Search results for: photography features ai photography editing
About 65 filtered resultsby Mathew Malwitz · Posted
Let's face it: smartphone cameras are not the vibe anymore. What we want is a dedicated point-and-shoot camera, whether it be a classic hand-me-down model from the early 2000s or a more current spec'd out model with modern bells and whistles. These small point-and-shoot cameras may be made for travel but they excel in some scenarios more than others.
In today's guide, we're covering just a few of the best travel-friendly
by Mathew Malwitz · Posted
At long last, Sony has unveiled the much-sought-after successor to their legendary RX10 bridge camera, the RX10 V. The perfect marriage of new and improved performance-enhancing features plus the hardware that made its predecessor so popular, the RX10 V is sure to excite. Let’s find out how.
by Mathew Malwitz · Posted
When it comes to choosing the right camera, there’s often a gap between the small, pocketable point-and-shoot cameras and larger mirrorless ones. While interchangeable lens mirrorless cameras have much to offer, their higher price points and larger form factor often make them unfeasible for the average photo enthusiast. It often leads to the question of how a photographer can bridge that gap.
Enter the aptly named
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Your photos are captured with the camera, but your vision comes to life in the edit. Cliff Pickett walks you through how to see the final image within the raw file—and the steps to bring it there. Creating your best work starts with recognizing the potential in the image before anyone else can see it.
0:00 - Intro
4:27 - Recognizing Potential
7:32 - What's your subject?
11:03 - Frequency illusion
12:41 - Set & raising your standard
37:17 - Removing distractions
53:43 - Presets
1:06:13 - AI tools
1:12:45 - Editing demo – presets
by Mathew Malwitz · Posted
I love the Sony A7 IV. That might be a strange way to begin a review of the A7 V, but an important fact to mention. When I first put my hands on a Sony camera years ago, I loved the customization they offered, and of course, I loved the glass.
Above photograph © Mathew Malwitz
How a camera fits in one's hand is very important, so when Sony unveiled a beefier camera, I was sold. It was the perfect blend of form and functionality that many (me, myself, and I) had long desired. It pushed the boundaries of what many once considered to be an all
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Join us as we check back in with photographer Jay Cassario to talk about the current state of the industry. From gear to AI to branding, we’ll get Jay’s thoughts on it all.
0:00 - Intro
0:50 - What's new with Jay
4:17 - Personal work
7:07 - Jay's approach to his unique look
10:47 - Shifts & trends in the industry
14:09 - Color verses Black & White
18:46 - Working with color
22:10 - Using AI for culling photos
29:31 - Storytelling & lighting
38:44 - Reviewing Jay's work
1:01:02 - Closing
Sponsored by
by Mathew Malwitz · Posted
There’s an old adage that claims in order to be a wildlife photographer, you need a lot of time and a lot of money. This is only partly true. Many great wildlife photo opportunities can occur in urban parks and even in your own backyard, as long as we know what we’re doing. In this article, we’re going to cover a number of essential tips that will help you become a better wildlife photographer.
If you’ve read our introduction
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One of the most polarizing questions in the mind of any photographer is “Should—or shouldn’t I—get an agent?”
The role of an agent in a photographer’s career is often misunderstood, leading hungry creatives to think that securing representation is their number one key to success. In truth, the relationship between a photographer and agent is far more nuanced than simply booking more assignments.
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Portrait photographer Mark Wallace demos the power of Evoto AI photo editing. Mark shows how Evoto's collaborative tools make it easier to work with your post-production team, speed up delivery times, and keep projects moving smoothly. Evoto's AI helps you bring your clients directly into the process, knowing what the final photo will look like.
0:00 - Intro
3:35 - Second screen display
8:11 - Live view
9:45 - Cloud spaces
17:28 - Library panel / Collections
22:32 - AI culling
29:32 - Cropping
38:42 - AL editing
42:09 - Retouching demo
46:08
by Zack Young · Posted
Coming four years after the release of the FX3 and three years after the FX30, Sony’s new FX2 digital cinema camera surprised a lot of people who expected a successor to the existing FX models, not an entirely new offering that sits somewhere between the two. A true hybrid capable of stunning (though slightly cropped) 4K60p video and sharp 33MP stills, the FX2 is a unique proposition in a market crowded with
by Mathew Malwitz · Posted
This holiday season, we’re looking at fun and affordable lenses for your mirrorless systems. There will be both unique lenses and some overlap thanks to the vast number of third-party lenses hitting the market for all major brands. In this guide, we’re covering the Nikon Z mount. From landscape and architecture to sports and wildlife, we’re hitting a variety of focal lengths and price points.
7Artisans 10mm f/2.8 Mark II Fisheye Lens
by Luke Rollins · Posted
While 2025 continued many of the photo industry's developments (emphasis on hybrid developments, splashes of niche camera releases, sequels to established camera series), it also formalized the compact digicam trend that had emerged on social media in recent years, with several companies releasing (or re-releasing) point-and-shoot cameras. As the floor for image quality continues to rise, and with yesteryear's flagship features trickling down to today's mid-market offerings, manufacturers are distinguishing themselves through body design,
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How often do you think beyond the photos you make to consider the larger purpose they serve—both for yourself and, ideally, for a wider audience? In today’s show, we explore this idea while connecting the dots between picture making, process, and purpose. Our guides for this conversation are nature/landscape photographer and mountaineer Matt Payne, and street photographer, portraitist, and YouTube storyteller Sean Tucker. While Matt and Sean have widely different photographic specialties, they share much in common, from educational backgrounds
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“If you look very intensely and slowly things will happen that you never dreamed of before.” This Aaron Siskind quote neatly sums up the deeply contemplative discussion we had with landscape photographers John Paul Caponigro and Joel Simpson in this week’s podcast.
by Gabby Bloch · Posted
Producing a podcast is not an easy challenge. And for beginner and intermediate podcasters who are tasked with handling post-production, there are always new things to learn and fresh ways to approach the editing and mixing process. So, I sat down with B&H’s own podcast producer of the B&H Photography Podcast, Mike Weinstein, to glean into some of his editing and mixing methods.
So, let’s start from the beginning. What kind