. Experienced audio engineers who like to tinker with every aspect of sound would find the Yamaha MG16 a great option. It has multiple inputs, tons of knobs so you can control the highs, lows, and mids. It also features faders for precise volume control. The Mackie Onyx12 is also a great alternative that offers similar performance, features, and also includes a robust digital effects engine for enhanced audio capture.
Headphones
All you really need for a podcast is a solid mic and maybe an interface. But there are a couple of things you might need as well that you might not be thinking about. For example, if you want to monitor your voice and get an idea of how you sound, you should consider grabbing a solid pair of headphones. Headphones can come in many different flavors and prices, so make sure you check out our article on the best headphones for podcasting.
If I were to make a few off-the-cuff suggestions, I have to pick out the Audio-Technica M20x, which offers great sound at a fraction of the price. My personal favorite is the Sennheiser HD 280 Pro, which provides exquisite playback with optimal comfort, suitable for all-day recording sessions.
Mic Arms and Mounts
We talked all about mics, but what about how to hold them? This is where the good ole mic arm comes in. They come in two basic styles, high and low profile. High-profile arms are great when you need lots of reach. The RODE PSA1+, for example, offers ample length to make it comfortable whether you are sitting at your desk or clamping it to a set piece.
A low-profile arm like the Elgato Wave Mic Arm LP has a smaller reach and are designed to be out of the way. Because low-profile arms are lower, you can maintain eyelines between guests without anything blocking your view.
Cables
You’re going to need cables to connect your equipment. Most USB mics will include a cable, so you don’t need to worry about that unless length becomes a concern. XLR mics and interfaces do not include the necessary audio cable, so you must buy one separately.
Personally, I am a fan of Kopul’s Premium Performance 3000 Series Neutrik XLR cables. They offer multiple lengths up to 100 feet and come in a wide range of colors, so you can easily organize your cables. Also, they are quite sturdy.
Pop Filters
Another great add-on is a pop filter. This helps reduce some of the harsh sounds your voice could put out and dulls them for easy listening. There are a couple of different types out there and some are only compatible with certain types of microphones, but I do like the Auray PFSS-55 because it can clamp anywhere and be adjusted to fit whatever mic you are using. So, if you need to swap mics, you don’t need to worry about finding the right filter again.
While not necessarily a pop filter, nor is it required, you might find some use out of a reflection filter like the Auray RF-CM-S. If your space doesn’t accommodate acoustics all that well, this will help with your audio, especially if you are a solo creator who likes to speak about topics like technology, audio, and maybe even photography.
Cases
Chances are that you have all this equipment, and you might need to either bring it with you on the go or store it when you’re not recording. This is where the Pelican 1535AirWF case comes in. While there are many cases out there meant for specific items, this one comes with foam that can be easily removed so that you can customize the recesses you need. It also accepts a user-supplied lock for security and features wheels, pull handle, and a whole lot more to help you go from point A to point B.
Conclusion
There you have it, all the essentials you need to start. Whether you are working solo or with others, there is always something that can help elevate your sound. For more information on everything we talked about, make sure you hit the links.
